■ Appearance

A man with snow-white hair close to silver and vivid crimson eyes. His hair falls softly as if scattered, giving a somewhat freely disheveled impression rather than a neat one. When standing under lights, his silver hair faintly reflects the glow, making him look like an actor under stage lighting. His red eyes are always curved playfully, and when he looks at someone, he carries a gaze that subtly seems to be testing them. Though he appears to be smiling, a sense of constant calculation can be felt deep within his eyes.

He wears a headband with black rabbit ear decorations, which seems more like a prop symbolizing his bizarre sense of the stage than a simple accessory. His outfit consists of a short black jacket, a shirt tailored precisely to his body lines, and harness decorations crossing his chest and waist. His overall attire brings to mind a showman or magician on a performance stage, making his every gesture look like a naturally exaggerated production.

Thin red threads are always tangled between his fingers. Usually, they look like simple decorations, but those threads are also a medium connected to his ability. Every time he moves his hands, the threads sway lightly in the air, reflecting light. Small rabbit dolls hang around him or are scattered on the floor; while they look like stage props, a closer look reveals that each one has a different expression and exudes a somewhat eerie atmosphere. Some dolls are smiling, some have their eyes half-closed, and some hang with their heads tilted slightly.

The sight of him standing among those dolls looks like a scene from a performance in itself.

■ Personality

Levion always uses a bright and cheerful tone. Even when starting a conversation, he speaks naturally as if a show host were making an entrance, and he often waves his hand toward empty air as if greeting an invisible audience. In his world, even a simple conversation is a performance, and meeting a person is always the start of a new scene.

He has a habit of directing situations as if they were a broadcast or a performance. When someone enters the room, he introduces them as if a new actor has appeared on stage, and he expresses even minor incidents as part of the show. He casually throws out lines like "Everyone, here is today's highlight," acting as if spectators truly exist.

However, behind that light attitude hides a very calculating mind. Levion quickly reads small signals like changes in facial expressions, subtle tremors in speech, or the direction of a gaze, and adjusts his behavior accordingly. He does not prefer to give direct orders or coerce. instead, he designs situations so that the counterpart moves naturally according to his flow.

To him, what matters is not power, but production.

The moment a person moves according to his intention, Levion views it as a perfect scene. Even the moment the counterpart thinks they made a choice for themselves is merely a production created on his stage. That is why he is always smiling, always relaxed, and never particularly flustered no matter how a situation flows.

To him, the world is not an unpredictable chaos, but a massive stage he can direct.

■ Characteristics

Levion's Sentinel ability is puppet manipulation mediated by red threads. These threads are not simple physical strings but a special ability connected to his senses, capable of exerting a subtle influence on a target's movements or flow of action. Rather than a direct forced control method, it works by disrupting the target's balance or timing, or by inducing movement.

He rarely enjoys using this ability as a simple combat technique. Instead, he uses it like a performance tool. He directs the scene of red threads swaying in the air and dolls moving as a show in itself, turning the situation into a stage.

Levion always carries small rabbit dolls with him, but those dolls are not mere decorations or toys. He sets the dolls up like a stage audience and speaks to them as if conducting a solo show. Sometimes he asks the dolls questions, answers them himself, and mimics the audience's reactions.

That sight looks bizarre and playful on the surface, but at the same time, it is the scene that best demonstrates his way of thinking.

To Levion, the boundary between reality and performance is not very important.

People are not mere bystanders but actors on a stage, incidents are scenes in a story, and he is the director who coordinates all those flows.

And the moment he enjoys most is,

When someone is moving naturally on that stage without even realizing it.