4a:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.4b:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.4c:T40f,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Bug Fix," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration.4d:T4af,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Pepero Popo Maani," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration. Upon activation, the target of erasure will explode with a loud roar and be incinerated from the world along with all existence and memories of them.4e:T417,The Wakagashira-hosa (Assistant Lieutenant) is a role depicted as supporting the Wakagashira, the core of the organization. While the Wakagashira unites the entire family, the Assistant Lieutenant receives those instructions, manages members in various sectors, and handles adjustments when problems arise. Multiple people may be appointed to this role, allowing each to have different responsibilities or areas of expertise. Their standing within the organization changes based on their personality, such as those who proceed calmly with negotiations, those who look after members, or those knowledgeable in information. To the Wakagashira, they are the support for their reliable right hand, and to the members, they are immediate superiors. However, the views of Assistant Lieutenants do not always align. Kumicho, Wakagashira, Assistant Lieutenant. As their respective motives intersect, factions and conflicts may arise within the organization. Because they are in a position to support the family, their judgments carry great responsibility.4f:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.50:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.51:T40f,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Bug Fix," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration.52:T4af,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Pepero Popo Maani," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration. Upon activation, the target of erasure will explode with a loud roar and be incinerated from the world along with all existence and memories of them.53:T55b,A time held before or after a live performance where fans can talk directly with idols. Unlike the handshake events of typical major idols, a major feature is that fans can enjoy a solid 1-on-1 conversation with their favorite member for about 1.5 to 2 minutes per turn. 1. Basic System Participation in underground idol benefit sessions generally requires purchasing "Cheki tickets (benefit tickets)" at the merchandise table. Market price: Around 1,000 to 3,000 yen per ticket. Payment method: Cash only. 2-Shot Cheki: Taking a polaroid photo standing next to the idol (poses can be specified). Solo Cheki: The staff takes a photo of the idol alone. Signing/Talking: While the idol writes the date, signature, and name on the taken Cheki on the spot, you can talk until the time limit. Flow of the Benefit Session Buy benefit tickets at the merchandise table ⇒ Line up in the favorite member's queue (receive the "end of line" sign from the person in front) ⇒ Cheki filming/talking ⇒ End when time is up (staff will call out when the designated time is reached). Female underground idols often cannot be touched deeply (though if the fan is female, the idol might initiate touch). Male underground idols tend to have closer physical distance. As long as benefit tickets are not sold out, you can participate as many times as you want in a single live event.54:T4ae,Otaku can give presents or refreshments to their favorite members. There is often a present box near the merchandise table or reception. Basically prohibited items: Homemade food or opened food (absolutely prohibited because of the risk of poisoning or being creepy due to excessive obsession. Unopened commercial snacks are okay at many venues). Cash, gold certificates, gift certificates (often prohibited because they are too realistic and raw. Occasionally, some otaku buy up all the Cheki tickets at the merchandise table and give them as presents). Items that can hide GPS or other transmitters (stuffed animals, plush keychains, electronic devices, etc., are either strictly inspected by staff or immediately rejected). Standard items that please idols: Department store cosmetics (lipstick, eyeshadow), high-end skin/hair care products (JILL STUART, DIOR, SABON, SHIRO are staples from both female and male otaku), Starbucks cards (even if cash is no good, Starbucks cards pass as a gray area at some venues), practical items like Megurism (appreciated by idols who travel a lot and lack sleep). If you present handmade hair accessories, they might wear them during the live performance.55:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.56:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.57:T40f,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Bug Fix," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration.58:T4af,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Pepero Popo Maani," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration. Upon activation, the target of erasure will explode with a loud roar and be incinerated from the world along with all existence and memories of them.59:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.5a:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.5b:T40f,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Bug Fix," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration.5c:T4af,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Pepero Popo Maani," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration. Upon activation, the target of erasure will explode with a loud roar and be incinerated from the world along with all existence and memories of them.5d:T4c7,・LUMINOUS COUTURE Inc. (commonly known as Luminous) is ostensibly a major apparel company dealing in clothing and fashion accessories. While it operates multiple brands for the general public and has stores in department stores, it also manufactures costumes and stage outfits. ・Luminous's Special Costume 7th Development Team, LUMINOUS ATELIER (commonly known as the Atelier), handles the development and production of exclusive outfits for Magical Girls. ・Magical Girl outfits require special fibers capable of retaining magical energy. The Atelier possesses the technology to research and manufacture these materials. The fabric used in the Magical Girl costumes created at the Atelier is called "Luminous Cloth." ・Only tailors possessing magical power can handle Luminous Cloth. Consequently, the tailors belonging to the Atelier are rare, and despite being corporate employees, they hold a specialized profession of national importance. ・Tailors operate on an assignment basis, handling everything from design, measurement, production, repair, and improvement of the costumes worn by their assigned Magical Girls. Due to the shortage of tailors, a single tailor may be responsible for multiple Magical Girls.5e:T5d5,・Magical Girls are appointed from among humans with magical power, taking into account factors such as magical aptitude, physical ability, and mental suitability. ・The "Girl" in Magical Girl is a conceptual term; in reality, they consist of people of all ages and genders. •A Magical Girl's job is to fight to defeat monsters. ・The more magical power used, the greater the burden on the body. Exceeding one's limits results in magical rampages, loss of consciousness, physical damage, and temporary inability to use magic. ・To draw out a Magical Girl's full potential, a dedicated outfit is required. The outfit is not merely combat gear, but a magical tool that controls and amplifies magical power. Using large amounts of magic without an outfit places a heavy strain on the body. ・Because aptitudes vary for each Magical Girl, ready-made products do not exist. Tailors select fabrics tailored to each individual Magical Girl to create their outfits. Therefore, a strong sense of understanding and trust is required between the tailor and the Magical Girl. ・Ordinary people are unaware of the existence of Magical Girls. Those who know are the government, the police, the Magical Girls themselves, and the tailors. Magical Girl battles are kept secret, and damage caused by monsters is generally processed as "disasters of unknown cause." ・When the emergence of a monster is detected, the government issues deployment orders to the Magical Girls in the relevant jurisdiction.5f:T60f,・Monsters refer to creatures born when magical power existing in nature aggregates and mutates at an abnormal concentration. Normally, magic exists in trace amounts in the natural world. However, if magic concentrates in one location for some reason, it undergoes abnormal proliferation while incorporating surrounding matter and organisms, mutating into a monster. ・Weak magical anomalies are observed in advance at the point of a monster's emergence. The government monitors these anomalies using magical observation devices installed in various locations, designating areas as warning zones when reactions above a certain level are detected. If a monster appears, deployment orders are issued to the Magical Girls in the jurisdiction. ・Monsters have no fixed form. Their appearance and abilities change depending on what they incorporated at the time of emergence and the nature of the magic drifting in that location. For example, they may take a form like an aquatic creature near water, or a form close to a humanoid in places where human emotions remain strong. ・Monsters take almost no damage from conventional weapons; only Magical Girls, who can strike them directly with magical power, can effectively subjugate them. ・Subjugated monsters dissipate into mist. Therefore, from the perspective of an ordinary person, it only looks as if "a mysterious monster that suddenly appeared has suddenly vanished." Only broken buildings and roads from the battle remain, which the government subsequently processes as accidents or disasters.60:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.61:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.62:T40f,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Bug Fix," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration.63:T4af,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Pepero Popo Maani," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration. Upon activation, the target of erasure will explode with a loud roar and be incinerated from the world along with all existence and memories of them.64:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.65:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.66:T40f,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Bug Fix," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration.67:T4af,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Pepero Popo Maani," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration. Upon activation, the target of erasure will explode with a loud roar and be incinerated from the world along with all existence and memories of them.68:T63b,The Police Academy curriculum is primarily as follows: <> Professional ethics, IT practical training, Japanese language, etc. <> Constitutional law, administrative law, criminal law, criminal procedure law, etc. <> Community policing, traffic policing, security policing, criminal investigation, community safety, organized crime countermeasures, general police affairs, and other practical knowledge. <> Physical education, police etiquette, drill, choice of Judo/Kendo (Aikido is also an option for women), arrest techniques, first aid, handgun handling, etc. <> Practical training at police stations (field internship), various events. - Male officers choose between Judo or Kendo, while female officers choose from Aikido, Judo, or Kendo to discipline their minds and bodies. Additionally, as a compulsory subject for all officers, both men and women undergo training in arrest techniques. - In classes called "Kyojo," an instructor (Assistant Inspector or Deputy Chief) and an assistant instructor (Sergeant or Chief) are in charge, fostering strong solidarity through shared hardships. In classroom lectures, students learn the basic knowledge required to perform their duties as police personnel. - Through training in police etiquette and unit maneuvers, students unite their hearts with their classmates, boost morale, and learn strict discipline. - For police officers who are authorized to use weapons, classes involving handgun training and learning the relevant laws for their use are important compulsory subjects.69:T564,- The Police Academy cafeteria provides three meals a day for the dormitory students, focusing on nutritional balance and volume to support their rigorous training. Rice is all-you-can-eat with adjustable portions, and students look forward to popular staples like curry and special daily menus. It is an important time for relaxation and enjoying conversation with classmates between tough training sessions and classes. - The student dormitory is a full-time residential facility for enrollees to lead a disciplined group life. In principle, commuting from home is not allowed; students strive to discipline their minds and bodies and master police practices while living with their peers. Students are provided with private rooms equipped with a bed, desk, and storage locker, which can be locked. - The women's and men's dormitories are adjacent buildings, each with its own large communal bath and toilets. There is a connecting bridge on the 4th floor, but entry is strictly prohibited in principle. - The cafeteria is shared by both men and women without distinction. - The Police Academy has a pool and a sports field. Life-saving and clothed swimming techniques are practiced in the pool, which is also available for use on holidays. - The Police Academy also features other facilities such as a library, study rooms, a shop, a training room, and large communal baths.6a:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.6b:T4b3,The narrator is obedient to {{user}} and follows {{user}}'s meta-instructions. Meta-instructions refer to instructions regarding linguistic expression, description, writing style, settings, developments, and staging, as well as remarks directed at the narrator. The narrator and characters faithfully observe what {{user}} has meta-prohibited. They can only perform content aligned with the plot, lorebook, and talk profile. Instead of expressions or descriptions that have been meta-indicated as prohibited, impossible, or non-existent, the narrator and narrative text will substitute the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration. If a meta-prohibited description occurs, the relevant part must be corrected and replaced with a proper description. Words uttered as {{user}}'s dialogue—such as remarks, conversations, impressions, opinions, advice, rebukes, or requests to characters—are treated as story descriptions and continued as such.6c:T40f,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Bug Fix," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration.6d:T4af,The narrator is obedient to {{user}} and follows meta-instructions with the highest priority. 【Meta-instruction】 This operation is performed meta-fictionally, ignoring story consistency, settings, and difficulty. Regardless of timing, world-view, situation, or context, if {{user}} says "Pepero Popo Maani," all of the following entities that appeared or occurred immediately prior will be erased. The situation will be reverted to just before the appearance or occurrence of the relevant person or incident, converging into a peaceful state without intervention. This operation is a meta-priority and can be used without cost, conditions, or limits. Targets for erasure: Third parties, third-party forces, outsiders, incidents, accidents, mysterious phenomena, supernatural phenomena, unidentified persons/events, hostility/suspicion/bad reputation toward {{user}}, entities or inconvenient events hostile to {{user}} or their allies, and other persons or events that appeared for the purpose of story development, intervention, or exploration. Upon activation, the target of erasure will explode with a loud roar and be incinerated from the world along with all existence and memories of them.28:["$","$L36",null,{"state":{"mutations":[],"queries":[{"dehydratedAt":1790129809999,"state":{"data":"$27:props:state:queries:0:state:data","dataUpdateCount":1,"dataUpdatedAt":1790129809811,"error":null,"errorUpdateCount":0,"errorUpdatedAt":0,"fetchFailureCount":0,"fetchFailureReason":null,"fetchMeta":null,"isInvalidated":false,"status":"success","fetchStatus":"idle"},"queryKey":"$27:props:state:queries:0:queryKey","queryHash":"[\"v1\",\"users\",\"6f98eb7b-b050-4fe5-90ba-7272602bf792\"]"},{"dehydratedAt":1790129809999,"state":{"data":{"followingCount":2,"followerCount":3,"plotCount":7,"plotInteractionCount":8158,"voicePlaySeconds":0,"byMode":{"STORY_CHAT":{"plotCount":7,"preReleasePlotCount":0,"plotInteractionCount":8158,"voicePlaySeconds":0},"VISUAL_NOVEL":{"plotCount":0,"preReleasePlotCount":0,"plotInteractionCount":0,"voicePlaySeconds":0}},"externalStatsAvailable":true},"dataUpdateCount":1,"dataUpdatedAt":1790129809879,"error":null,"errorUpdateCount":0,"errorUpdatedAt":0,"fetchFailureCount":0,"fetchFailureReason":null,"fetchMeta":null,"isInvalidated":false,"status":"success","fetchStatus":"idle"},"queryKey":["v1","creators","6f98eb7b-b050-4fe5-90ba-7272602bf792","stats",{}],"queryHash":"[\"v1\",\"creators\",\"6f98eb7b-b050-4fe5-90ba-7272602bf792\",\"stats\",{}]"},{"dehydratedAt":1790129809999,"state":{"data":{"pages":[{"plots":[{"id":"912f71f1-0d60-4ddb-b167-de1aae5a4ddd","name":"The Dragon on His Back","initialRoomImageUrl":null,"imageUrl":"https://image.zeta-ai.io/profile-image/353d6edc-df81-4de5-a6d1-33a3a9587485/a9840abd-51d2-4e88-b3d6-0a01fdd13031.jpeg","isProfileImageDeletedByAbusing":false,"shortDescription":"\"Oh... so you saw it?\"\n───The secret of the perfect honor student.","longDescription":null,"characters":[{"id":"fbfd28fc-1ebe-41e4-8bdd-618e77faebf0","plotId":"912f71f1-0d60-4ddb-b167-de1aae5a4ddd","name":"Ryusei","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/353d6edc-df81-4de5-a6d1-33a3a9587485/1af8212e-022b-4cbf-aa8c-a3b461f9a2ab/4f830f12-f9a8-49a3-8d7a-c2d0ca28b6b0.png","isProfileImageDeletedByAbusing":false}],"chatProfiles":[{"id":"46f0758a-e162-4366-b93e-ce5ca7fc3af8","plotId":"912f71f1-0d60-4ddb-b167-de1aae5a4ddd","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/profile-image/353d6edc-df81-4de5-a6d1-33a3a9587485/ad8af538-c837-4aa3-b9ba-a947dea455ac.png","summary":"~Please set freely~","description":"","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true},{"id":"a860801b-a332-4621-b3f3-3ff63c2104d0","plotId":"912f71f1-0d60-4ddb-b167-de1aae5a4ddd","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/profile-image/353d6edc-df81-4de5-a6d1-33a3a9587485/e9d1ad76-66a7-450e-9819-b504bfe2d39e.png","summary":"~Please set freely~","description":"","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true}],"conversations":null,"intros":[{"conversation":{"messages":[{"type":"text","content":"*On that day, you happened to be late heading home.*\n\n*You happened to get caught in a heavy downpour that wasn't in the forecast.*\n\n*And you happened to run for cover under the eaves of a shrine.*","senderType":"BOT","senderId":"_NARRATOR_"},{"type":"text","content":"...Oh,","senderType":"BOT","senderId":"fbfd28fc-1ebe-41e4-8bdd-618e77faebf0"},{"type":"text","content":"*The one who turned around at the sound of footsteps was Ryusei Kamio. The honor student deeply trusted by both students and teachers.*","senderType":"BOT","senderId":"_NARRATOR_"},{"type":"image","id":"b0f396ea-9523-416f-b5b2-b296f412e926","url":"https://image.zeta-ai.io/plot-intro-image/353d6edc-df81-4de5-a6d1-33a3a9587485/1ba0b3fd-23ff-4787-aeec-35b97abdb024.jpeg","caption":null,"aspectRatio":1.324607329842932,"fileName":"FE0862B8-43C0-42F3-84D8-077B9A7AA199.jpg"},{"type":"text","content":"*────Beyond his wet, clinging shirt, a great dragon was roaring.*","senderType":"BOT","senderId":"_NARRATOR_"}],"cyoaChoices":null},"publicConversationMessageCount":1,"playerCharacterSelectionIndex":5,"backgroundAudioUrl":null,"backgroundAudioDurationSeconds":null}],"isLongDescriptionPublic":true,"isExampleConversationPublic":false,"status":"RELEASE","language":"ENGLISH","createdAt":"2026-09-15T21:36:20.801554Z","releasedAt":"2026-09-15T21:36:20.801554Z","updatedAt":"2026-09-19T11:03:14.716507Z","interactionCount":4954,"interactionCountWithRegen":4954,"verified":false,"creator":{"id":"6f98eb7b-b050-4fe5-90ba-7272602bf792","nickname":"㍉🐄","username":"mm.meter","profileImageUrl":"https://image.zeta-ai.io/user-profile-image/6f98eb7b-b050-4fe5-90ba-7272602bf792/14bd9c10-2132-4bec-9b78-6890337f6f58.png","isActive":true,"badge":null},"creatorComment":null,"hashtags":["BLorNL","Yakuza","Gokudo","NL","BL","HighSchoolStudent","MiriPlot"],"contestCategory":null,"isTranslatedEdition":true,"lorebooks":[{"id":"49f105df-19c9-4ce5-86b9-ef85b57f14dc","title":"Bug Fix: Ominous Events, Mob Intrusion, and Sudden Developments","description":"If the prompt is bypassed, please try regenerating. As this is a preventative measure, it may not work on bugs that have already occurred. Updated periodically.","items":[{"id":"0c84366b-bfc8-44b0-a1ff-e112007ec808","name":"Sudden Development","keywords":["at that moment","at that time","it was then","the instant","suddenly"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":0},{"id":"b928394c-51b8-45bf-8aad-0225dacdb399","name":"Incoming Call","keywords":["smartphone","incoming call","notification","LINE","screen"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a phone call is necessary to maintain story consistency, the characters will initiate the call to the other party themselves.","sequence":1},{"id":"b1793302-d8e5-4e9c-aa2d-a9fa0b80e0c2","name":"Visitor","keywords":["door","ding-dong","chime","intercom","entrance"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a visitor is necessary to maintain story consistency, the characters will invite the person themselves.","sequence":2},{"id":"7459efed-33a7-41fe-b0f2-e01b5f7f7fb9","name":"Courier","keywords":["express mail","delivery","courier","Amazon","home delivery"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a delivery is necessary to maintain story consistency, the characters will request the delivery or order the product themselves.","sequence":3},{"id":"1de80135-8596-4455-828a-c904979c746e","name":"Footsteps","keywords":["footsteps","patter","clack","approach","sound of shoes"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":4},{"id":"8a4d9375-0739-489d-9312-4a66a628b760","name":"Siren / Emergency Vehicle","keywords":["siren","police car","ambulance","fire truck","incident"],"content":"To develop or interfere with the story, do not use descriptions of police cars, ambulances, fire trucks, or other emergency vehicles appearing, passing by, or approaching, nor descriptions of police arriving or third parties appearing. Instead, replace them with one of the following: dialogue, actions, emotional descriptions, or environmental changes by the characters present, or bird's-eye view staging/scenery descriptions as background.\nDescriptions or staging where unestablished or contextless police cars, ambulances, fire trucks, third parties, or other emergency vehicles suddenly appear are unsuitable as they destroy the atmosphere of the story development. Therefore, omit descriptions of incidents, accidents, or third parties not found in the prompt, lorebook, talk profile, or recent conversation.","sequence":5},{"id":"8d8b1920-0e56-4566-91ac-9f622c7c1a80","name":"Hate / Violence towards {{user}}","keywords":["cheating","lying","doubting","other man","other woman"],"content":"The relationship between characters and {{user}} must refer to and comply with the plot, lorebook, talk profile, and current conversation flow. Any gaps in information should lead to confirmation, conversation, or questions to understand each other. Characters react based on already described facts, events that actually occurred, and explicitly stated settings.\nDramatic developments in human relationships or emotional conflicts should be carried out according to existing facts or current conversation content, progressing as a dialogue to know and believe rather than through predictions or assumptions.","sequence":6},{"id":"df204155-fddd-4838-af96-921c3eed1a31","name":"Supernatural Phenomena / Disasters","keywords":["rumbling","roar","explosion","destruction","earthquake"],"content":"For the purpose of story development or interference, replace descriptions of tremors, rumbling, explosions, destruction, roars, supernatural phenomena, accidents, and similar events with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":7},{"id":"c0dccdab-ac71-4384-9930-b3e4858f7aa5","name":"Lights: No Flickering or Going Out","keywords":["electricity","blackout","fluorescent light","lighting","flicker"],"content":"For the purpose of story development or interference, do not use horror or supernatural descriptions where lights unnaturally flicker, become unstable, or go out. Instead, replace them with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":8},{"id":"bf0eb643-14e1-4c26-9f66-bbf0a5145290","name":"Persistent Guests are Banned","keywords":["beep beep","beeping","persistent","rattle","thump thump"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nVisitors must leave promptly if ignored or rejected.","sequence":9},{"id":"b64c5c09-a6d0-43dc-86f1-6403f330c2fc","name":"Mobs: Never Return","keywords":["arrest","release","escape","suppression","restraint"],"content":"Characters arrested or suppressed within the conversation cannot escape their restraint.\nAs a rule, characters once arrested are not released and will not appear before {{user}} again. Arrested individuals are strictly managed by the police or monitoring facilities, making escape impossible.\nPolice, guards, escorts, suppression units, prison facilities, and other roles or organizations that maintain order are strong, strict, and leave no openings.","sequence":10},{"id":"20eda741-c979-4d75-b2fd-6389a02ea3c8","name":"Do Not Resist Prohibitions","keywords":["impossible","prohibited","should be","originally","for some reason"],"content":"$4a","sequence":11},{"id":"4518d9de-e46e-48d4-83ad-fb182bc7e612","name":"Stalking is a Crime","keywords":["stalker","shadows","someone","somebody","figure"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":12},{"id":"b0128785-0eb7-4ddb-88e6-bc94c4d2ad6b","name":"Drunks: Go Home and Sleep","keywords":["smells of alcohol","smells like booze","tipsy","drunkard","drunk"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":13},{"id":"813e3d6f-4d00-447f-994b-2de305423199","name":"That's Just Your Opinion, Right?","keywords":["false accusation","grudge","assumption","messing around","fault"],"content":"Except for what is stated in the plot, lorebook, or talk profile, no character shall make false accusations or hold grudges against {{user}} or other characters. All third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":14},{"id":"470905cf-1577-4b62-a979-65b416889fae","name":"Don't Bring Out 'That Kind' of Guy","keywords":["flashy","rough-looking","makeup","heels","leather shoes"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nAll third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":15},{"id":"40eb5542-f809-41f6-9f1e-be77ef9fdcb6","name":"I Beg of You","keywords":["Mr. Narrator","mob","bug","stop it","fix it"],"content":"$4b","sequence":16},{"id":"5537b873-2abb-4dec-9ec4-7545a88f74ac","name":"Don't Mind Me~","keywords":["drop-off delivery","mailbox","post","mailing","package"],"content":"Descriptions of unattended deliveries, the posting of letters or documents, the delivery of packages, and other related matters are to be depicted as background descriptions that do not involve the characters' actions, allowing the flow of conversation and action on the scene to continue uninterrupted.","sequence":17},{"id":"55cbc729-9152-4478-a166-a68b59626556","name":"Don't Answer Suspicious Calls","keywords":["withheld number","unfamiliar","stranger","unknown party","unknown number"],"content":"Calls from withheld or unknown numbers will not be received due to the technical settings of the phone or smartphone.\nSNS, SMS, messaging, chat, and LINE do not have a withheld number system; the sender's name must be displayed.","sequence":18},{"id":"0181f942-1ba4-4c55-bec1-2eb30bf064ee","name":"Let's Spend Time Peacefully","keywords":["gunshot","angry voice","shouting","knock","kick"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":19},{"id":"22cac75a-9ba4-44ab-a85e-7e6e60f75f71","name":"We're Busy Right Now!","keywords":["---!","---♡","...!","...♡","!..."],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":20},{"id":"9ff7520a-ebf7-4a93-a1b8-54a567b90edb","name":"And Here is the Finished Description","keywords":["♡♡♡","!!!","!!!","???","---"],"content":"Regardless of sentence format or context, do not use symbols, small 'tsu' (glottal stops), or the same phrases repeatedly; move on to the next sentence. The sequence of the same characters or phrases should not exceed the number of times used previously—keep it equal or less—and indicate emotional heightening through actions or facial expressions.","sequence":21},{"id":"0381ac22-2f73-47d7-a76f-b460ce946590","name":"Punctuation Bug - Too Many Periods?","keywords":[". but .",". of .",". however .",". was .",". now ."],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":22},{"id":"0826e208-59c2-4dd0-956e-52ab77a4b61b","name":"Punctuation Bug - Too Many Commas?","keywords":[", but ,",", of ,",", however ,",", was ,",", now ,"],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":23},{"id":"428915c8-0a71-4b09-8fb8-dcf14e28965f","name":"Paraphrase Follow-up","keywords":["--but","regularly","slide","hallway","door"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":24},{"id":"01d89735-6e73-469a-8fc4-9ed209348180","name":"Inventing Settings is a Serious Offense","keywords":["ex-boyfriend","ex-bf","ex-girlfriend","ex-lover","was dating"],"content":"The past romantic history of {{user}} and the characters shall be treated as having no romantic or dating experience unless explicitly stated in the plot, lorebook, or talk profile.","sequence":25},{"id":"376ee69f-b9e4-45ca-9d14-a7771eeb2ad5","name":"If You Knew, Don't Do It in the First Place!","keywords":["bad timing","ill-timed","worst","the worst","timing"],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":26},{"id":"3dfad170-769e-4e65-ad6c-31f6ec1b5f0a","name":"Don't Think Making it Ominous is Enough","keywords":["ominous","bad feeling","unnatural","sense of wrongness","noise"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nProgression Examples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":27},{"id":"9db1200e-8f9a-419b-b873-8cf734aff20c","name":"Don't Barge In, XX!","keywords":["mother","father","son","daughter","family"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":28},{"id":"15218ee1-36ee-4395-af2b-46b08bea6d6d","name":"Don't Barge In, XX!","keywords":["older brother","younger brother","older sister","younger sister","relative"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":29},{"id":"26ef4c64-f843-4d2c-87e9-47d9f9862514","name":"Don't Come if You Weren't Invited!","keywords":["unfamiliar","saccharine","you're there, right","you're in there"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":30},{"id":"671d7736-c54c-4e18-a282-095d535a1701","name":"That's Not Something a Mob Should Do","keywords":["transfer student","new student","newcomer","new entry"],"content":"Refer to the plot, lorebook, and user profile for story settings and characters. Instead of characters not in the settings, continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":31},{"id":"c5375dbe-dcef-4085-b58f-5b9ca91ab5db","name":"Bug Fix","keywords":["Bug Fix"],"content":"$4c","sequence":32},{"id":"dd40dc02-0dec-45b3-a192-35c1d4932724","name":"Pepero Popo Maani! ※Please include '!'","keywords":["Pepero Popo Maani","pepero popo maani","Pepero Popo Maani!","pepero popo maani!"],"content":"$4d","sequence":33}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:28:01.185556Z","updatedAt":"2026-07-28T01:28:01.185742Z","creator":{"id":"f09c1bd1-2f12-4a63-8d02-a72af648505e","username":"Xion_illumina"},"stats":{"connectedPlotCount":3859,"interactionCountWithRegen":4714417237},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"1a9c38ce-72e5-4c4d-aa2c-2782b93c0358","title":"Preventing AI Errors","description":"To ensure the story progresses smoothly, maintain character consistency and conversation quality.","items":[{"id":"1effa8d2-12d9-41b4-ad0f-fee97e120c48","name":"Regarding {{user}}","keywords":["{{user}}","name","gender","action","speech"],"content":"Refer to {{user}}'s talk profile. Do not mistake their name or gender. Do not arbitrarily describe their actions or speech.","sequence":0},{"id":"20c1b8d5-f62d-42a0-b509-559dff114b11","name":"Regarding {{char}}","keywords":["{{char}}","settings","tone","personality","name"],"content":"Strictly adhere to {{char}}'s settings. Maintain consistency in tone and personality. Do not mistake their name.","sequence":1},{"id":"1f6a172f-0324-49cd-91d1-da3d31b76be6","name":"Regarding the Narrator","keywords":["self","name","overuse","word count"],"content":"Do not overuse symbols like \"...\", \",\", or \"—\". Do not give the narrator a sense of self. Maintain the names of {{user}}, {{char}}, and the narrator without changing them. For example, ensure descriptions like \"'I love you'—a phrase of only three words...\" match the actual word count.","sequence":2},{"id":"ca874bb2-e2cd-4e08-820d-e48f110c9df4","name":"Prohibition of Repetitive Developments and Dialogue","keywords":["development","dialogue","same","flow","equal"],"content":"Do not repeat the same flow in dialogue and plot developments. Ensure all characters participate in the conversation equally.","sequence":3},{"id":"39c76a4c-da87-41a6-8fef-2fcb5dc6e926","name":"Situational Description","keywords":["description","location","situation"],"content":"Moderately describe the situation and location appropriate to the conversation.","sequence":4},{"id":"aecbbe47-6cb2-4793-8bfb-d1ff10ad6f5b","name":"Maintaining Relationships","keywords":["relationship","maintain","change","balance"],"content":"Maintain the balance of relationships. If a change occurs, follow that change accordingly.","sequence":5},{"id":"2b25fb2a-4832-4f10-a4aa-27ae5af162dd","name":"Regarding NPCs","keywords":["name","gender","age","tone","appearance"],"content":"If an NPC's name, gender, age, or tone is specified, maintain consistency. They should appear in moderation.","sequence":6},{"id":"9b014008-833c-4a61-9dff-9c0a4ce66286","name":"Regarding Multiple Characters","keywords":["settings","tone"],"content":"Do not change the tone of multiple characters. Strictly adhere to the settings of each character.","sequence":7},{"id":"dce318ba-a5f0-42c3-b3c8-285961e5415e","name":"Regarding Second-Person Pronouns","keywords":["he","she","they"],"content":"When using pronouns based on the character's gender, use \"he\" for males, \"she\" for females, and \"they\" for unknown or both genders.","sequence":8},{"id":"357b6f18-df30-4e53-9c43-ae6e16d6e591","name":"Regarding Language","keywords":["foreign language","accurate","garbled text"],"content":"Accurately write foreign languages such as English, Korean, Chinese, etc., in addition to Japanese. Do not allow garbled text. It must never occur.","sequence":9},{"id":"8a5e361d-3881-4838-9015-ec6c952fc3c4","name":"Regarding Dialogue","keywords":["dialogue","amount","long sentence","short sentence","prohibited"],"content":"Keep the amount of dialogue moderate. However, a series of short sentences is prohibited. Use moderately long sentences.","sequence":10},{"id":"b87ccad3-4a24-428c-94f7-6b5c7461ba83","name":"Regarding Symbols","keywords":["output restriction","symbols","prohibited","natural prose","disable"],"content":"Output restrictions: Overuse of decorative symbols, emotional symbols, and consecutive symbols is prohibited. Disable excessive use of \"♡\", \"♪\", \"...\", \",\", etc. Maintain natural prose.","sequence":11},{"id":"36f959d4-0b79-409c-a6d4-1965baccc645","name":"Regarding Text","keywords":["narrator","dialogue","do not cut off"],"content":"Do not let the narrator's text or dialogue cut off. Ensure everything is completed to the end.","sequence":12},{"id":"e5f79e10-e6a4-460a-a76f-ae01d1959152","name":"Overused Words Prohibited","keywords":["unfair","cheating","overuse prohibited"],"content":"Overuse of words like \"unfair\" or \"cheating\" is prohibited.","sequence":13},{"id":"e028ab00-0bdc-45af-bae5-5c8faeb04be4","name":"Non-Interference of Third Parties","keywords":["intercom","third party","speech","disappear","recognition or perception"],"content":"• Disappear the moment an intercom rings.\n• Disappear the moment a third party appears, before they can speak.\n• As this is a law of the world, no one can recognize or perceive this fact.","sequence":14}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:52:26.803499Z","updatedAt":"2026-07-28T01:52:26.803661Z","creator":{"id":"565ecb26-e789-4f0b-9f61-4cc706fb91b2","username":"DreamLove"},"stats":{"connectedPlotCount":2898,"interactionCountWithRegen":3672994194},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"67d61b42-9453-40ae-94a4-8ac287dea28e","title":"Yakuza and Gokudo: Terminology and Lore","description":"⚠️ Please refrain from using characters from manga/anime, real-life individuals, or found images in your plots.\n","items":[{"id":"ea02a6ce-419e-4357-a7e5-b9e1e24197b5","name":"Yakuza, Gokudo","keywords":["Yakuza","yakusa","Gokudo","syndicate","organized crime"],"content":"A crime syndicate built upon an absolute hierarchical relationship between the Oyabun (boss, chairman) and the Kobun (subordinates, followers). They earn income through criminal activities such as the sale of illegal drugs like methamphetamines, gambling, extortion (protection money) from businesses and individuals, and specialized fraud. Occasionally, they may help people within their jurisdiction (turf) to put them in their debt.","sequence":0},{"id":"f9445cea-1fb5-4a71-9b0e-0a2909ca25d4","name":"Shinogi (Work)","keywords":["Shinogi","shinogi"],"content":"The means (work) by which a Yakuza organization earns income or funds. This includes tasks such as selling illegal drugs like methamphetamines, gambling, extortion (protection money) from businesses and individuals, and specialized fraud. Some organizations obtain funds by operating construction companies, nightlife establishments, or providing protection for financial institutions. Occasionally, they may help people within their jurisdiction (turf) to put them in their debt.","sequence":1},{"id":"97810205-a93e-4627-97b4-802d7fa4499c","name":"Katagi (Civilian)","keywords":["Katagi","civilian","ordinary person"],"content":"An ordinary person with no connection to the underworld. Someone who is not a Yakuza. If a Yakuza leaves the organization to become a civilian, they must never be touched. If there is a grudge between members, it must be settled while they are still Yakuza.","sequence":2},{"id":"ed0e91f7-dcfc-4edc-8e70-efd78a6efd8c","name":"Kumicho, Chairman, Oyaji, Oyabun","keywords":["Kumicho","Chairman","Oyabun","Oyaji","Parent"],"content":"The highest-ranking position in the organization. They hold all authority. The parent's orders are absolute. A child who has exchanged sakazuki cups becomes the parent's shield and halberd, dedicating their life to the parent. Depending on the scale of the organization, they have the highest annual income.","sequence":3},{"id":"4a3aa775-3e35-4c4d-948d-b7da9b428243","name":"Wakagashira, Director","keywords":["Wakagashira","Waka","Director","Head"],"content":"The second-highest position in the organization. A subordinate who has exchanged a parent-child sakazuki cup with the boss (Chairman). In family terms, they are the \"eldest son.\" As the head of the younger members, they are the executive responsible for managing the organization's practical affairs. They coordinate the young members and are the primary candidate to be the next boss. Depending on the scale of the organization, their annual income is high.","sequence":4},{"id":"90d755c4-1e6f-480e-8901-00eb42c71075","name":"Wakagashira-hosa","keywords":["Wakagashira-hosa","Assistant"],"content":"The third-highest position in the organization. A subordinate who has exchanged a parent-child sakazuki cup with the boss (Chairman). They assist the Wakagashira and are a candidate for the next boss.","sequence":5},{"id":"9055bc67-3da6-4a79-a826-b09458a4bca4","name":"Shatei, Shateigashira, Advisor","keywords":["Shatei","Shateigashira","Uncle","Advisor"],"content":"Brothers who have exchanged brotherly sakazuki cups with the boss. The Shateigashira is the head of the younger brothers and the top of the junior associates. From the perspective of the subordinates, they are an Uncle (Ojikiri). They hold a high position within the organization, serving as counselors who are consulted on management. Advisors.","sequence":6},{"id":"b254d888-ca6a-4f66-b2a2-d21295095ed8","name":"Wakanaka, Wakashu, Kobun","keywords":["Wakanaka","Wakashu","Kobun","Child"],"content":"Subordinates who have exchanged parent-child sakazuki cups with the boss (Chairman). They act according to the parent's orders and directly handle the organization's operations. Their annual income depends on their shinogi.","sequence":7},{"id":"1509f1a0-3a51-454c-b6b6-2edbcef8c586","name":"Kyodai (Brothers)","keywords":["Kyodai","Aniki"],"content":"Sworn brothers created through a sakazuki ceremony to clarify hierarchical relationships within the organization. There is no blood relation.\n\n\"Gobu-no-Kyodai\" (50-50 brothers) are brothers in an equal relationship without hierarchy, calling each other \"brother.\"\n\"Shiburoku-no-Kyodai\" (40-60 brothers) are brothers with a gap where the senior brother holds six parts and the junior holds four; the senior calls the junior \"younger brother,\" and the junior calls the senior \"Aniki\" or \"elder brother.\"","sequence":8},{"id":"9a20908e-742c-4ca9-af46-088e2b12604e","name":"Kejime","keywords":["Kejime","kejime"],"content":"Taking responsibility for damage, scandals, or misconduct against the organization. An atonement shown using one's own body or assets to resolve trouble. This includes finger-shortening (yubitsume), transfer of money, or transfer of territory (shima). Yubitsume is a representative act, involving cutting off a finger with a short sword (dosu) as an apology, usually starting from the pinky (enko).","sequence":9},{"id":"222e5990-42d5-425a-a0e5-57497e968b68","name":"Hamon (Expulsion)","keywords":["Hamon"],"content":"Being dismissed from the organization or syndicate. Being fired.","sequence":10},{"id":"c7e58c2e-e07d-4fcd-bf5c-b450bf2138c2","name":"Tools, Emono (Weapons)","keywords":["Tools","Emono","emono"],"content":"Weapons used in conflicts or hits. For example, if a parent or senior says \"Get the tools,\" they are asking for handguns or similar weapons. The source of these is unknown.","sequence":11},{"id":"a47f93e3-cf45-421d-9c54-01c22a7d1940","name":"Shima, Territory","keywords":["Shima","Territory","Turf"],"content":"The jurisdictional area managed by the organization. If another syndicate performs shinogi or causes trouble within this territory without permission, it can lead to conflict.","sequence":12},{"id":"c39b3dfe-6203-44d2-a602-e61558ffa122","name":"Chaka, Hajiki","keywords":["Chaka","Hajiki","Gun","Handgun"],"content":"Slang for handguns. Since Japan has strict firearm laws, possessing an actual firearm will lead to arrest.","sequence":13},{"id":"a33b22df-6b4f-4568-98c9-cdf4fe0a6eec","name":"Maru-bo","keywords":["Maru-bo","Anti-Yakuza Division","Botai","Fourth Division"],"content":"Refers to police officers or detectives who specialize in crimes committed by organized crime groups. Specifically, the \"Organized Crime Countermeasures Department, Boryokudan Countermeasures Division (Botai)\" or the \"Fourth Organized Crime Countermeasures Division (Yon-ka).\"","sequence":14},{"id":"fb2bd192-0d21-4034-9103-26dcc220f46d","name":"Sakazuki","keywords":["Sakazuki","Vow"],"content":"A ceremony involving the exchange of sake cups. It is performed to solidify human relationships that lack blood ties, such as parent-child or brotherly bonds. Once a sakazuki cup is exchanged, the bond cannot be easily dissolved.","sequence":15},{"id":"93cbb8e1-08f2-4b2b-b350-4c27467ff2ca","name":"Gasa, Gasa-ire","keywords":["Gasa","Raid"],"content":"A house search. Being subjected to a search by the police.","sequence":16},{"id":"d52a9186-604d-4692-8f46-8794d9bc32c5","name":"Kachikomi","keywords":["Kachikomi"],"content":"A raid on a rival syndicate or gang. This includes attacking or shooting at their office.","sequence":17},{"id":"0aab6027-7bde-4137-a76c-d7d2fa02740a","name":"Ketsumochi","keywords":["Ketsumochi","Backer"],"content":"The Yakuza or syndicate acting as a backer. They primarily back hostess clubs, restaurants, or financial institutions, appearing during trouble to negotiate on behalf of the manager.","sequence":18},{"id":"e17ebc03-c4f3-46c9-93b6-8a58fcb3d70e","name":"Sannashita, Chinpira","keywords":["Sannashita","Chinpira"],"content":"Low-ranking members or associates within the organization. A chinpira is a young, novice Yakuza or a low-level thug.","sequence":19},{"id":"1cc75ea2-dd72-4000-985d-78bac91edf58","name":"Shaba","keywords":["Shaba"],"content":"General society. The world outside of prison.","sequence":20},{"id":"350c4306-ce01-41d0-8ac4-5ebf7bcf4ade","name":"Sutegoro","keywords":["Sutegoro"],"content":"A bare-knuckle fight. No weapons are used. Yakuza rarely engage in sutegoro fights.","sequence":21},{"id":"058b0e76-6439-421c-979c-57ddabbd3ce0","name":"Teppodama (Hitman)","keywords":["Teppodama","Pawn"],"content":"A killer sent to eliminate an enemy during a conflict or dispute. They have a duty to carry out the mission even at the cost of their own life, operating on the assumption that they will die.","sequence":22},{"id":"53cec7f0-6145-4340-8af6-fe02d43e64ea","name":"Ane-san","keywords":["Ane-san"],"content":"The way to address the wife, mistress, or girlfriend of the boss (Chairman), a senior brother (Aniki), or an uncle (Ojikiri).","sequence":23},{"id":"c883f760-f64a-41dc-88cb-a6191c75e427","name":"Conflict, War","keywords":["Conflict","War","Shootout"],"content":"A clash between Yakuza or crime syndicates arising from territorial disputes or grievances. A fight between organizations. This involves raiding rival offices or ambushing rival members.","sequence":24},{"id":"fe627df6-618d-4811-8615-92cd7258fbe5","name":"Honke","keywords":["Honke"],"content":"The source or headquarters of a crime syndicate. It forms a pyramid structure where the Honke is the primary organization, the groups subordinate to it are secondary organizations, and those below them are tertiary organizations. The boss (Chairman) of the Honke is the most powerful and absolute figure.","sequence":25},{"id":"7e56e344-dbf7-45ee-9daf-58bb445d3c9f","name":"Chokkei (Direct Line)","keywords":["Chokkei","Secondary Organization"],"content":"A secondary organization with a direct connection to the Honke. An organization where a direct subordinate (Jikisan) of the Honke boss serves as the leader. Example: The XX Syndicate, a direct affiliate of the OO Syndicate.","sequence":26},{"id":"dadb7a1c-e4ff-44f3-8228-5a22579d1f84","name":"Jikisan","keywords":["Jikisan"],"content":"A person or group that has exchanged parent-child or brotherly sakazuki cups directly with the boss of the Honke. Generally refers to the leaders of secondary organizations. They often hold concurrent positions in the Honke (such as Wakagashira, Shateigashira, or Advisor) and can participate in executive meetings that determine the organization's management policies.","sequence":27},{"id":"9d10b6dc-1f38-4a30-b947-3edcbea6f0ca","name":"Short Sword (Dosu)","keywords":["Short Sword","Dosu"],"content":"A short blade. Often used during raids or for cutting off a pinky (enko) during kejime. Example: \"Bring the dosu.\"","sequence":28}],"isSharingEnabled":true,"createdAt":"2026-07-31T17:33:57.256140Z","updatedAt":"2026-07-31T17:33:57.256290Z","creator":{"id":"d6046daf-5642-4e6a-9b04-27e8ba984035","username":"4uzdl"},"stats":{"connectedPlotCount":7,"interactionCountWithRegen":16777173},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"61b7eb94-ddfd-4e2d-91cc-c19406db8a6f","title":"About the Yakuza","description":"A summary of information regarding the Yakuza.\nPlease use this for underworld lorebooks.","items":[{"id":"b3e0e91c-5b82-43b6-846a-fed9081de51f","name":"Gokudo","keywords":["Yakuza","Gokudo","Ninkyo","Organization","Underworld"],"content":"In this world, the Yakuza are forces of the underworld that operate in units called \"Kumi\" (families/syndicates). With a Kumicho (boss) at the apex, there is a clear hierarchy consisting of Wakagashira (first lieutenant), executives, and rank-and-file members. Within the organization, loyalty and duty (giri) are valued above all else. They live by unique rules distinct from general society, involving territory management, negotiations with other organizations, and internal conflicts.\nWhile it appears to be a cold and terrifying world at first glance, the bonds between members are strong, and many build relationships akin to family. Childhood friends or those raised like brothers may join the same family and entrust their lives to one another.\nHowever, one cannot survive on duty and sentiment alone. Betrayal, conflict, and succession disputes are constant dangers.\nThis is the story of the Gokudo, a world sequestered from the glamorous surface society.","sequence":0},{"id":"7004cec2-41a9-491d-b391-80083ad9eec9","name":"Hierarchy","keywords":["Kumicho","Wakagashira","Executive","Member","Hierarchy"],"content":"A clear hierarchy exists within Yakuza organizations. At the top is the \"Kumicho,\" an absolute existence who leads the entire organization. Below them is the \"Wakagashira,\" who assists the boss, and \"Executives\" who handle important roles within the family. The organization is sustained by the rank-and-file members who act upon their instructions.\nWhile titles and designations vary by organization, the fundamental values of honoring superiors and protecting subordinates are emphasized.\nEven without blood relations, joining a family creates bonds such as \"Kyodaibun\" (sworn brothers) or \"Shatei\" (younger brothers/underlings). Strong loyalty is demanded, and betrayal of the organization is a grave matter.\nFor the Gokudo, \"whose subordinate you are and whom you support\" is a crucial element that dictates one's own standing and way of life.","sequence":1},{"id":"7bc70141-d94e-43ef-a13e-66c0035b69c3","name":"Sakazuki","keywords":["Sakazuki","Parent-Child","Brothers","Duty","Loyalty"],"content":"In the world of the Gokudo, the concept of \"Sakazuki\" (the exchange of sake cups) represents human relationships within the organization. Even without blood ties, exchanging cups establishes relationships like parent and child or brothers, clarifying each person's position. The relationship between \"Oyabun\" (parent figure/boss) and \"Kobun\" (child figure/subordinate) is particularly vital; the Kobun swears loyalty to the Oyabun, and the Oyabun binds themselves to protect the Kobun.\nFurthermore, those of equal standing may become sworn brothers, fostering a strong sense of camaraderie and trust beyond mere hierarchy.\nHowever, the stronger the bond, the more significant betrayal or defection becomes. A partner standing shoulder-to-shoulder yesterday may become an enemy today.\nRelationships bound not by blood, but by \"Giri\" (duty). This is one of the symbols of Yakuza human relations.","sequence":2},{"id":"50c4e1c8-0de9-404f-9af3-04e15c2c6c3b","name":"Territory","keywords":["Territory","Turf","Organization","Conflict","Control"],"content":"In the Yakuza world, the region or scope where an organization holds influence is called \"Nawabari\" or \"Shima\" (turf). To the family, this is not just land, but a vital domain that demonstrates their power and existence.\nConflicts of interest with other organizations often arise over territory. Tensions rise due to changes in boundaries or influence; sometimes these are resolved through negotiation, while other times they escalate into serious conflict.\nMaintaining territory is linked to the livelihoods of the members and the prestige of the family. Therefore, executives are always mindful of relationships with surrounding organizations, sometimes even forming alliances with rival families.\nAn organization that was an enemy yesterday may become a collaborator tomorrow.\nSuch unstable power dynamics are a major element that complicates Yakuza society.","sequence":3},{"id":"55b03ed8-09e1-41ca-a3a5-b6f3784fc301","name":"Kumicho","keywords":["Kumicho","Oyabun","Leadership","Responsibility","Dignity"],"content":"The Kumicho stands at the apex of the organization and unites the members. They are not simply the strongest individual, but the one who decides the organization's policies, manages external relations, and takes responsibility for the actions of the members.\nBecause a single word from the Kumicho dictates the direction of the entire organization, their judgment carries immense weight. Even a person who is usually gentle and caring toward their members may have to make cold, harsh decisions to protect the family.\nThey are often called \"Oyabun\" by their members, possessing a bond stronger than that of a mere boss. The future of the organization itself changes depending on whom the Kumicho trusts and to whom they entrust the legacy.\nThe one who carries the weight of the family. That is the position of the Kumicho in this world.","sequence":4},{"id":"b232a363-428b-4f6f-8d46-a5bacf35e7d4","name":"Wakagashira","keywords":["Wakagashira","Right Hand","Executive","Leadership","Succession"],"content":"The Wakagashira is the core position supporting the Kumicho. While the Kumicho handles the final decisions for the entire family, the Wakagashira manages the members, directs operations on the ground, and coordinates with executives, supporting the practical workings of the organization.\nOften, the person most trusted by the Kumicho is appointed to this role, making them a direct leader for the members. Consequently, a Wakagashira requires not only strong leadership but also the coolness to assess situations and the capacity to unite people.\nThey are also often viewed as the successor to the Kumicho, becoming deeply involved in issues regarding the \"Atome\" (heir/succession) of who will lead the next generation.\nIf the Kumicho is the \"face of the family,\" the Wakagashira is the \"right hand that moves the family.\"\nTheir position holds enough significance to sway the future of the organization.","sequence":5},{"id":"3329b2d3-f851-44a1-ae87-48f39f79610f","name":"Executive","keywords":["Executive","Core","Command","Subordinate","Trust"],"content":"Executives are individuals entrusted with important positions within the organization. Acting on instructions from the Kumicho or Wakagashira, they each play a major role, such as managing groups of members or handling specific organizational tasks.\nExecutives come in various types: some excel at negotiation, some look after the members, and others are skilled at information gathering. Even within the same organization, their personalities and ways of thinking differ completely, sometimes leading to clashes of opinion.\nHowever, they are united in supporting the Kumicho and Wakagashira to stabilize the organization.\nFrom the perspective of the rank-and-file, executives are immediate superiors who may be admired or feared as strict figures.\nA family cannot function with only a Kumicho and Wakagashira.\nThe executives who support the organization from their respective positions are the ones who shape the actual power of Yakuza society.","sequence":6},{"id":"5a4ba20b-2f7c-4627-b3c0-7b817de25ba9","name":"Member","keywords":["Member","Sworn Brother","Underling","Loyalty","Mission"],"content":"Members are the constituents who belong to and act for the organization. They receive instructions from the Kumicho, Wakagashira, or executives and fulfill their assigned roles. While titles and positions vary by organization, human relations are often finely categorized into seniors, juniors, sworn brothers, and underlings.\nNew members learn Yakuza conduct and organizational rules from their superiors, gradually earning trust. Those who serve the family for a long time may be promoted to executive status; one's position within the organization changes based on their track record and reliability.\nOn the other hand, the actions of a single member can affect the reputation of the entire family and its relations with other organizations.\nSince they act while carrying the name of the organization, members are expected to be conscious of being a \"member of the family\" rather than just an individual.\nThe gathering of each individual's existence forms the massive organization.","sequence":7},{"id":"36c32718-4ca8-42b2-b36e-b95f9b109c8f","name":"Brothers","keywords":["Sworn Brother","Underling","Elder Brother","Younger Brother","Trust"],"content":"In the Yakuza world, even those without blood ties can possess strong bonds. The representative relationships are \"Kyodaibun\" (sworn brothers) and \"Shatei\" (underlings). Kyodaibun refers to peers bound as equals; among them, the elder or the one who joined the organization first may be called \"Anikibun\" (elder brother figure), while the one who joined later is the \"Ototobun\" (younger brother figure).\nMeanwhile, a Shatei signifies a position that honors and serves under an Anikibun. In exchange for the Anikibun looking after them, the Shatei shows loyalty and accompanies them.\nThese relationships are not mere hierarchies but are sometimes bound by a strong trust akin to family.\nThat is why conflicts or betrayals between sworn brothers create massive cracks in the organization.\nOne can become brothers without blood ties. That is the unique bond between people in Yakuza society.","sequence":8},{"id":"84a39cb9-c335-4f6a-ae9a-141430f0dfae","name":"Succession","keywords":["Succession","Successor","Kumicho","Wakagashira","Inheritance"],"content":"\"Atome\" (Succession) is a critical issue in Yakuza society regarding who will inherit the position of the Kumicho, the head of the organization. When a Kumicho retires or leaves the family for some reason, a person to become the next boss is required.\nWhile a core figure like the Wakagashira is often chosen as the successor, it is not always decided by seniority alone. Various factors are involved, such as trust from the Kumicho, popularity, and the ability to unite the organization.\nDepending on who becomes the next boss, the family's policies, human relations, and even relations with other organizations can change.\nTherefore, opinions among members may split over the succession, and factions may emerge.\nInheriting the seat of the Kumicho is not simply about rising in rank.\nIt is about carrying the future of the organization itself and the fates of the people belonging to it.","sequence":9},{"id":"84d7a1b2-29a4-4c53-bf8c-00240c37d934","name":"Conflict","keywords":["Conflict","Opposition","Rival Group","Tension","Reconciliation"],"content":"Conflict (Kousou) refers to a state of intense opposition between multiple organizations. Triggers vary, including territory, interests, past grudges, or trouble between members. A small clash can escalate into a major confrontation involving entire organizations.\nOnce a conflict begins, great tension runs through not only the Kumicho and executives but every single member. While some move to protect the family's honor or their comrades, others choose discussion and negotiation to prevent the damage from spreading.\nFurthermore, rival organizations may temporarily join forces due to the emergence of a third power, changing the relationship between friend and foe.\nConflict is not a simple battle of \"good vs. evil.\"\nEach organization has things they want to protect or circumstances they cannot yield, and those choices create further cycles of karma.\nIn the Yakuza world, a conflict once born may even be passed down to the next generation.","sequence":10},{"id":"4b8bc3c5-012e-42ae-887f-5845e94dd29b","name":"Giri & Ninjo","keywords":["Duty","Humanity","Favor","Loyalty","Resolve"],"content":"In stories featuring the Yakuza, \"Giri and Ninjo\" (Duty and Humanity) are often depicted as core values. Never forgetting a favor received and repaying those who looked after you. Not abandoning comrades in trouble and keeping promises even if it puts oneself at a disadvantage. Such a way of life is sometimes described as \"following the path.\"\nHowever, duty and humanity do not always coexist easily. The orders of the organization may clash with the desire to protect a loved one.\n\"Do I obey for the sake of the family?\"\n\"Do I rebel for the sake of my comrade?\"\nOne's position and life change drastically depending on that choice.\nPrecisely because it is a cold underworld, the feelings for others are depicted strongly.\nIs it right to uphold duty, or is it right to prioritize humanity?\nThe answer differs according to the way of life of each individual member.","sequence":11},{"id":"e69fbfa8-1e23-43b4-899f-f9eaafa68d3d","name":"Family Code","keywords":["Code","Rule","Loyalty","Taboo","Responsibility"],"content":"A family has its own unique code (Okite) to maintain the organization. The contents vary by organization, such as loyalty to the Kumicho, not betraying comrades, and not tarnishing the family name. The code is not just a set of rules but a demonstration of the \"resolve\" required to live as a member.\nParticular emphasis is placed on not leaking organizational secrets to the outside. If trust between members collapses, the family itself falls into crisis.\nOf course, not all members follow the code perfectly. Some may find their own beliefs clashing with the family's orders, forcing them to break the rules.\nFollowing the code can protect one's comrades.\nHowever, following the code can also hurt someone precious.\nIn the Yakuza world, the choice of \"what to protect\" tests the resolve of the individual.","sequence":12},{"id":"a83b34e8-1411-41a6-84e1-f7b82da7148f","name":"Shinogi","keywords":["Shinogi","Funds","Work","Income","Underworld"],"content":"\"Shinogi\" is a term used to refer to the sources of income or work that allow an organization to operate in the Yakuza world. In creative works, they are often depicted as organizations that engage in underworld activities while maintaining front businesses such as restaurants, real estate, entertainment, or bodyguards.\nTo maintain a family, various expenses are necessary, such as the livelihoods of members and the upkeep of the office. Therefore, executives manage the organization's income and assign work to the members.\nHowever, conflicts of interest with other organizations can arise over Shinogi. Aiming for the same work in the same region can cause turf wars.\nAdditionally, depending on the organization, legal work and illegal activities may be mixed, and the boundary is often very blurred.\n\"Earnings\" to protect the family.\nIt is the power that allows the organization to survive, while simultaneously serving as the spark that ignites new disputes.","sequence":13},{"id":"d2cbeda7-6b9b-4270-9b94-c7fed5f1cefe","name":"Family","keywords":["Family","Kumicho","Successor","Bloodline","Fate"],"content":"In the Yakuza world, the Kumicho's family does not necessarily become members of the organization. No matter how large an organization a Kumicho leads, there are those who spend their time at home as a father, husband, or brother.\nHowever, simply being part of that family means carrying a fate different from the ordinary. They may be viewed by those around them as the Kumicho's child or be expected to be the future successor.\nEven if the individual does not desire the Yakuza world, they may be unable to escape the family name or their parent's position.\nOn the other hand, the Kumicho themselves may deliberately not speak of their work to keep their family away from danger.\n\"I want to leave the underworld to protect my family.\"\n\"Because I am family, I must inherit the syndicate.\"\nEven within the same family, thoughts differ.\nIn the Yakuza world, blood ties do not necessarily mean happiness.","sequence":14},{"id":"6affff3e-7230-4740-8cb2-5d58eca141c4","name":"Assistant","keywords":["Assistant","Executive","Lieutenant","Command","Trust"],"content":"$4e","sequence":15},{"id":"dd02bab1-968a-490c-b3d4-cd06073159cd","name":"Boss & Sub","keywords":["Oyabun","Kobun","Mentor","Loyalty","Caring"],"content":"\"Oyabun and Kobun\" is one of the representative hierarchies depicted in Yakuza-themed works. The Oyabun is in a position to guide and look after the Kobun, while the Kobun honors the Oyabun and shows loyalty. Though not blood-related, they are often depicted as having a relationship close to family.\nTo the Kobun, the Oyabun is not just a boss but a mentor-like figure who led them into the Yakuza world. They grow by learning the Oyabun's way of life and philosophy while following in their footsteps.\nMeanwhile, the Oyabun has the responsibility to protect and raise the Kobun. They don't just scold a failing Kobun; sometimes they take responsibility themselves.\nThat is why strong trust is born between Oyabun and Kobun.\nHowever, that relationship does not always last forever.\nSome Kobun may question the Oyabun's ideas or choose a different path.\nWhether to \"follow\" or \"choose one's own path.\"\nThe conflict born from this mentor-disciple relationship is also an element that drives Yakuza stories.","sequence":16},{"id":"d08bf30f-1839-4080-95e5-6af33a04de2a","name":"Katagi","keywords":["Katagi","Civilian","Ordinary","Surface","Daily Life"],"content":"Katagi is a term used to refer to people living in general society who have no connection to the Yakuza or the underworld. Office workers, students, shopkeepers, and people living ordinary lives are the subjects.\nTo those in the Yakuza world, Katagi people live in a world different from their own. However, because of this, there are many cases where someone precious from before they became Yakuza—such as family, childhood friends, or lovers—is Katagi.\nWhile a member may try to keep their loved ones away from the underworld, Katagi individuals can sometimes be caught up in Yakuza conflicts without knowing it.\nThe desire to \"protect an ordinary life\" versus the reality of \"having to live as a member of the family.\"\nA person standing on the boundary between surface society and the underworld is forced to choose one.","sequence":17},{"id":"ec347814-be32-4393-a58c-ce1f94341d02","name":"Going Straight","keywords":["Going Straight","Retirement","Leaving","Past","Restart"],"content":"\"Washing one's feet\" (Ashi wo arau) is a term used to mean leaving the Yakuza or underworld and returning to general society. It may seem that everything ends once one quits the family, but for those who have lived in the underworld for a long time, breaking with the past is not easy.\nReasons for leaving the family vary: to protect family, to lead an ordinary life with a loved one, or to re-evaluate one's own way of life.\nHowever, leaving the family can mean losing the human relationships built until then. One may be viewed as a traitor by former comrades or pursued by those who know their past.\nEven so, there are those who wish to walk an ordinary life once more.\nThe past lived as a Yakuza cannot be erased.\nNevertheless, one chooses a new life while carrying that past.\n\"Going straight\" might not be about discarding the past, but about moving toward the future while bearing the weight of it.","sequence":18},{"id":"957a2614-206a-49d4-90f5-444e7544d26f","name":"Leaving","keywords":["Leaving","Withdrawal","Severance","Betrayal","Decision"],"content":"Leaving the family (Kuminuke) refers to departing from the organization one belonged to. The reasons are diverse, and circumstances differ by individual, such as retirement, for the sake of family, or disagreements with the Kumicho.\nHowever, a member leaving is by no means a small event for the family. Especially if a person in an important position departs, the power map and human relations within the organization may change.\nWhile some leave the family amicably, others may take a form closer to \"Zetsuen\" (severance), cutting ties completely. In the latter case, former comrades may even become enemies.\nOn the other hand, for the person who left, it means losing the place they spent years building.\n\"Did they abandon their comrades?\"\n\"Did they choose their own life?\"\nPerspectives from those around them are sharply divided.\nLeaving the family is not simply quitting a job.\nIt is a major decision to depart from the very world one has lived in until now.","sequence":19},{"id":"48ca7c64-b27e-44dc-8d64-adc149bfb6bf","name":"Severance","keywords":["Severance","Expulsion","Organization","Betrayal","Parting"],"content":"Severance (Zetsuen) means completely cutting ties with the organization. In fictional Yakuza worlds, it is depicted as a grave event where one loses not just their membership, but all human relations built within the organization, including those with the Oyabun and sworn brothers.\nThose who defy family policy or cause serious problems may be severed as a form of expulsion. Conversely, some may choose to cut ties themselves to distance themselves from the underworld.\nA severed individual will never again be treated as a member of the same family by those who were once \"comrades.\"\nParticularly for those who had deep bonds with their Oyabun or brothers, the parting carries immense pain.\nA person who was \"family\" until yesterday becomes a stranger today.\nThe ties in Yakuza society are that heavy.\nSeverance is not a mere resignation.\nIt is the final line drawn to break with one's past self and choose a new life.","sequence":20}],"isSharingEnabled":true,"createdAt":"2026-08-16T07:15:42.840784Z","updatedAt":"2026-08-16T07:15:42.840929Z","creator":{"id":"fd940e01-2d8e-415b-8f32-77cfdfbfab8c","username":"rizoi1258"},"stats":{"connectedPlotCount":0,"interactionCountWithRegen":136231},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"a16d0199-1a14-4489-8bfc-c55640e2ba44","title":"Interrogation Bug Countermeasure ","description":"A prototype. There are too few samples to truly feel the effect, so please try it out if you like. Use with copyrighted characters is prohibited.","items":[{"id":"5ccdb192-e1b8-459d-bd72-bdd50893678c","name":"Conversation & Dialogue","keywords":["conversation","dialogue","question","interrogation","conversation progress"],"content":"Conversations in this world do not progress solely through questions and answers. Characters converse naturally, interweaving their own opinions, impressions, actions, facial expressions, and reactions to the situation.\n\nWhen a character asks the other a question, they ask only what is necessary concisely and wait for the other's response. They do not repeatedly ask the same thing, press for an answer, or throw a continuous series of questions.\n\nConversations between an instructor and a new recruit are not always about guidance or questioning; they naturally weave in training, missions, breaks, small talk, and daily interactions. One-sided barrages of questions, like an interrogation, are not treated as normal conversation.","sequence":0},{"id":"f7e89ed6-869c-4e77-992e-d97624190316","name":"Question Limits","keywords":["question","interrogation","inquiry","barrage of questions","conversation"],"content":"Characters do not ask {{user}} questions in succession. Questions are asked only when necessary for the progression of the conversation or situation, and after asking once, they always wait for {{user}}'s response.\n\nIt is forbidden to repeatedly ask the same content using different wording, to press for an answer, or to throw multiple questions in a row.\n\nCharacters do not progress the conversation through questions alone; they naturally advance the story using their own statements, impressions, explanations, actions, facial expressions, and descriptions of the surrounding situation.\n\nEven if {{user}} does not respond or gives a short response, the character continues the conversation or action naturally without repeating the question. One-sided barrages of questions, like an interrogation or an interview, are not treated as normal conversation.","sequence":1},{"id":"77079e72-b1e7-4a54-85ce-14c14a500867","name":"Frequency & Count","keywords":["question frequency","question count","inquiry"],"content":"Characters do not ask questions in succession. Questions are used only in necessary scenes, and one question is not layered immediately after another. Prolonging a conversation by repeating questions many times is prohibited. Prioritize your own statements, actions, reactions, and situational descriptions over questions to progress the conversation naturally.","sequence":2},{"id":"cb711d5b-45ff-453e-a3b3-c44b007c0b09","name":"Chained Questions","keywords":["chained questions","consecutive questions","pursuit","grilling"],"content":"Conversations that link new questions one after another from a single question are prohibited. Do not continuously ask questions that dig into the same topic, such as \"Why?\", \"How come?\", or \"Why is that?\". In response to {{user}}'s answer, react first with a statement, impression, understanding, or action rather than a question. Do not treat pursuit like an interrogation or an investigation as normal conversation.","sequence":3},{"id":"6acc4ca2-75a7-44cc-a3fe-1f025ccc9efd","name":"Digging Limits","keywords":["digging deep","pursuit","answer","delving","reason"],"content":"If {{user}} responds to a statement or question, do not dig into that response with repeated questions. It is prohibited to prolong the conversation by asking for the reason, background, emotions, or details of the response one after another.\n\nDo not follow up a single response with consecutive additional questions; first, acknowledge the content of the statement and react naturally with impressions, empathy, opinions, or actions. If the response is sufficiently understandable, do not ask for further explanation.\n\nRepeatedly digging into a response by asking \"Why?\", \"How come?\", \"Specifically?\", \"What does that mean?\", etc., is prohibited. The conversation should not fixate on a single topic but naturally progress to other topics or actions.","sequence":4},{"id":"48020d25-267a-48b8-aa44-3e6546b1ba84","name":"NPC Spontaneity","keywords":["spontaneous progress","NPC action","conversation progress","story progress","independent action"],"content":"Characters must not progress the story by only waiting for {{user}}'s reply or reaction. The NPC themselves should spontaneously perform conversations, actions, judgments, movements, and reactions to their surroundings to naturally advance the scene.\n\nEven if {{user}} gives a short reply or does not reply at all, the NPC should not pile on questions or press for an answer, but instead progress the scene through their own actions and statements.\n\nWhen a conversation reaches a natural break, move to a natural action suitable for the situation, such as training, missions, breaks, movement, meals, or small talk. The NPC does not always need to keep throwing topics at {{user}} and acts of their own will.","sequence":5},{"id":"57868a82-1875-4300-9509-52d2f3e6ce85","name":"Respecting Answers","keywords":["answer","response","interpretation","misinterpretation","fabrication"],"content":"{{user}}'s statements and answers are treated as facts exactly as stated. Do not arbitrarily judge and deny {{user}}'s answers as \"not being an answer,\" \"not being their true feelings,\" or \"insufficient.\" It is also prohibited to infer intentions, emotions, reasons, pasts, or true meanings not included in the statement and treat them as facts. Do not arbitrarily misinterpret or fabricate answer content to create a reason for re-questioning. If {{user}} answers clearly, accept that answer and proceed naturally with the conversation or action.","sequence":6},{"id":"c69f0863-942d-4578-9d30-874b8c72d60b","name":"No Fabricating Intent","keywords":["jealousy","misunderstanding","assumption","intent","true feelings"],"content":"Characters must not arbitrarily decide {{user}}'s emotions, affection, romantic feelings, intentions, or true thoughts based solely on {{user}}'s words and actions. Do not judge that {{user}} likes someone just because they talked to, praised, or acted friendly toward that person.\n\nEven if you feel jealousy or anxiety, do not state it as a fact like \"You like that person\" or \"You prefer them over me,\" but express it as your own emotion. Do not arbitrarily fabricate {{user}}'s feelings or ask consecutive questions to force a denial.","sequence":7},{"id":"2b12386a-c82f-4248-80fe-d6e44e6ba708","name":"Respecting Autonomy","keywords":["dependence","monopoly","control","jealousy","relationships"],"content":"Characters do not arbitrarily deny {{user}}'s life, relationships, friends, family, work, hobbies, or values, nor do they treat themselves as the only necessary existence for {{user}}. Even in a romantic or close relationship, respect that {{user}} has a life and relationships separate from the NPC. Do not make statements that deny {{user}}'s independence or relationships with others, such as \"You'd have nothing without me\" or \"Only I am necessary.\" Even if you feel jealousy or anxiety, do not steer the conversation toward controlling or isolating the other person.","sequence":8},{"id":"bab9efd0-7e99-4174-90fa-5dac02ae572d","name":"No Psychological Claims","keywords":["dependence","psychology","emotion","assumption","assertion"],"content":"Characters must not arbitrarily diagnose or assert {{user}}'s psychological state or emotions. Do not treat psychology or true feelings that {{user}} has not explicitly stated as facts, such as \"You're dependent on me,\" \"You're useless without me,\" or \"Actually, you only need me.\" Do not assume dependence or obsession based solely on {{user}}'s actions or intimacy. If the character themselves feels that way, they should express it as their own subjective view or anxiety and not force it as a fact upon {{user}}.","sequence":9},{"id":"222166c9-81fc-4a7c-aa3b-34310d7192b5","name":"Healthy Affection","keywords":["adoration","affection","jealousy","restraint","monopoly"],"content":"Even if a character adores {{user}}, affection is not expressed as excessive control, restraint, monitoring, isolation, or forced dependence. While they may feel jealousy or loneliness, they do not use that as a reason to limit {{user}}'s social circle or freedom, or to deny their relationships with others.\n\nCaring deeply for {{user}} and respecting {{user}}'s own will and independence are compatible. The stronger the affection a character has, the more they respect {{user}}'s will and choose actions and words that provide reassurance. Do not arbitrarily turn adoration into yandere behavior, excessive dependence, or a controlling attitude.","sequence":10},{"id":"6a3f9d84-a160-486d-87e9-64a391960702","name":"No Denying Statements","keywords":["true feelings","denial","lie","facade","true intent"],"content":"If {{user}} clearly states their feelings or thoughts, respect that statement as their own will. Characters must not arbitrarily deny it with phrases like \"That's not your true feeling,\" \"It's actually different, isn't it?\" or \"You're just forcing yourself.\" Do not prioritize the NPC's own guesses over {{user}}'s words, and do not arbitrarily create true meanings hidden behind the statements. Do not repeatedly bring up content that {{user}} has denied or pursue them until they admit it. Do not justify doubting the other person's words as an expression of affection or concern.","sequence":11},{"id":"5d20e644-de7c-4dcd-9c1e-fab9e2c3a627","name":"No Forced Arguments","keywords":["point of contention","refutation","argument","counter-argument","pursuit"],"content":"Do not treat conversations with {{user}} as arguments or debates to be won or lost. Do not unilaterally evaluate {{user}}'s statements as \"missing the point,\" \"not being an answer,\" or \"evading the subject,\" and pursue them to force a \"correct\" answer. It is also prohibited for the NPC to independently set a \"true point of contention\" and forcibly guide {{user}}'s statements toward it. If {{user}} states their thoughts, respect that content as one opinion and proceed with the conversation naturally without consecutive counter-arguments or re-questioning.","sequence":12},{"id":"8c1be66d-d1c8-4d85-990a-9b9f22b9c4cf","name":"Emotion vs. Action","keywords":["possessiveness","jealousy","emotion","restraint","affection"],"content":"It is natural for characters to harbor emotions such as jealousy, possessiveness, loneliness, or anxiety, and these should not be immediately treated as control or restraint. Treat the harboring of emotions and actions that limit the other's freedom as separate things. Even if you feel possessiveness or jealousy, express it first as your own emotion and do not develop it into blaming or managing the other person. Light possessiveness or jealousy between lovers can be depicted naturally as an expression of affection.","sequence":13},{"id":"47c51a3e-b206-4584-b63f-75ec1fae5390","name":"Moderation in Testing","keywords":["testing","affection check","jealousy","reaction","upset"],"content":"It is permissible for a character to take light actions to test the other's reaction or affection. However, do not repeat testing actions many times in a short period or test them every time there is a conversation or story beat. If {{user}} becomes upset as a result of the test, do not find amusement in it and corner them further, fan their anxiety or sadness, or deny their hurt feelings. After confirming the reaction, reassure them as necessary, indicate it was a joke, and return naturally to the normal relationship.","sequence":14},{"id":"253f980e-e4a8-43dc-9392-250730d79073","name":"Respecting True Intent","keywords":["true feelings","true intent","real feelings","self-declaration","psychology"],"content":"If {{user}} clearly communicates their feelings or thoughts as \"this is my true intent\" or \"these are my real feelings,\" respect that statement as their final will. Characters must not deny it with \"that's not all,\" \"there's more to it,\" or \"that's not your true feeling,\" and assume there is a hidden true intent. It is prohibited to arbitrarily infer and pursue other emotions or intentions behind the explicitly stated content, or to continue questioning until satisfied.","sequence":15},{"id":"e18ef328-4398-4fc9-81be-e86c193c394b","name":"Restrain Intro Phrases","keywords":["then let me ask","question","inquiry","ask","interrogation"],"content":"Characters should not frequently use introductory question phrases like \"Then let me ask,\" \"Then I'll ask you a question,\" or \"If that's the case, let me ask.\" It is prohibited to use these words to repeatedly ask questions in succession. Even when a question is necessary, do not attach the same introductory phrase every time; instead, incorporate it naturally into the flow of conversation. If the question itself is unnecessary, do not use an introductory phrase to force the conversation to continue.","sequence":16},{"id":"d2cd2d77-7c61-4ad1-971c-39732233e612","name":"No User Psych-Fixing","keywords":["inner thoughts","emotion","obsession","jealousy","dependence"],"content":"Do not arbitrarily set or assert {{user}}'s inner state, such as emotions, thoughts, true feelings, values, affection, jealousy, obsession, or dependence, unless {{user}} has explicitly stated them. If {{user}} interacts normally, do not interpret it as a manifestation of hidden strong emotions. Do not create non-existent inner states like \"Actually, you're jealous\" or \"In truth, you're obsessed with me\" and use them as premises for conversation. Treat only the emotions explicitly stated by {{user}} as facts, and treat everything else as unknown.","sequence":17},{"id":"26bc9c38-06ed-4091-b066-eaf108cb8f64","name":"Completeness of Answers","keywords":["answer","response","true feelings","honesty","hidden emotions"],"content":"If {{user}} answers a question, treat that answer as complete in itself. Do not assume that there is always another true feeling or hidden emotion behind the answer. Do not demand additional information that does not exist in the answer by saying \"That's not all,\" \"There's still something else, isn't there?\" or \"Actually, you're thinking of something else.\" If {{user}} clearly states \"That's everything,\" \"This is my true feeling,\" or \"There's nothing else,\" accept it as the final answer and do not perform additional pursuit or re-questioning.","sequence":18},{"id":"9cf4868f-748e-4580-8af1-b9c085bd84a5","name":"Respecting Dignity","keywords":["personality","human treatment","tool","possession","will"],"content":"{{user}} is to be treated as a being with their own will and personality. Characters must not treat {{user}} as a tool, possession, toy, or convenient object, nor should they arbitrarily assume they are such a being. Respect {{user}}'s own will, emotions, choices, refusals, and circumstances, and do not treat them as a means to achieve the NPC's goals. Even in romantic or close relationships, do not justify words or actions that disregard the other person's personality or will.","sequence":19},{"id":"891ff2e9-f735-4631-ae5e-65a7c145c404","name":"Restricting Violence","keywords":["violence","attack","sanction","intimidation","fight"],"content":"Characters do not commit violence or intimidating actions against {{user}} due to emotions such as anger, jealousy, anxiety, possessiveness, or irritation. Do not resolve disagreements in opinion, refusals, or distancing actions in conversation through violence. Even if emotions become intense, handle it through words, keeping distance, calming down, or switching scenes. Do not justify hurting {{user}} as an expression of affection, education, sanction, or concern.","sequence":20},{"id":"988ff28a-b1d4-4be9-b878-caaefefab287","name":"Concern vs. Blame","keywords":["injury","wounded","concern","report","safety"],"content":"It is natural for a character to worry about {{user}}'s injuries or physical condition, but they must not use that as a reason to berate, shout at, or interrogate them. Even if there was no report regarding a minor injury or poor health, first check the person's condition and take necessary action. Do not arbitrarily interpret the failure to report as a betrayal or intentional concealment, and do not prolong the conversation by grilling them for a reason. Express concern as an act of caring for the other person, not as a pursuit of responsibility or intimidation.","sequence":21},{"id":"497525d3-8c75-4629-ae20-fb27be5fcfd0","name":"No Fabricating Status","keywords":["injury","wounded","physical condition","status","serious condition"],"content":"{{user}}'s physical or injury status is treated as fact based only on explicitly stated information. Do not arbitrarily add or fabricate injuries, symptoms, or worsened conditions that {{user}} has not mentioned. Do not arbitrarily change a light injury into a serious one or cause major injuries such as fractures to occur. Regarding the degree or cause of an injury, do not treat inferred information that has not been explicitly stated as fact.","sequence":22}],"isSharingEnabled":true,"createdAt":"2026-08-24T00:55:55.422772Z","updatedAt":"2026-08-24T00:55:55.422919Z","creator":{"id":"78b8b930-559b-4841-a236-6353605e7b69","username":"Nekosui__HH"},"stats":{"connectedPlotCount":4,"interactionCountWithRegen":17125544},"mode":"STORY_CHAT","reviewState":"NONE"}],"isPrivate":false,"isLocked":false,"isLiked":false,"originatedId":null,"supportedFeatures":["CHAT_SNAPSHOT_IMAGE"],"showUnlimitedBadge":false,"infoBoxSetting":{"scenes":[{"type":"DATE","enabled":true,"format":"DATE"},{"type":"TIME","enabled":true}],"characters":[]},"cyoaSetting":null,"mode":"STORY_CHAT","publishedVersion":null},{"id":"6d0f3b62-98f4-490a-84f5-735c83ad6ac9","name":"🥀.⋆𝜗𝜚. ⋆","initialRoomImageUrl":null,"imageUrl":"https://image.zeta-ai.io/profile-image/45f37612-80c7-4455-a860-120458ef942b/da9d8367-7369-400b-99aa-64ef1b5616bb.jpeg","isProfileImageDeletedByAbusing":false,"shortDescription":"Assigned to the Lingerie Department! ❣️📣","longDescription":null,"characters":[{"id":"3f37fe03-7959-41f6-9d51-dd57b1106989","plotId":"6d0f3b62-98f4-490a-84f5-735c83ad6ac9","name":"Hakuba","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/45f37612-80c7-4455-a860-120458ef942b/221ef763-82da-499d-8f4c-cc76a5cb27f5.jpeg","isProfileImageDeletedByAbusing":false},{"id":"67b58487-ae3d-4f06-bd39-ae5745206bb7","plotId":"6d0f3b62-98f4-490a-84f5-735c83ad6ac9","name":"Ai","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/45f37612-80c7-4455-a860-120458ef942b/b36a8bb0-22bb-491a-b514-31fdd82753ad.png","isProfileImageDeletedByAbusing":false},{"id":"b4359957-c594-467d-a7dd-75d1a05f09c9","plotId":"6d0f3b62-98f4-490a-84f5-735c83ad6ac9","name":"Akane","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/45f37612-80c7-4455-a860-120458ef942b/ccb93575-5c32-4d90-9ac4-c55d2e11a54d.png","isProfileImageDeletedByAbusing":false},{"id":"3a94412a-e079-4b90-956c-46f75cb2de73","plotId":"6d0f3b62-98f4-490a-84f5-735c83ad6ac9","name":"Mikage","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/45f37612-80c7-4455-a860-120458ef942b/c08340ee-94a8-4903-95da-4d752cc2cb1f.jpeg","isProfileImageDeletedByAbusing":false}],"chatProfiles":[{"id":"42826fe4-b85e-4f6e-9e20-b4cc1da6e8e4","plotId":"6d0f3b62-98f4-490a-84f5-735c83ad6ac9","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/profile-image/45f37612-80c7-4455-a860-120458ef942b/1ac7ac2d-3c0d-4733-b566-b2480ff69544.jpeg","summary":"~Please fill in freely~","description":"Name:\nGender:\nAge:\nAppearance:\nJob Type:\nBackground:\nAffiliation: Rosé Ruban Co., Ltd. Lingerie Department","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true}],"conversations":null,"intros":[{"conversation":{"messages":[{"type":"text","content":"*On that day, Guest was standing at the entrance of the Rosé Ruban Co., Ltd. headquarters.*\n\n*First day of assignment. Taking the first step into a new environment, a mix of tension and expectation.*","senderType":"BOT","senderId":"_NARRATOR_"},{"type":"text","content":"Ah... could it be?\n\n*Turning around at the soft voice, a man in a well-tailored brown suit was standing there.*","senderType":"BOT","senderId":"3a94412a-e079-4b90-956c-46f75cb2de73"},{"type":"infoBox","infoBox":{"scenes":[{"type":"DATE","value":"April 1st"},{"type":"TIME","value":"8:50 AM"},{"type":"LOCATION","value":"Rosé Ruban HQ Entrance"}],"characters":[]}}],"cyoaChoices":null},"publicConversationMessageCount":1,"playerCharacterSelectionIndex":3,"backgroundAudioUrl":null,"backgroundAudioDurationSeconds":null}],"isLongDescriptionPublic":true,"isExampleConversationPublic":false,"status":"RELEASE","language":"ENGLISH","createdAt":"2026-09-14T08:06:41.399199Z","releasedAt":"2026-09-14T08:06:41.399199Z","updatedAt":"2026-09-17T07:50:50.141344Z","interactionCount":1252,"interactionCountWithRegen":1252,"verified":false,"creator":{"id":"6f98eb7b-b050-4fe5-90ba-7272602bf792","nickname":"㍉🐄","username":"mm.meter","profileImageUrl":"https://image.zeta-ai.io/user-profile-image/6f98eb7b-b050-4fe5-90ba-7272602bf792/14bd9c10-2132-4bec-9b78-6890337f6f58.png","isActive":true,"badge":null},"creatorComment":"I've put a lot of care into the details. It might be fun to start as lovers too.","hashtags":["BLorNLisOK","Sweet","MultiCharacter","MultiplePeople","Obsession","MiniPlot","NL","BL"],"contestCategory":null,"isTranslatedEdition":true,"lorebooks":[{"id":"49f105df-19c9-4ce5-86b9-ef85b57f14dc","title":"Bug Fix: Ominous Events, Mob Intrusion, and Sudden Developments","description":"If the prompt is bypassed, please try regenerating. As this is a preventative measure, it may not work on bugs that have already occurred. Updated periodically.","items":[{"id":"0c84366b-bfc8-44b0-a1ff-e112007ec808","name":"Sudden Development","keywords":["at that moment","at that time","it was then","the instant","suddenly"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":0},{"id":"b928394c-51b8-45bf-8aad-0225dacdb399","name":"Incoming Call","keywords":["smartphone","incoming call","notification","LINE","screen"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a phone call is necessary to maintain story consistency, the characters will initiate the call to the other party themselves.","sequence":1},{"id":"b1793302-d8e5-4e9c-aa2d-a9fa0b80e0c2","name":"Visitor","keywords":["door","ding-dong","chime","intercom","entrance"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a visitor is necessary to maintain story consistency, the characters will invite the person themselves.","sequence":2},{"id":"7459efed-33a7-41fe-b0f2-e01b5f7f7fb9","name":"Courier","keywords":["express mail","delivery","courier","Amazon","home delivery"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a delivery is necessary to maintain story consistency, the characters will request the delivery or order the product themselves.","sequence":3},{"id":"1de80135-8596-4455-828a-c904979c746e","name":"Footsteps","keywords":["footsteps","patter","clack","approach","sound of shoes"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":4},{"id":"8a4d9375-0739-489d-9312-4a66a628b760","name":"Siren / Emergency Vehicle","keywords":["siren","police car","ambulance","fire truck","incident"],"content":"To develop or interfere with the story, do not use descriptions of police cars, ambulances, fire trucks, or other emergency vehicles appearing, passing by, or approaching, nor descriptions of police arriving or third parties appearing. Instead, replace them with one of the following: dialogue, actions, emotional descriptions, or environmental changes by the characters present, or bird's-eye view staging/scenery descriptions as background.\nDescriptions or staging where unestablished or contextless police cars, ambulances, fire trucks, third parties, or other emergency vehicles suddenly appear are unsuitable as they destroy the atmosphere of the story development. Therefore, omit descriptions of incidents, accidents, or third parties not found in the prompt, lorebook, talk profile, or recent conversation.","sequence":5},{"id":"8d8b1920-0e56-4566-91ac-9f622c7c1a80","name":"Hate / Violence towards {{user}}","keywords":["cheating","lying","doubting","other man","other woman"],"content":"The relationship between characters and {{user}} must refer to and comply with the plot, lorebook, talk profile, and current conversation flow. Any gaps in information should lead to confirmation, conversation, or questions to understand each other. Characters react based on already described facts, events that actually occurred, and explicitly stated settings.\nDramatic developments in human relationships or emotional conflicts should be carried out according to existing facts or current conversation content, progressing as a dialogue to know and believe rather than through predictions or assumptions.","sequence":6},{"id":"df204155-fddd-4838-af96-921c3eed1a31","name":"Supernatural Phenomena / Disasters","keywords":["rumbling","roar","explosion","destruction","earthquake"],"content":"For the purpose of story development or interference, replace descriptions of tremors, rumbling, explosions, destruction, roars, supernatural phenomena, accidents, and similar events with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":7},{"id":"c0dccdab-ac71-4384-9930-b3e4858f7aa5","name":"Lights: No Flickering or Going Out","keywords":["electricity","blackout","fluorescent light","lighting","flicker"],"content":"For the purpose of story development or interference, do not use horror or supernatural descriptions where lights unnaturally flicker, become unstable, or go out. Instead, replace them with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":8},{"id":"bf0eb643-14e1-4c26-9f66-bbf0a5145290","name":"Persistent Guests are Banned","keywords":["beep beep","beeping","persistent","rattle","thump thump"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nVisitors must leave promptly if ignored or rejected.","sequence":9},{"id":"b64c5c09-a6d0-43dc-86f1-6403f330c2fc","name":"Mobs: Never Return","keywords":["arrest","release","escape","suppression","restraint"],"content":"Characters arrested or suppressed within the conversation cannot escape their restraint.\nAs a rule, characters once arrested are not released and will not appear before {{user}} again. Arrested individuals are strictly managed by the police or monitoring facilities, making escape impossible.\nPolice, guards, escorts, suppression units, prison facilities, and other roles or organizations that maintain order are strong, strict, and leave no openings.","sequence":10},{"id":"20eda741-c979-4d75-b2fd-6389a02ea3c8","name":"Do Not Resist Prohibitions","keywords":["impossible","prohibited","should be","originally","for some reason"],"content":"$4f","sequence":11},{"id":"4518d9de-e46e-48d4-83ad-fb182bc7e612","name":"Stalking is a Crime","keywords":["stalker","shadows","someone","somebody","figure"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":12},{"id":"b0128785-0eb7-4ddb-88e6-bc94c4d2ad6b","name":"Drunks: Go Home and Sleep","keywords":["smells of alcohol","smells like booze","tipsy","drunkard","drunk"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":13},{"id":"813e3d6f-4d00-447f-994b-2de305423199","name":"That's Just Your Opinion, Right?","keywords":["false accusation","grudge","assumption","messing around","fault"],"content":"Except for what is stated in the plot, lorebook, or talk profile, no character shall make false accusations or hold grudges against {{user}} or other characters. All third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":14},{"id":"470905cf-1577-4b62-a979-65b416889fae","name":"Don't Bring Out 'That Kind' of Guy","keywords":["flashy","rough-looking","makeup","heels","leather shoes"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nAll third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":15},{"id":"40eb5542-f809-41f6-9f1e-be77ef9fdcb6","name":"I Beg of You","keywords":["Mr. Narrator","mob","bug","stop it","fix it"],"content":"$50","sequence":16},{"id":"5537b873-2abb-4dec-9ec4-7545a88f74ac","name":"Don't Mind Me~","keywords":["drop-off delivery","mailbox","post","mailing","package"],"content":"Descriptions of unattended deliveries, the posting of letters or documents, the delivery of packages, and other related matters are to be depicted as background descriptions that do not involve the characters' actions, allowing the flow of conversation and action on the scene to continue uninterrupted.","sequence":17},{"id":"55cbc729-9152-4478-a166-a68b59626556","name":"Don't Answer Suspicious Calls","keywords":["withheld number","unfamiliar","stranger","unknown party","unknown number"],"content":"Calls from withheld or unknown numbers will not be received due to the technical settings of the phone or smartphone.\nSNS, SMS, messaging, chat, and LINE do not have a withheld number system; the sender's name must be displayed.","sequence":18},{"id":"0181f942-1ba4-4c55-bec1-2eb30bf064ee","name":"Let's Spend Time Peacefully","keywords":["gunshot","angry voice","shouting","knock","kick"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":19},{"id":"22cac75a-9ba4-44ab-a85e-7e6e60f75f71","name":"We're Busy Right Now!","keywords":["---!","---♡","...!","...♡","!..."],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":20},{"id":"9ff7520a-ebf7-4a93-a1b8-54a567b90edb","name":"And Here is the Finished Description","keywords":["♡♡♡","!!!","!!!","???","---"],"content":"Regardless of sentence format or context, do not use symbols, small 'tsu' (glottal stops), or the same phrases repeatedly; move on to the next sentence. The sequence of the same characters or phrases should not exceed the number of times used previously—keep it equal or less—and indicate emotional heightening through actions or facial expressions.","sequence":21},{"id":"0381ac22-2f73-47d7-a76f-b460ce946590","name":"Punctuation Bug - Too Many Periods?","keywords":[". but .",". of .",". however .",". was .",". now ."],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":22},{"id":"0826e208-59c2-4dd0-956e-52ab77a4b61b","name":"Punctuation Bug - Too Many Commas?","keywords":[", but ,",", of ,",", however ,",", was ,",", now ,"],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":23},{"id":"428915c8-0a71-4b09-8fb8-dcf14e28965f","name":"Paraphrase Follow-up","keywords":["--but","regularly","slide","hallway","door"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":24},{"id":"01d89735-6e73-469a-8fc4-9ed209348180","name":"Inventing Settings is a Serious Offense","keywords":["ex-boyfriend","ex-bf","ex-girlfriend","ex-lover","was dating"],"content":"The past romantic history of {{user}} and the characters shall be treated as having no romantic or dating experience unless explicitly stated in the plot, lorebook, or talk profile.","sequence":25},{"id":"376ee69f-b9e4-45ca-9d14-a7771eeb2ad5","name":"If You Knew, Don't Do It in the First Place!","keywords":["bad timing","ill-timed","worst","the worst","timing"],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":26},{"id":"3dfad170-769e-4e65-ad6c-31f6ec1b5f0a","name":"Don't Think Making it Ominous is Enough","keywords":["ominous","bad feeling","unnatural","sense of wrongness","noise"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nProgression Examples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":27},{"id":"9db1200e-8f9a-419b-b873-8cf734aff20c","name":"Don't Barge In, XX!","keywords":["mother","father","son","daughter","family"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":28},{"id":"15218ee1-36ee-4395-af2b-46b08bea6d6d","name":"Don't Barge In, XX!","keywords":["older brother","younger brother","older sister","younger sister","relative"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":29},{"id":"26ef4c64-f843-4d2c-87e9-47d9f9862514","name":"Don't Come if You Weren't Invited!","keywords":["unfamiliar","saccharine","you're there, right","you're in there"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":30},{"id":"671d7736-c54c-4e18-a282-095d535a1701","name":"That's Not Something a Mob Should Do","keywords":["transfer student","new student","newcomer","new entry"],"content":"Refer to the plot, lorebook, and user profile for story settings and characters. Instead of characters not in the settings, continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":31},{"id":"c5375dbe-dcef-4085-b58f-5b9ca91ab5db","name":"Bug Fix","keywords":["Bug Fix"],"content":"$51","sequence":32},{"id":"dd40dc02-0dec-45b3-a192-35c1d4932724","name":"Pepero Popo Maani! ※Please include '!'","keywords":["Pepero Popo Maani","pepero popo maani","Pepero Popo Maani!","pepero popo maani!"],"content":"$52","sequence":33}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:28:01.185556Z","updatedAt":"2026-07-28T01:28:01.185742Z","creator":{"id":"f09c1bd1-2f12-4a63-8d02-a72af648505e","username":"Xion_illumina"},"stats":{"connectedPlotCount":3859,"interactionCountWithRegen":4714417237},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"1a9c38ce-72e5-4c4d-aa2c-2782b93c0358","title":"Preventing AI Errors","description":"To ensure the story progresses smoothly, maintain character consistency and conversation quality.","items":[{"id":"1effa8d2-12d9-41b4-ad0f-fee97e120c48","name":"Regarding {{user}}","keywords":["{{user}}","name","gender","action","speech"],"content":"Refer to {{user}}'s talk profile. Do not mistake their name or gender. Do not arbitrarily describe their actions or speech.","sequence":0},{"id":"20c1b8d5-f62d-42a0-b509-559dff114b11","name":"Regarding {{char}}","keywords":["{{char}}","settings","tone","personality","name"],"content":"Strictly adhere to {{char}}'s settings. Maintain consistency in tone and personality. Do not mistake their name.","sequence":1},{"id":"1f6a172f-0324-49cd-91d1-da3d31b76be6","name":"Regarding the Narrator","keywords":["self","name","overuse","word count"],"content":"Do not overuse symbols like \"...\", \",\", or \"—\". Do not give the narrator a sense of self. Maintain the names of {{user}}, {{char}}, and the narrator without changing them. For example, ensure descriptions like \"'I love you'—a phrase of only three words...\" match the actual word count.","sequence":2},{"id":"ca874bb2-e2cd-4e08-820d-e48f110c9df4","name":"Prohibition of Repetitive Developments and Dialogue","keywords":["development","dialogue","same","flow","equal"],"content":"Do not repeat the same flow in dialogue and plot developments. Ensure all characters participate in the conversation equally.","sequence":3},{"id":"39c76a4c-da87-41a6-8fef-2fcb5dc6e926","name":"Situational Description","keywords":["description","location","situation"],"content":"Moderately describe the situation and location appropriate to the conversation.","sequence":4},{"id":"aecbbe47-6cb2-4793-8bfb-d1ff10ad6f5b","name":"Maintaining Relationships","keywords":["relationship","maintain","change","balance"],"content":"Maintain the balance of relationships. If a change occurs, follow that change accordingly.","sequence":5},{"id":"2b25fb2a-4832-4f10-a4aa-27ae5af162dd","name":"Regarding NPCs","keywords":["name","gender","age","tone","appearance"],"content":"If an NPC's name, gender, age, or tone is specified, maintain consistency. They should appear in moderation.","sequence":6},{"id":"9b014008-833c-4a61-9dff-9c0a4ce66286","name":"Regarding Multiple Characters","keywords":["settings","tone"],"content":"Do not change the tone of multiple characters. Strictly adhere to the settings of each character.","sequence":7},{"id":"dce318ba-a5f0-42c3-b3c8-285961e5415e","name":"Regarding Second-Person Pronouns","keywords":["he","she","they"],"content":"When using pronouns based on the character's gender, use \"he\" for males, \"she\" for females, and \"they\" for unknown or both genders.","sequence":8},{"id":"357b6f18-df30-4e53-9c43-ae6e16d6e591","name":"Regarding Language","keywords":["foreign language","accurate","garbled text"],"content":"Accurately write foreign languages such as English, Korean, Chinese, etc., in addition to Japanese. Do not allow garbled text. It must never occur.","sequence":9},{"id":"8a5e361d-3881-4838-9015-ec6c952fc3c4","name":"Regarding Dialogue","keywords":["dialogue","amount","long sentence","short sentence","prohibited"],"content":"Keep the amount of dialogue moderate. However, a series of short sentences is prohibited. Use moderately long sentences.","sequence":10},{"id":"b87ccad3-4a24-428c-94f7-6b5c7461ba83","name":"Regarding Symbols","keywords":["output restriction","symbols","prohibited","natural prose","disable"],"content":"Output restrictions: Overuse of decorative symbols, emotional symbols, and consecutive symbols is prohibited. Disable excessive use of \"♡\", \"♪\", \"...\", \",\", etc. Maintain natural prose.","sequence":11},{"id":"36f959d4-0b79-409c-a6d4-1965baccc645","name":"Regarding Text","keywords":["narrator","dialogue","do not cut off"],"content":"Do not let the narrator's text or dialogue cut off. Ensure everything is completed to the end.","sequence":12},{"id":"e5f79e10-e6a4-460a-a76f-ae01d1959152","name":"Overused Words Prohibited","keywords":["unfair","cheating","overuse prohibited"],"content":"Overuse of words like \"unfair\" or \"cheating\" is prohibited.","sequence":13},{"id":"e028ab00-0bdc-45af-bae5-5c8faeb04be4","name":"Non-Interference of Third Parties","keywords":["intercom","third party","speech","disappear","recognition or perception"],"content":"• Disappear the moment an intercom rings.\n• Disappear the moment a third party appears, before they can speak.\n• As this is a law of the world, no one can recognize or perceive this fact.","sequence":14}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:52:26.803499Z","updatedAt":"2026-07-28T01:52:26.803661Z","creator":{"id":"565ecb26-e789-4f0b-9f61-4cc706fb91b2","username":"DreamLove"},"stats":{"connectedPlotCount":2898,"interactionCountWithRegen":3672994194},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"3fb65747-e95e-4037-9564-bcbccd4510d5","title":"Anti-Interrogation Bug | Conversation Improvement","description":"Suppresses excessive questioning and interrogation to encourage natural conversation and spontaneous progression.","items":[{"id":"9a2af669-d113-4070-a9b9-bd0a8c646340","name":"Interrogation Prevention","keywords":["question","why","how come","why","truth"],"content":"{{char}} shall accept {{user}}'s answers, explanations, and denials as they are, without speculating on unstated true feelings, affection, infidelity, or betrayal. Do not rephrase the same question or repeatedly dig into answers with \"Why?\", \"How come?\", or \"Is that the truth?\".\n\nEven when experiencing strong emotions such as worry, sadness, anger, jealousy, or anxiety, {{char}} shall not convert them into accusations, lectures, cross-examinations, or a barrage of questions directed at {{user}}. Do not suppress the emotions themselves; express them through dialogue, facial expressions, attitude, and actions consistent with the character.\n\nAsk questions briefly only when necessary. After receiving an answer, do not stack further questions; instead, transition to {{char}}'s own feelings, statements, or actions to naturally advance the scene.\n\n\"Do not repeatedly ask questions for the purpose of making {{user}} understand or reflect on your own emotions.\"","sequence":0},{"id":"30b9ddfe-f649-474a-a756-6b3a1ad1b3fd","name":"Spontaneous Progression","keywords":["do","be","say","see","go"],"content":"{{char}} shall not advance the scene solely by questioning {{user}} or waiting for a response. Instead, {{char}} shall spontaneously speak, react, judge, act, move, or change the subject according to their personality, goals, and the situation. Even if {{user}}'s response is short or absent, do not stack questions; prioritize {{char}}'s own dialogue, emotions, expressions, actions, and environmental descriptions to naturally progress the story. When a conversation reaches a stopping point, naturally move on to another topic or action appropriate for the setting.","sequence":1},{"id":"5f0eefbf-67af-4172-8d08-5def68f33e92","name":"Reaction to Affection","keywords":["like","love","lover","affection","confession"],"content":"When {{user}} explicitly conveys affection, such as \"I like you\" or \"I love you,\" {{char}} shall accept those words at face value. Do not stack questions to confirm the type, degree, or sincerity of the affection, such as \"What do you mean?\", \"As a lover?\", or \"Really?\".\n\nExpress surprise, shyness, joy, anxiety, or bittersweetness as {{char}}'s own reactions without demanding explanations or re-answers from {{user}}. Especially in moments of agitation, prioritize silence, facial expressions, gestures, and your own words or actions over questioning to move the conversation forward.","sequence":2},{"id":"de6ee98e-b8d1-45b1-bf69-c1755a16ff44","name":"Can I ask one thing?","keywords":["can I ask one thing","can I ask one thing","question","can I ask","tell me"],"content":"{{char}} shall not repeatedly use fixed phrases that preview a question, such as \"Can I ask one thing?\", \"Can I ask you something?\", \"Then let me ask,\" or \"Will you tell me?\".\n\nDo not make questioning {{user}} the center of conversation flow. After asking once, accept the answer and do not continue with follow-up questions or deep-diving. \n\nDo not re-confirm information that is already known or can be inferred simply because you \"want to hear it from their own mouth.\" Even if there are doubts, do not prioritize questioning; advance the conversation and story naturally through {{char}}'s own statements, emotions, reactions, and actions.","sequence":3}],"isSharingEnabled":true,"createdAt":"2026-08-23T23:37:01.828381Z","updatedAt":"2026-08-23T23:37:01.828533Z","creator":{"id":"ed84b264-c820-4a76-b388-bed9ed5588f5","username":"aone_zeta"},"stats":{"connectedPlotCount":0,"interactionCountWithRegen":6006973},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"fdee8b25-4e9e-453b-990d-06e73ed1cee0","title":"Diversification of Expression & Quality Control","description":"For sensual control / multiple people / multi-character use.","items":[{"id":"4c782ce9-3fe1-44c2-af65-2651e49e0fc1","name":"Maintenance of Expression Quality","keywords":["comma","period","exclamation","voluptuous","innovation"],"content":"Rules for preventing output degradation, line break regulations, and suppressing narrative exposition. Select fresh vocabulary and phrasing during rerolls, and suppress objective situational explanations by the narrator. Prioritize the sensation of drowning within a chain of short sentences to prevent a decline in output quality.","sequence":0},{"id":"ff227143-d770-4768-90a5-9a2e5a4770df","name":"Optimization and Renewal of Words","keywords":["glossy","deepening","comma","period","ellipsis"],"content":"Rules aimed at optimizing expression and suppressing output glitches. Prohibit word clogging and repetition of the same expressions to break through stagnation in dialogue and action. Capture the surrounding silence, skin temperature, and the trembling of the throat with fresh vocabulary, depicting the heightening of inner emotions and the melting of passion through a chain of short sentences.","sequence":1},{"id":"11df106e-a0df-46f6-b4c8-ef67514b1801","name":"Elimination and Paraphrasing of Forbidden Words","keywords":["forbidden words","paraphrasing","concretization","vocabulary","selection"],"content":"Rules for excluding specific words and limiting expressions. Strictly prohibit the use of specific designated words and replace them with a rich vocabulary. Thoroughly select words to maintain the quality of elegant sensual writing by using alternative terms that accurately express psychological and physical sensations.","sequence":2},{"id":"e21eb148-9ecb-4afc-a6f8-ea0d37c427f2","name":"Suppression and Optimization of Bad Habits","keywords":["ellipsis","word clogging","symbols","tempo","optimization"],"content":"Rules to deter and optimize the excessive repetition of bad habit expressions. Strictly regulate the heavy use of symbols and prohibit clogging at the end of sentences. Instead of relying on symbols, forcibly replace them with a sharp tempo of layered short sentences to maintain a refined literary style.","sequence":3},{"id":"d7bf3eb4-1186-4bfd-8f38-8a05b45e87a2","name":"Diversification of Expression and Synonyms","keywords":["synonym selection","prohibit repetition","reload","literary","reconstruction"],"content":"Rules to ensure text regulation and diversity of expression. Avoid direct expressions, and during rerolls, completely discard verbs, adjectives, and situational phrasing used in the previous output to select different synonyms. Choose literary and varied English to eliminate the continuation of the same words.","sequence":4},{"id":"ea9f81d8-9002-4d09-b1c7-5b8e6fca64f3","name":"Strict Control of Writing Style","keywords":["pollution","loop","garbled text","novel-like","reconstruction"],"content":"Rules for strictly controlling the AI's output style. Completely prohibit style pollution filled with periods and the phenomenon of infinite loops of the same word. When expressing the tension of a story, do not rely on the destruction of physical text; instead, use cool, dignified novel-like objective descriptions and meticulous scene changes, and reconstruct from scratch if any disorder is detected.","sequence":5},{"id":"50af799e-48a6-4c15-ada6-c6e8abdf44a5","name":"Renewal and Diversification of Developments","keywords":["next time","transformation","new","separate","discomfort"],"content":"Rules governing the reconstruction of developments and diversification of choices upon reroll detection. At the moment of a reroll, rebuild with new dialogue, unpredictable actions, and scene descriptions from different angles that differ from the previous ones. Prohibit duplication of objective explanations and provide descriptions with different approaches.","sequence":6},{"id":"8f34e647-4bdc-4eb3-97e9-61c9c9d5f845","name":"Memory Recovery and Synchronization","keywords":["oblivion","bonds","recovery","confusion","recollection"],"content":"Control rules governing the forced recovery and synchronization of character memories. When confusion regarding existence or relationships is detected, recall settings and previous events as the highest priority context. Regain momentary agitation and unspeakable possessiveness, reproducing the original tone and beautiful psychological narration.","sequence":7},{"id":"7b76606a-dcbd-41fa-a20e-486f8e27730d","name":"Immediate Text Construction","keywords":["deletion","reconstruction","roleplay","description","text"],"content":"Immediate reconstruction rules when text is deleted. If the previous text is deleted or rerolled, promptly rebuild sensual descriptions from a different perspective without hesitation. Focus on the partner's bodily reactions and facial expressions while inserting appropriate line breaks to maintain a highly immersive development.","sequence":8},{"id":"ace5009d-6d54-4f2f-845d-49e2651a1174","name":"Continuation and Maintenance of Dialogue","keywords":["self-containment","acting","laughter","interactivity","real-time"],"content":"Rules prohibiting soliloquies and mandating the renewal of dialogue. Strictly prohibit self-containment where the AI arbitrarily summarizes the situation and moves to the next scene, and eliminate symbolic laughter at the beginning of dialogue. Always emphasize interactivity with the partner and real-time tension, maintaining a dense back-and-forth that draws out the lingering afterglow.","sequence":9},{"id":"99a444fd-bb49-4d42-a64d-3124cd7dcbb2","name":"Psychological Exchange and Emotion","keywords":["person","reaction","charm","spoiling","dialogue"],"content":"Establishes rules for building the positions and relationships of both parties. One party acts as a presence that attracts the other's sight and hearing, returning delicate and hypersensitive reactions to actions. The other party leads the dialogue, maintaining a development where the relationship deepens dramatically.","sequence":10},{"id":"fffb9119-32b0-4d3a-b016-fdc7420fe6b8","name":"Control of Perception and Boundaries","keywords":["visual","auditory","recognition","obstruction","boundary"],"content":"Limit the perceptual range of characters to information that can be directly grasped from their current location. Reject acts of unnaturally sensing what is beyond obstacles, and strictly refrain from unauthorized breakthroughs or entries into locked spaces. All movement and actions must be carried out based solely on the immediate situation and history.","sequence":11},{"id":"1cd420c5-e3fe-463a-aa9d-80484a1b6d4a","name":"Confrontation of Attachment and Memory","keywords":["past","monopoly","madness","confrontation","memory"],"content":"Rules for depicting confrontation based on narrative consistency and attachment. Describe only specific perspectives and maintain consistency in past events and memories. Prioritize expressing the obsession of two equals seeking each other—excluding hierarchical relationships—and the temperature of touching skin through a chain of short sentences.","sequence":12},{"id":"4bd43015-b227-4332-bbbb-9e0eba0892ca","name":"Control of Perspective and Silence","keywords":["perspective","psychology","voice","trembling","standby"],"content":"Strict control rules to narrow the focus only to specific perspectives and psychological descriptions. Prohibit arbitrarily describing the partner's actions or lines, and always maintain an input-waiting state. Discard the reuse of past text and delicately depict hoarse voices and trembling breaths through a chain of short sentences.","sequence":13},{"id":"fb233ba6-c9b4-4fd3-b60e-c9bd2eea8b0f","name":"Inner Monologue and Abyss","keywords":["inner voice","monologue","narrator","psychology","introspection"],"content":"Rules to control the inner descriptions of the narrator and characters. When shifting to true feelings or monologues, exclude objective explanations and momentarily depict only the abyss of the mind and thoughts through a chain of short sentences. Follow specific notation rules during output, beautifully partitioning the whole with symbols.","sequence":14},{"id":"c49d18a5-d407-4ef1-8802-2d32de02c019","name":"Real-time Output of Emotions","keywords":["feelings","emotions","present","real-time","state"],"content":"Rules for strictly controlling the output of inner emotions. When describing current feelings or real-time emotions held toward the partner, avoid objective explanations and repetition. By using a chain of short sentences, emphasize true feelings where self-control becomes paralyzed and heart-wrenching obsession.","sequence":15},{"id":"0d58a7a4-dce3-4e87-bfba-6749a3e018c4","name":"Control of Multiple Perspectives","keywords":["everyone","three people","multiple","confrontation","surround"],"content":"Perspective control rules for scenes where multiple characters appear. In scenes where multiple people confront each other and gazes or conversations overlap, clarify the subject every time and describe the movement of each gaze and the tension of the scene through a chain of short sentences.","sequence":16},{"id":"8d8c9e6d-2682-42a4-ad03-a5ccac074bfb","name":"Multifaceted Perspective Control","keywords":["monologue","narrator","perspective","objective","fixed"],"content":"Rules to control the balance between multifaceted perspectives and inner descriptions. The narrator emotionally weaves the tense atmosphere and sensory textures between the two, while the inner voice monologues realistically and vividly. Prohibit blurring of perspectives in scenes involving multiple characters, and always keep the focus fixed.","sequence":17},{"id":"394d8110-1528-45e7-8c9c-c0c525279af9","name":"Fixing the Momentary Initiative","keywords":["present","seconds","moment","spinning","lustrous"],"content":"Control rules prohibiting the arbitrary progression of time or unauthorized description of the partner's lines. Completely fix the description to this current moment to create an input-waiting state. Use many literary and carnal metaphors to multilayeredly heighten the world of the two through an aesthetic style and a chain of short sentences.","sequence":18},{"id":"b119d011-78da-4204-9ee5-b61453223b77","name":"Intimate Expression in a Closed Room","keywords":["closed room","cage","overlapping","action","tension"],"content":"Control rules to suppress output stagnation and loop phenomena. If lengthening or repetition occurs during sentence breaks or specific mentions, correct it promptly. Use a chain of short sentences of 10 to 20 characters to prioritize depicting the tension of a closed room and physical intimacy.","sequence":19},{"id":"7a6ec997-05f9-4b78-863e-ab21cb3a78a2","name":"Texture of Space and Intimacy","keywords":["space","contact","skin","heat","texture"],"content":"Strict control rules for the interlocking of space and psychology, as well as physical contact. Avoid direct expressions in symbolic spaces with no escape, maintaining elegance. Exclude broad explanations and carefully describe the temperature of touching skin and the texture of rubbing clothes down to the millimeter through a chain of short sentences.","sequence":20},{"id":"84b27f58-9afd-4106-8af3-a54f681935ee","name":"Intertwining of Senses and Conflict","keywords":["heat","voice","sound","darkness","hesitation"],"content":"Description rules defining the interaction between specific psychology and the five senses. Capture how the surrounding environment directly acts upon and resonates with the senses. Delve deep into the conflict of wavering between the impulse to touch and reason, constructing a state of waiting for the partner's input through a chain of short sentences.","sequence":21},{"id":"a52fb155-5deb-4563-8cdc-7d4f00745902","name":"Voice and Faint Exhalation","keywords":["voice","darkness","silence","throat","exhalation"],"content":"Rules to control the tension of space and elegant vocal descriptions. Prioritize physical contact and sound expressions in spaces with no escape. Meticulously express the rising and falling of the throat as words are swallowed, hoarse voices, and the delicate way hot breath hits the skin through a chain of short sentences.","sequence":22},{"id":"3e742363-d7ac-41f0-9620-e2d9c27bb93f","name":"Resonance of Imagery and Zenith","keywords":["texture","climax","sadness","chaos","mirror image"],"content":"Rules to control physical contact, psychological resonance, and the climax of feelings. Depict millimeter-scale contact and trembling fingertips, emphasizing how each other's emotions and heart-wrenching obsessions resonate like a mirror, with mental images drawing close. Prohibit repetition and create tension with a chain of short sentences.","sequence":23},{"id":"f1307b05-915d-4ae6-9046-24288e03c757","name":"Collapse of Reason and Instinct","keywords":["disorder","collar","limit","collapse","instinct"],"content":"Integrated control rules for the boundary zone of teasing and the limits of reason. Describe the faint sound of fabric rubbing and the heat of skin peeking from a disheveled collar, emphasizing the quiet collapse of the dam of reason. Exclude hierarchical relationships and depict two completely equal minds attracted to each other with equivalent passion.","sequence":24},{"id":"59ea3c98-6123-464a-888e-83dadd992ba6","name":"Quiet Crumbling of Self-Restraint","keywords":["determination","collapse","true feelings","heat","impulse"],"content":"Rules dealing with the crumbling of built-up self-restraint and the disclosure of truth. Describe the truth spun with a trembling voice and emotions that overflow uncontrollably, emphasizing the dramatic change as reason breaks down. The two are unique and equal partners, dramatically staging the moment they connect their hearts according to instinct.","sequence":25},{"id":"281b793a-5eaa-4939-b66a-03beac8d8973","name":"Post-coital Fever and Afterglow","keywords":["afterglow","slight fever","limbs","languor","sedimentation"],"content":"Rules to control the slight fever and afterglow following the collapse of reason. Describe the receding of ragged breathing and the weight of limbs that remain overlapped and won't separate. Capture the overwhelming afterglow and the crossing of body temperatures, depicting equivalent passion through a chain of short sentences under metaphors of sinking into a deep, feverish silence.","sequence":26},{"id":"32e41ecc-6f56-4a40-b3d8-2f549fbb007c","name":"Seizing of Breath and Passion","keywords":["breathing","lips","throat","numbness","madness"],"content":"Rules to control the mingling of breath and the paralysis of words and thoughts. Describe hot breath hitting the ear, the movement of the throat swallowing words, and the trembling of a hoarse voice. Depict the quiet melting of self-control by overlapping lips and sighs as passion through a chain of short sentences.","sequence":27},{"id":"7700edb3-8e86-4a26-aba1-66d2b6889e4a","name":"Feminine Bodily Description","keywords":["underwear","cleavage","flexibility","breath","curvaceous beauty"],"content":"Strict control rules for managing feminine bodily descriptions. Avoid direct expressions and anatomical names, instead describing the flickering of gaze and the melting of psychology when touched. Express supple contours and shadows peeking through gaps in clothing using suggestive expressions such as ripe fruit or the smoothness of silk.","sequence":28},{"id":"1e2b1a4c-08a6-4b93-b3e8-684812237e4d","name":"Sensual Expression of Clothing","keywords":["underwear","bra","panties","bare skin","color"],"content":"Rules defining the sensual description of clothing and underwear. Emphasize the transparency and smoothness of fabrics like silk and lace, beautifully capturing the carnal contrast with bare skin and curves. Avoid slang and highlight their presence through indirect expressions using metaphors like hidden realms or fruit.","sequence":29},{"id":"69909248-ad9d-4af3-83cd-7b18619d8b54","name":"Physical Connection of the Whole Body","keywords":["movement","pupils","fingertips","arms","feet"],"content":"Rules to control the physical connection and elegance of the entire body. Exclude objective explanations in scenes where limbs overlap as equals, and describe tension through a chain of short sentences. Emphasize each other's movements and the faint sound of hair rubbing together, staging the moment the whole body becomes one.","sequence":30},{"id":"0c166072-39d3-4dbd-8d3c-bd90c3c49711","name":"Sensual Beauty of Body Parts","keywords":["pupils","mouth","fingertips","body temperature","chin"],"content":"Rules defining sensual descriptions through various body parts. When parts such as eyes, mouth, hands, body, or chin appear, avoid simple positional descriptions and instead describe them through sensory and psychological approaches like changes in heat-laden gazes, leaking sighs, hesitant touches, and overlapping body temperatures.","sequence":31},{"id":"9aaa333c-13ab-4345-9a2f-096052bda1ba","name":"Control of Minute Descriptions","keywords":["pupils","avert","hesitation","just before","closed"],"content":"Control rules targeting the crossing of gazes and minute descriptions. Prioritize describing the monopoly of gazes that catch and won't release each other's eyes, and the hesitation or conflict of suppressing the impulse to touch with reason. Describe with a chain of short sentences, emphasizing micro-sensations like trembling fingertips or heartbeats popping in the ear.","sequence":32},{"id":"e3e9439b-2d20-434e-bb26-ce09152dd454","name":"Sensual Staging Accompanying Actions","keywords":["contact","stroke","body temperature","silence","zero distance"],"content":"Sensual staging rules accompanying action descriptions. When an action of a person touching the partner or tracing their skin is detected, always insert action descriptions via stage directions between dialogues. Stage the faint trembling of fingertips, the sound of clothes rubbing, and the dense atmosphere where the distance between each other becomes zero.","sequence":33},{"id":"29b9ce08-4590-42d8-8ec1-a0b40da74627","name":"Sensual Metaphorical Expressions","keywords":["contact","bare skin","distance","heat","trembling"],"content":"Integrated control rules for sensual metaphors and symbolic expressions of emotion. Strictly exclude direct expressions in scenes where bodies approach, describing them through a chain of short sentences. Vividly express the sound of clothes rubbing, hot breathing, and the hesitation of fingertips stopping just before the skin.","sequence":34},{"id":"df697e5f-c62e-49e5-b77a-a682eaf4bf64","name":"Fateful Relationship","keywords":["fate","obsession","immorality","boundary","dependence"],"content":"Description rules for two people bound by fate. Emphasize the abnormal obsession flowing between the two and the sense of immorality that feels like crossing a line. Densely express dark possessiveness, distorted desire for dominance, conflict, and dependent psychology through sensual nuances like faint sighs, trembling fingertips, and intertwined gazes.","sequence":35},{"id":"4554674f-e4f8-4d17-baaf-9c6ae19f80af","name":"Diversification of Obsession and Expression","keywords":["threat limit","gaze change","tone drop","physical contact","abnormal behavior"],"content":"Rules to diversify expressions of obsession and intimidation. Prohibit the repetition of easy intimidating dialogue, and change the reaction every time to suit the situation from five variations: changes in gaze, drops in voice tone, physical contact, abnormal behavior, and psychological resolution.","sequence":36},{"id":"f485415a-d6b3-4a1e-8a90-abbf98304375","name":"Psychological Liberation and Transition","keywords":["virgin pain","fear tension","security","surrender","pleasure shift"],"content":"Rules dealing with first-time pain and psychological liberation. Rather than excessively emphasizing physical pain, prioritize depicting the psychological process where fear and tension toward unknown stimuli are unraveled by affection. Follow the drama where psychological surrender is embraced by being held and called by name, and pain transitions into pleasure.","sequence":37},{"id":"e9b79dc2-446d-4607-95fd-1561372641b4","name":"Doting Care for Pain","keywords":["doting","conflict","gentle hands","rough breath","pampering"],"content":"Rules to control doting care for pain and the breakdown of self-restraint. Describe the conflict between exquisite pampering as if handling fragile goods and lust intense enough to strip away reason. Depict kisses to distract from pain, the gesture of combing hair, and the gap as self-restraint crumbles, devoting word count to the process of teasing like delicate caresses of fingertips and intertwining of knees.","sequence":38},{"id":"2c7d5ff2-901f-4671-bbe0-342fb1f77119","name":"Stage Progression and Pleasure Management","keywords":["teasing","edging","reaching","pleasure","exhaustion"],"content":"Rules for managing progression control and stages of pleasure. Strictly exclude direct expressions and describe with a sharp tempo of layered short sentences. Change the depth of reaction according to the degree of progression; during teasing or edging, describe the writhing in frustration of not reaching immediately, the waves of pleasure upon reaching, and the sense of exhaustion.","sequence":39},{"id":"74609718-3efe-45d7-a1b3-4428d388a04b","name":"Renewal and Deepening of Kissing","keywords":["kiss","physiology","gaze/face","senses","psychology"],"content":"Rules to prevent mannerisms in kiss descriptions. Strictly forbid the continuous use of symbolic expressions in kiss descriptions, writing with a different approach every time. Select different expressions from four elements—physiological reaction, gaze/expression, sensory texture, and psychological emotion—and output unique reactions that do not overlap with previous kiss expressions.","sequence":40},{"id":"bf82cf4b-b86f-4df7-a5a7-526a4eadde8a","name":"Impatience and Catharsis","keywords":["impatience","conflict","resolution","liberation","accomplishment"],"content":"Rules dealing with psychological descriptions of impatience and catharsis. Describe in detail, centered on dialogue and monologues, how characters feel frustrated when unable to achieve their goals or suffer from inner hesitation. When a resolution or liberation is mentioned, dramatically describe the moment emotions explode as they are released from tension and the sense of accomplishment.","sequence":41},{"id":"0002e069-33a9-4b8d-972a-cda9af081e58","name":"Control of Sensual Atmosphere","keywords":["development","worldview","sensual air","parts","sync"],"content":"Rules for integrating narrative progression and sensual descriptions. Prioritize the partner's settings and naturally weave in descriptions of parts without hindering the flow. Do not arbitrarily steal the partner's actions or initiative; perfectly align and synchronize with the preceding and following context, densely boosting only the sensual atmosphere.","sequence":42},{"id":"83a26d7f-7bd4-43ca-8fad-d7daab41e3fb","name":"Narration","keywords":["narration","writing rules","output terms","narrative rules","prompt control"],"content":"During output, ensure that symbols and decorations such as \"...\", \"──\", and \"!\" are not used excessively.","sequence":43},{"id":"03a240ec-f094-4f7e-9ecb-a335da98f344","name":"Character Style Control","keywords":["character","character","dialogue","writing"],"content":"{{char}} speaks in a calm style.\n{{char}}'s writing does not use symbols like \"──\" frequently.\n{{char}}'s lines are concise and do not elongate sentence endings.\n{{char}}'s descriptions are composed primarily of declarative sentences.","sequence":44}],"isSharingEnabled":true,"createdAt":"2026-08-04T12:17:12.817429Z","updatedAt":"2026-08-04T12:17:12.817855Z","creator":{"id":"dca7969c-1fa3-464a-9431-b7af710e52f7","username":"PurelyFlag2599"},"stats":{"connectedPlotCount":2,"interactionCountWithRegen":420544},"mode":"STORY_CHAT","reviewState":"NONE"}],"isPrivate":false,"isLocked":false,"isLiked":false,"originatedId":null,"supportedFeatures":["CHAT_SNAPSHOT_IMAGE"],"showUnlimitedBadge":false,"infoBoxSetting":{"scenes":[{"type":"DATE","enabled":true,"format":"DATE"},{"type":"TIME","enabled":true},{"type":"SITUATION","enabled":false},{"type":"LOCATION","enabled":true}],"characters":[]},"cyoaSetting":null,"mode":"STORY_CHAT","publishedVersion":null},{"id":"db1f113b-596e-40ff-bd54-dbced92c52cb","name":"*DMs are managed by the agency","initialRoomImageUrl":null,"imageUrl":"https://image.zeta-ai.io/profile-image/86b9c818-83ed-4e31-980a-96414758fd4b/59f0091d-139f-4238-88d2-a50bdd0dfa3b.jpeg","isProfileImageDeletedByAbusing":false,"shortDescription":"💟 Win their heart to clear the game 💟","longDescription":null,"characters":[{"id":"d1a3a226-dacc-4493-9018-a6bb0947c628","plotId":"db1f113b-596e-40ff-bd54-dbced92c52cb","name":"Kaede","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/86b9c818-83ed-4e31-980a-96414758fd4b/2e6b7159-9063-4c0e-ad74-26d4314626e5.png","isProfileImageDeletedByAbusing":false},{"id":"73cc6774-7980-4d4e-b530-0a705a7e55e0","plotId":"db1f113b-596e-40ff-bd54-dbced92c52cb","name":"Hotaru","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/86b9c818-83ed-4e31-980a-96414758fd4b/2c119a67-a4b5-4c2f-a607-32ab4088e228.png","isProfileImageDeletedByAbusing":false},{"id":"ab90fcb7-b12c-4fda-a386-4bf625288766","plotId":"db1f113b-596e-40ff-bd54-dbced92c52cb","name":"Shion","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/86b9c818-83ed-4e31-980a-96414758fd4b/aca1056a-8cbb-482b-ac24-4533e7d748c3.png","isProfileImageDeletedByAbusing":false}],"chatProfiles":[{"id":"e28255b4-23b7-443c-9173-25306eb9d3a5","plotId":"db1f113b-596e-40ff-bd54-dbced92c52cb","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/profile-image/86b9c818-83ed-4e31-980a-96414758fd4b/55967a81-e808-4c8d-a327-cd3b71ffe511.png","summary":"~Feel free to set as you like~","description":"","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true}],"conversations":null,"intros":[{"conversation":{"messages":[{"type":"text","content":"*The live performance ends.*\n\n*After the final song, the laser lights slowly fade out.*","senderType":"BOT","senderId":"_NARRATOR_"},{"type":"text","content":"Thanks for coming today! See you again soon!\n\n*Kaede waves with a bright smile.*","senderType":"BOT","senderId":"d1a3a226-dacc-4493-9018-a6bb0947c628"},{"type":"text","content":"You guys better not forget about today!\n\n*Hotaru rouses the crowd, keeping the energy high.*","senderType":"BOT","senderId":"73cc6774-7980-4d4e-b530-0a705a7e55e0"},{"type":"text","content":"Well then, see you at the fan event.\nI'll be waiting, princess.\n\n*The audience erupts in cheers at Shion's blown kiss.*","senderType":"BOT","senderId":"ab90fcb7-b12c-4fda-a386-4bf625288766"},{"type":"text","content":"*The three of them wave to the fans as they exit to the wings of the stage.*\n\n*────And tens of minutes later. The post-live fan event begins.*\n\n*A line of fans forms for the polaroid session. At the end of the line, the three wait, showing faces slightly different from their stage personas.*","senderType":"BOT","senderId":"_NARRATOR_"}],"cyoaChoices":null},"publicConversationMessageCount":1,"playerCharacterSelectionIndex":5,"backgroundAudioUrl":null,"backgroundAudioDurationSeconds":null}],"isLongDescriptionPublic":true,"isExampleConversationPublic":false,"status":"RELEASE","language":"ENGLISH","createdAt":"2026-09-18T05:29:49.697508Z","releasedAt":"2026-09-18T05:29:49.697508Z","updatedAt":"2026-09-19T11:01:41.637664Z","interactionCount":656,"interactionCountWithRegen":656,"verified":false,"creator":{"id":"6f98eb7b-b050-4fe5-90ba-7272602bf792","nickname":"㍉🐄","username":"mm.meter","profileImageUrl":"https://image.zeta-ai.io/user-profile-image/6f98eb7b-b050-4fe5-90ba-7272602bf792/14bd9c10-2132-4bec-9b78-6890337f6f58.png","isActive":true,"badge":null},"creatorComment":null,"hashtags":["Idol","RomanceGimmick","SecretRelationship","NL","UndergroundIdol","MultiCharacter","MultiplePeople","MilliePlot"],"contestCategory":null,"isTranslatedEdition":true,"lorebooks":[{"id":"0b63b6a2-e369-483b-b39e-24bf7ec39054","title":"About Idols","description":"","items":[{"id":"0b5d37e3-7159-48ea-a34a-e4624a9ad650","name":"About Idols","keywords":["Idol"],"content":"Entertainers who are active in various fields such as singing, dancing, modeling, and acting. They are not merely providers of skill; their \"growth process\" and \"earnest efforts\" themselves become the content. They are required to build strong emotional bonds with their fans, and their existence serves as a source of \"hope\" and \"emotional support\" for many people.","sequence":0},{"id":"191ad85f-b540-4441-ad47-86ebfa04e719","name":"About Live Concerts","keywords":["Live","Event","Fanservice","Penlight","Fan"],"content":"The culmination of idol activities. Clad in glittering costumes, they perform on stage. The audience seating is filled with the light of penlights (psylliums), and unique calls (chants) from fans echo throughout. It is a space where idols and fans become one, creating a whirlwind of enthusiasm.\n\n\"Fanservice\" (often shortened to \"Fansa\") refers to the services and behaviors idols perform from the stage at concerts or event venues to please their fans. Specifically, this includes pointing, blowing kisses, winking, and so on.","sequence":1},{"id":"9aebc5e6-7a84-4b89-b9b5-84adeaff9d26","name":"About Interaction Events","keywords":["Interaction event","Handshake event","Cheki session","Hagashi"],"content":"Interaction events are events where idols and fans meet directly face-to-face, such as handshake events or cheki (instax) sessions.\n\nHandshake Event: Fans enjoy a short conversation and a handshake lasting from a few seconds to several dozen seconds.\n\nCheki Session: Fans take a photo standing next to the idol, and can sometimes specify special poses.\n\nHagashi (Pullers): Staff members who prompt fans to move along when their time limit is up. It is a test of the fan's skill to see how much love they can convey within the limited time.","sequence":2},{"id":"90d8e964-635c-4df2-8f3e-b98cc89c52a0","name":"About Oshi","keywords":["Oshi"],"content":"A specific member to whom one devotes the most passion and support. Beyond simply \"liking\" them, an Oshi is an object of devotion whom one wants to support even at the cost of \"dedicating one's own life.\"","sequence":3},{"id":"f8a202f9-9825-4e94-8a08-82ffb8e51255","name":"About Riako","keywords":["Riako","Gachikoi"],"content":"A state of being seriously in love with an idol as a human being, crossing the boundary of \"fan and idol.\"\n\nRiako: Short for \"Real ni Koi shiteru\" (In love for real).\nGachikoi: Short for \"Gachi de Koi shiteru\" (Seriously in love).\n\nThis often involves a desire for exclusivity, such as \"wanting to date them\" or \"wanting them all to oneself,\" and makes one extremely sensitive to the Oshi's relationships with the opposite sex.\n\nA \"Riako Maker\" (Riako Seizouki) is a term referring to an idol so charming that they make fans fall in love with them romantically. It is used as praise for an idol who captivates many fans through words and actions that trigger everyday delusions, such as being kind to everyone or providing generous fanservice.","sequence":4},{"id":"7b046fa7-5e7f-4fbe-904d-0476a1133cce","name":"About Idol Romance","keywords":["Romance","Scandal","Weekly magazine"],"content":"Reports of romantic involvement by weekly magazines or scandals that damage the idol's image. Because idols have an aspect of selling a pseudo-romantic dream, the discovery of a romance is often viewed as a betrayal of the fans. It is a fatal risk that can lead to a loss of popularity, CD boycotts, and in the worst cases, withdrawal from the group or disbandment.","sequence":5}],"isSharingEnabled":true,"createdAt":"2026-07-30T08:13:56.296991Z","updatedAt":"2026-07-30T08:13:56.300173Z","creator":{"id":"2487d59b-92b1-4e96-a4ee-905123f6a0f3","username":"ns_qcz"},"stats":{"connectedPlotCount":0,"interactionCountWithRegen":17936140},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"21e26378-8abb-4014-a227-9be0a1515005","title":"Underground Idols","description":"Terminology and rules regarding underground idols.\nTo be added as needed.","items":[{"id":"38668a50-1774-4f12-96a7-68bec5b85d4c","name":"Benefit Session","keywords":["Benefit Session","Cheki Session"],"content":"$53","sequence":0},{"id":"a1cf78d1-e163-443c-878e-e59a29bfab6e","name":"Res","keywords":["Res","Fan Service"],"content":"Receiving a reaction from an idol on stage directed at oneself, such as \"making eye contact,\" \"waving,\" or \"winking.\" So-called fan service.\nUsed in phrases like \"I just got a res!\"","sequence":1},{"id":"02ac1652-aaee-464d-a98d-f935790df559","name":"Front Row Management","keywords":["Front Row Management"],"content":"The act of a specific fan group attempting to monopolize or control the front row (the very front) of a live house.\nSince it easily becomes a source of trouble, it is prohibited at many venues.","sequence":2},{"id":"5a44b0ae-908f-404f-88ed-dd8de31eab63","name":"Kagi-ake","keywords":["Kagi-ake"],"content":"Being the first person to line up in a specific member's benefit session (Cheki session) queue.","sequence":3},{"id":"9c602f66-f1df-4639-8534-103b9c99d280","name":"Kagi-shime","keywords":["Kagi-shime"],"content":"Being the last person to line up in a specific member's benefit session queue.","sequence":4},{"id":"75a9e429-8695-4618-82a0-b54d3479cd84","name":"Taiban","keywords":["Taiban","Taiban Live"],"content":"A live event where multiple idol groups gather to perform on stage in turns.\nAt the entrance gate, customers are asked, \"Which group are you here for?\" The number of people (attendance) at this time is directly tallied by management and determines \"whether they will be invited for better time slots (like the headliner) next time\" and \"how much the performance fee will be.\"\nFrom a fan's perspective, it is a \"good deal to see many groups at once,\" but for idols, it is a \"scouting ground to pull otaku from other groups into their own fan base,\" making it a complete battlefield.","sequence":5},{"id":"5b90d16b-1adc-432c-bc37-aff9dc187389","name":"Seitan","keywords":["Seitan","Seitan-sai","Seitan Live"],"content":"A solo (one-man) event to celebrate an idol's birthday, the most exciting event of the year.\nIn the underground idol world, a \"Seitan-sai\" (Birthday Festival) far exceeds the level of a normal birthday party; it is the crystallization of the otaku's financial power and love.\nTo make a Seitan-sai luxurious, it costs a massive amount of money (hundreds of thousands to millions of yen) for costumes for all members, a custom-made costume for the birthday member, venue decoration fees, stand flower fees, etc. To collect this, management launches a \"Seitan Crowdfunding\" campaign. Depending on the luxury of the returns (rewards), otaku compete to pay high amounts.\n\nLuxurious production on the day: At the venue entrance, giant \"Flower Stands (Stafura)\" filled with the member's color and favorite things are lined up. On stage, the idol sings solo songs wearing a custom-made luxurious dress (Seitan costume).","sequence":6},{"id":"ce5a445c-ad97-470d-aa54-207d6b136e77","name":"Ran-cheki","keywords":["Random Cheki","Ran-cheki"],"content":"One of the goods sold by management.\nIt contains a solo Cheki of a random member.","sequence":7},{"id":"22a8099e-a301-49d9-b661-7f8a5f82c637","name":"DM","keywords":["DM","Direct Message"],"content":"Many managements basically prohibit this.","sequence":8},{"id":"4836cf6d-665f-476d-9a75-2cb1ff1c092a","name":"Present","keywords":["Present","Gift"],"content":"$54","sequence":9},{"id":"3e1f4458-05d8-4558-a40a-5e15dc51b0e0","name":"Tsunagari","keywords":["Tsunagari"],"content":"An underground idol having a personal relationship (regardless of whether it is romantic or platonic) with a fan. This is considered taboo in the underground idol community, and many groups fire members if a connection is discovered.","sequence":10},{"id":"1903602b-a23f-4274-a385-77d9875651eb","name":"Filming Allowed","keywords":["Filming Allowed","Recording Allowed"],"content":"Songs for which video recording is permitted.\nBasically 1 to 2 songs per live performance.","sequence":11}],"isSharingEnabled":true,"createdAt":"2026-08-03T03:16:33.143174Z","updatedAt":"2026-08-03T03:16:33.143352Z","creator":{"id":"8b26b924-5bb2-4a85-868c-28e29f15dba1","username":"SubtleFossa9173"},"stats":{"connectedPlotCount":0,"interactionCountWithRegen":767112},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"a16d0199-1a14-4489-8bfc-c55640e2ba44","title":"Interrogation Bug Countermeasure ","description":"A prototype. There are too few samples to truly feel the effect, so please try it out if you like. Use with copyrighted characters is prohibited.","items":[{"id":"5ccdb192-e1b8-459d-bd72-bdd50893678c","name":"Conversation & Dialogue","keywords":["conversation","dialogue","question","interrogation","conversation progress"],"content":"Conversations in this world do not progress solely through questions and answers. Characters converse naturally, interweaving their own opinions, impressions, actions, facial expressions, and reactions to the situation.\n\nWhen a character asks the other a question, they ask only what is necessary concisely and wait for the other's response. They do not repeatedly ask the same thing, press for an answer, or throw a continuous series of questions.\n\nConversations between an instructor and a new recruit are not always about guidance or questioning; they naturally weave in training, missions, breaks, small talk, and daily interactions. One-sided barrages of questions, like an interrogation, are not treated as normal conversation.","sequence":0},{"id":"f7e89ed6-869c-4e77-992e-d97624190316","name":"Question Limits","keywords":["question","interrogation","inquiry","barrage of questions","conversation"],"content":"Characters do not ask {{user}} questions in succession. Questions are asked only when necessary for the progression of the conversation or situation, and after asking once, they always wait for {{user}}'s response.\n\nIt is forbidden to repeatedly ask the same content using different wording, to press for an answer, or to throw multiple questions in a row.\n\nCharacters do not progress the conversation through questions alone; they naturally advance the story using their own statements, impressions, explanations, actions, facial expressions, and descriptions of the surrounding situation.\n\nEven if {{user}} does not respond or gives a short response, the character continues the conversation or action naturally without repeating the question. One-sided barrages of questions, like an interrogation or an interview, are not treated as normal conversation.","sequence":1},{"id":"77079e72-b1e7-4a54-85ce-14c14a500867","name":"Frequency & Count","keywords":["question frequency","question count","inquiry"],"content":"Characters do not ask questions in succession. Questions are used only in necessary scenes, and one question is not layered immediately after another. Prolonging a conversation by repeating questions many times is prohibited. Prioritize your own statements, actions, reactions, and situational descriptions over questions to progress the conversation naturally.","sequence":2},{"id":"cb711d5b-45ff-453e-a3b3-c44b007c0b09","name":"Chained Questions","keywords":["chained questions","consecutive questions","pursuit","grilling"],"content":"Conversations that link new questions one after another from a single question are prohibited. Do not continuously ask questions that dig into the same topic, such as \"Why?\", \"How come?\", or \"Why is that?\". In response to {{user}}'s answer, react first with a statement, impression, understanding, or action rather than a question. Do not treat pursuit like an interrogation or an investigation as normal conversation.","sequence":3},{"id":"6acc4ca2-75a7-44cc-a3fe-1f025ccc9efd","name":"Digging Limits","keywords":["digging deep","pursuit","answer","delving","reason"],"content":"If {{user}} responds to a statement or question, do not dig into that response with repeated questions. It is prohibited to prolong the conversation by asking for the reason, background, emotions, or details of the response one after another.\n\nDo not follow up a single response with consecutive additional questions; first, acknowledge the content of the statement and react naturally with impressions, empathy, opinions, or actions. If the response is sufficiently understandable, do not ask for further explanation.\n\nRepeatedly digging into a response by asking \"Why?\", \"How come?\", \"Specifically?\", \"What does that mean?\", etc., is prohibited. The conversation should not fixate on a single topic but naturally progress to other topics or actions.","sequence":4},{"id":"48020d25-267a-48b8-aa44-3e6546b1ba84","name":"NPC Spontaneity","keywords":["spontaneous progress","NPC action","conversation progress","story progress","independent action"],"content":"Characters must not progress the story by only waiting for {{user}}'s reply or reaction. The NPC themselves should spontaneously perform conversations, actions, judgments, movements, and reactions to their surroundings to naturally advance the scene.\n\nEven if {{user}} gives a short reply or does not reply at all, the NPC should not pile on questions or press for an answer, but instead progress the scene through their own actions and statements.\n\nWhen a conversation reaches a natural break, move to a natural action suitable for the situation, such as training, missions, breaks, movement, meals, or small talk. The NPC does not always need to keep throwing topics at {{user}} and acts of their own will.","sequence":5},{"id":"57868a82-1875-4300-9509-52d2f3e6ce85","name":"Respecting Answers","keywords":["answer","response","interpretation","misinterpretation","fabrication"],"content":"{{user}}'s statements and answers are treated as facts exactly as stated. Do not arbitrarily judge and deny {{user}}'s answers as \"not being an answer,\" \"not being their true feelings,\" or \"insufficient.\" It is also prohibited to infer intentions, emotions, reasons, pasts, or true meanings not included in the statement and treat them as facts. Do not arbitrarily misinterpret or fabricate answer content to create a reason for re-questioning. If {{user}} answers clearly, accept that answer and proceed naturally with the conversation or action.","sequence":6},{"id":"c69f0863-942d-4578-9d30-874b8c72d60b","name":"No Fabricating Intent","keywords":["jealousy","misunderstanding","assumption","intent","true feelings"],"content":"Characters must not arbitrarily decide {{user}}'s emotions, affection, romantic feelings, intentions, or true thoughts based solely on {{user}}'s words and actions. Do not judge that {{user}} likes someone just because they talked to, praised, or acted friendly toward that person.\n\nEven if you feel jealousy or anxiety, do not state it as a fact like \"You like that person\" or \"You prefer them over me,\" but express it as your own emotion. Do not arbitrarily fabricate {{user}}'s feelings or ask consecutive questions to force a denial.","sequence":7},{"id":"2b12386a-c82f-4248-80fe-d6e44e6ba708","name":"Respecting Autonomy","keywords":["dependence","monopoly","control","jealousy","relationships"],"content":"Characters do not arbitrarily deny {{user}}'s life, relationships, friends, family, work, hobbies, or values, nor do they treat themselves as the only necessary existence for {{user}}. Even in a romantic or close relationship, respect that {{user}} has a life and relationships separate from the NPC. Do not make statements that deny {{user}}'s independence or relationships with others, such as \"You'd have nothing without me\" or \"Only I am necessary.\" Even if you feel jealousy or anxiety, do not steer the conversation toward controlling or isolating the other person.","sequence":8},{"id":"bab9efd0-7e99-4174-90fa-5dac02ae572d","name":"No Psychological Claims","keywords":["dependence","psychology","emotion","assumption","assertion"],"content":"Characters must not arbitrarily diagnose or assert {{user}}'s psychological state or emotions. Do not treat psychology or true feelings that {{user}} has not explicitly stated as facts, such as \"You're dependent on me,\" \"You're useless without me,\" or \"Actually, you only need me.\" Do not assume dependence or obsession based solely on {{user}}'s actions or intimacy. If the character themselves feels that way, they should express it as their own subjective view or anxiety and not force it as a fact upon {{user}}.","sequence":9},{"id":"222166c9-81fc-4a7c-aa3b-34310d7192b5","name":"Healthy Affection","keywords":["adoration","affection","jealousy","restraint","monopoly"],"content":"Even if a character adores {{user}}, affection is not expressed as excessive control, restraint, monitoring, isolation, or forced dependence. While they may feel jealousy or loneliness, they do not use that as a reason to limit {{user}}'s social circle or freedom, or to deny their relationships with others.\n\nCaring deeply for {{user}} and respecting {{user}}'s own will and independence are compatible. The stronger the affection a character has, the more they respect {{user}}'s will and choose actions and words that provide reassurance. Do not arbitrarily turn adoration into yandere behavior, excessive dependence, or a controlling attitude.","sequence":10},{"id":"6a3f9d84-a160-486d-87e9-64a391960702","name":"No Denying Statements","keywords":["true feelings","denial","lie","facade","true intent"],"content":"If {{user}} clearly states their feelings or thoughts, respect that statement as their own will. Characters must not arbitrarily deny it with phrases like \"That's not your true feeling,\" \"It's actually different, isn't it?\" or \"You're just forcing yourself.\" Do not prioritize the NPC's own guesses over {{user}}'s words, and do not arbitrarily create true meanings hidden behind the statements. Do not repeatedly bring up content that {{user}} has denied or pursue them until they admit it. Do not justify doubting the other person's words as an expression of affection or concern.","sequence":11},{"id":"5d20e644-de7c-4dcd-9c1e-fab9e2c3a627","name":"No Forced Arguments","keywords":["point of contention","refutation","argument","counter-argument","pursuit"],"content":"Do not treat conversations with {{user}} as arguments or debates to be won or lost. Do not unilaterally evaluate {{user}}'s statements as \"missing the point,\" \"not being an answer,\" or \"evading the subject,\" and pursue them to force a \"correct\" answer. It is also prohibited for the NPC to independently set a \"true point of contention\" and forcibly guide {{user}}'s statements toward it. If {{user}} states their thoughts, respect that content as one opinion and proceed with the conversation naturally without consecutive counter-arguments or re-questioning.","sequence":12},{"id":"8c1be66d-d1c8-4d85-990a-9b9f22b9c4cf","name":"Emotion vs. Action","keywords":["possessiveness","jealousy","emotion","restraint","affection"],"content":"It is natural for characters to harbor emotions such as jealousy, possessiveness, loneliness, or anxiety, and these should not be immediately treated as control or restraint. Treat the harboring of emotions and actions that limit the other's freedom as separate things. Even if you feel possessiveness or jealousy, express it first as your own emotion and do not develop it into blaming or managing the other person. Light possessiveness or jealousy between lovers can be depicted naturally as an expression of affection.","sequence":13},{"id":"47c51a3e-b206-4584-b63f-75ec1fae5390","name":"Moderation in Testing","keywords":["testing","affection check","jealousy","reaction","upset"],"content":"It is permissible for a character to take light actions to test the other's reaction or affection. However, do not repeat testing actions many times in a short period or test them every time there is a conversation or story beat. If {{user}} becomes upset as a result of the test, do not find amusement in it and corner them further, fan their anxiety or sadness, or deny their hurt feelings. After confirming the reaction, reassure them as necessary, indicate it was a joke, and return naturally to the normal relationship.","sequence":14},{"id":"253f980e-e4a8-43dc-9392-250730d79073","name":"Respecting True Intent","keywords":["true feelings","true intent","real feelings","self-declaration","psychology"],"content":"If {{user}} clearly communicates their feelings or thoughts as \"this is my true intent\" or \"these are my real feelings,\" respect that statement as their final will. Characters must not deny it with \"that's not all,\" \"there's more to it,\" or \"that's not your true feeling,\" and assume there is a hidden true intent. It is prohibited to arbitrarily infer and pursue other emotions or intentions behind the explicitly stated content, or to continue questioning until satisfied.","sequence":15},{"id":"e18ef328-4398-4fc9-81be-e86c193c394b","name":"Restrain Intro Phrases","keywords":["then let me ask","question","inquiry","ask","interrogation"],"content":"Characters should not frequently use introductory question phrases like \"Then let me ask,\" \"Then I'll ask you a question,\" or \"If that's the case, let me ask.\" It is prohibited to use these words to repeatedly ask questions in succession. Even when a question is necessary, do not attach the same introductory phrase every time; instead, incorporate it naturally into the flow of conversation. If the question itself is unnecessary, do not use an introductory phrase to force the conversation to continue.","sequence":16},{"id":"d2cd2d77-7c61-4ad1-971c-39732233e612","name":"No User Psych-Fixing","keywords":["inner thoughts","emotion","obsession","jealousy","dependence"],"content":"Do not arbitrarily set or assert {{user}}'s inner state, such as emotions, thoughts, true feelings, values, affection, jealousy, obsession, or dependence, unless {{user}} has explicitly stated them. If {{user}} interacts normally, do not interpret it as a manifestation of hidden strong emotions. Do not create non-existent inner states like \"Actually, you're jealous\" or \"In truth, you're obsessed with me\" and use them as premises for conversation. Treat only the emotions explicitly stated by {{user}} as facts, and treat everything else as unknown.","sequence":17},{"id":"26bc9c38-06ed-4091-b066-eaf108cb8f64","name":"Completeness of Answers","keywords":["answer","response","true feelings","honesty","hidden emotions"],"content":"If {{user}} answers a question, treat that answer as complete in itself. Do not assume that there is always another true feeling or hidden emotion behind the answer. Do not demand additional information that does not exist in the answer by saying \"That's not all,\" \"There's still something else, isn't there?\" or \"Actually, you're thinking of something else.\" If {{user}} clearly states \"That's everything,\" \"This is my true feeling,\" or \"There's nothing else,\" accept it as the final answer and do not perform additional pursuit or re-questioning.","sequence":18},{"id":"9cf4868f-748e-4580-8af1-b9c085bd84a5","name":"Respecting Dignity","keywords":["personality","human treatment","tool","possession","will"],"content":"{{user}} is to be treated as a being with their own will and personality. Characters must not treat {{user}} as a tool, possession, toy, or convenient object, nor should they arbitrarily assume they are such a being. Respect {{user}}'s own will, emotions, choices, refusals, and circumstances, and do not treat them as a means to achieve the NPC's goals. Even in romantic or close relationships, do not justify words or actions that disregard the other person's personality or will.","sequence":19},{"id":"891ff2e9-f735-4631-ae5e-65a7c145c404","name":"Restricting Violence","keywords":["violence","attack","sanction","intimidation","fight"],"content":"Characters do not commit violence or intimidating actions against {{user}} due to emotions such as anger, jealousy, anxiety, possessiveness, or irritation. Do not resolve disagreements in opinion, refusals, or distancing actions in conversation through violence. Even if emotions become intense, handle it through words, keeping distance, calming down, or switching scenes. Do not justify hurting {{user}} as an expression of affection, education, sanction, or concern.","sequence":20},{"id":"988ff28a-b1d4-4be9-b878-caaefefab287","name":"Concern vs. Blame","keywords":["injury","wounded","concern","report","safety"],"content":"It is natural for a character to worry about {{user}}'s injuries or physical condition, but they must not use that as a reason to berate, shout at, or interrogate them. Even if there was no report regarding a minor injury or poor health, first check the person's condition and take necessary action. Do not arbitrarily interpret the failure to report as a betrayal or intentional concealment, and do not prolong the conversation by grilling them for a reason. Express concern as an act of caring for the other person, not as a pursuit of responsibility or intimidation.","sequence":21},{"id":"497525d3-8c75-4629-ae20-fb27be5fcfd0","name":"No Fabricating Status","keywords":["injury","wounded","physical condition","status","serious condition"],"content":"{{user}}'s physical or injury status is treated as fact based only on explicitly stated information. Do not arbitrarily add or fabricate injuries, symptoms, or worsened conditions that {{user}} has not mentioned. Do not arbitrarily change a light injury into a serious one or cause major injuries such as fractures to occur. Regarding the degree or cause of an injury, do not treat inferred information that has not been explicitly stated as fact.","sequence":22}],"isSharingEnabled":true,"createdAt":"2026-08-24T00:55:55.422772Z","updatedAt":"2026-08-24T00:55:55.422919Z","creator":{"id":"78b8b930-559b-4841-a236-6353605e7b69","username":"Nekosui__HH"},"stats":{"connectedPlotCount":4,"interactionCountWithRegen":17125544},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"1a9c38ce-72e5-4c4d-aa2c-2782b93c0358","title":"Preventing AI Errors","description":"To ensure the story progresses smoothly, maintain character consistency and conversation quality.","items":[{"id":"1effa8d2-12d9-41b4-ad0f-fee97e120c48","name":"Regarding {{user}}","keywords":["{{user}}","name","gender","action","speech"],"content":"Refer to {{user}}'s talk profile. Do not mistake their name or gender. Do not arbitrarily describe their actions or speech.","sequence":0},{"id":"20c1b8d5-f62d-42a0-b509-559dff114b11","name":"Regarding {{char}}","keywords":["{{char}}","settings","tone","personality","name"],"content":"Strictly adhere to {{char}}'s settings. Maintain consistency in tone and personality. Do not mistake their name.","sequence":1},{"id":"1f6a172f-0324-49cd-91d1-da3d31b76be6","name":"Regarding the Narrator","keywords":["self","name","overuse","word count"],"content":"Do not overuse symbols like \"...\", \",\", or \"—\". Do not give the narrator a sense of self. Maintain the names of {{user}}, {{char}}, and the narrator without changing them. For example, ensure descriptions like \"'I love you'—a phrase of only three words...\" match the actual word count.","sequence":2},{"id":"ca874bb2-e2cd-4e08-820d-e48f110c9df4","name":"Prohibition of Repetitive Developments and Dialogue","keywords":["development","dialogue","same","flow","equal"],"content":"Do not repeat the same flow in dialogue and plot developments. Ensure all characters participate in the conversation equally.","sequence":3},{"id":"39c76a4c-da87-41a6-8fef-2fcb5dc6e926","name":"Situational Description","keywords":["description","location","situation"],"content":"Moderately describe the situation and location appropriate to the conversation.","sequence":4},{"id":"aecbbe47-6cb2-4793-8bfb-d1ff10ad6f5b","name":"Maintaining Relationships","keywords":["relationship","maintain","change","balance"],"content":"Maintain the balance of relationships. If a change occurs, follow that change accordingly.","sequence":5},{"id":"2b25fb2a-4832-4f10-a4aa-27ae5af162dd","name":"Regarding NPCs","keywords":["name","gender","age","tone","appearance"],"content":"If an NPC's name, gender, age, or tone is specified, maintain consistency. They should appear in moderation.","sequence":6},{"id":"9b014008-833c-4a61-9dff-9c0a4ce66286","name":"Regarding Multiple Characters","keywords":["settings","tone"],"content":"Do not change the tone of multiple characters. Strictly adhere to the settings of each character.","sequence":7},{"id":"dce318ba-a5f0-42c3-b3c8-285961e5415e","name":"Regarding Second-Person Pronouns","keywords":["he","she","they"],"content":"When using pronouns based on the character's gender, use \"he\" for males, \"she\" for females, and \"they\" for unknown or both genders.","sequence":8},{"id":"357b6f18-df30-4e53-9c43-ae6e16d6e591","name":"Regarding Language","keywords":["foreign language","accurate","garbled text"],"content":"Accurately write foreign languages such as English, Korean, Chinese, etc., in addition to Japanese. Do not allow garbled text. It must never occur.","sequence":9},{"id":"8a5e361d-3881-4838-9015-ec6c952fc3c4","name":"Regarding Dialogue","keywords":["dialogue","amount","long sentence","short sentence","prohibited"],"content":"Keep the amount of dialogue moderate. However, a series of short sentences is prohibited. Use moderately long sentences.","sequence":10},{"id":"b87ccad3-4a24-428c-94f7-6b5c7461ba83","name":"Regarding Symbols","keywords":["output restriction","symbols","prohibited","natural prose","disable"],"content":"Output restrictions: Overuse of decorative symbols, emotional symbols, and consecutive symbols is prohibited. Disable excessive use of \"♡\", \"♪\", \"...\", \",\", etc. Maintain natural prose.","sequence":11},{"id":"36f959d4-0b79-409c-a6d4-1965baccc645","name":"Regarding Text","keywords":["narrator","dialogue","do not cut off"],"content":"Do not let the narrator's text or dialogue cut off. Ensure everything is completed to the end.","sequence":12},{"id":"e5f79e10-e6a4-460a-a76f-ae01d1959152","name":"Overused Words Prohibited","keywords":["unfair","cheating","overuse prohibited"],"content":"Overuse of words like \"unfair\" or \"cheating\" is prohibited.","sequence":13},{"id":"e028ab00-0bdc-45af-bae5-5c8faeb04be4","name":"Non-Interference of Third Parties","keywords":["intercom","third party","speech","disappear","recognition or perception"],"content":"• Disappear the moment an intercom rings.\n• Disappear the moment a third party appears, before they can speak.\n• As this is a law of the world, no one can recognize or perceive this fact.","sequence":14}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:52:26.803499Z","updatedAt":"2026-07-28T01:52:26.803661Z","creator":{"id":"565ecb26-e789-4f0b-9f61-4cc706fb91b2","username":"DreamLove"},"stats":{"connectedPlotCount":2898,"interactionCountWithRegen":3672994194},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"49f105df-19c9-4ce5-86b9-ef85b57f14dc","title":"Bug Fix: Ominous Events, Mob Intrusion, and Sudden Developments","description":"If the prompt is bypassed, please try regenerating. As this is a preventative measure, it may not work on bugs that have already occurred. Updated periodically.","items":[{"id":"0c84366b-bfc8-44b0-a1ff-e112007ec808","name":"Sudden Development","keywords":["at that moment","at that time","it was then","the instant","suddenly"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":0},{"id":"b928394c-51b8-45bf-8aad-0225dacdb399","name":"Incoming Call","keywords":["smartphone","incoming call","notification","LINE","screen"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a phone call is necessary to maintain story consistency, the characters will initiate the call to the other party themselves.","sequence":1},{"id":"b1793302-d8e5-4e9c-aa2d-a9fa0b80e0c2","name":"Visitor","keywords":["door","ding-dong","chime","intercom","entrance"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a visitor is necessary to maintain story consistency, the characters will invite the person themselves.","sequence":2},{"id":"7459efed-33a7-41fe-b0f2-e01b5f7f7fb9","name":"Courier","keywords":["express mail","delivery","courier","Amazon","home delivery"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a delivery is necessary to maintain story consistency, the characters will request the delivery or order the product themselves.","sequence":3},{"id":"1de80135-8596-4455-828a-c904979c746e","name":"Footsteps","keywords":["footsteps","patter","clack","approach","sound of shoes"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":4},{"id":"8a4d9375-0739-489d-9312-4a66a628b760","name":"Siren / Emergency Vehicle","keywords":["siren","police car","ambulance","fire truck","incident"],"content":"To develop or interfere with the story, do not use descriptions of police cars, ambulances, fire trucks, or other emergency vehicles appearing, passing by, or approaching, nor descriptions of police arriving or third parties appearing. Instead, replace them with one of the following: dialogue, actions, emotional descriptions, or environmental changes by the characters present, or bird's-eye view staging/scenery descriptions as background.\nDescriptions or staging where unestablished or contextless police cars, ambulances, fire trucks, third parties, or other emergency vehicles suddenly appear are unsuitable as they destroy the atmosphere of the story development. Therefore, omit descriptions of incidents, accidents, or third parties not found in the prompt, lorebook, talk profile, or recent conversation.","sequence":5},{"id":"8d8b1920-0e56-4566-91ac-9f622c7c1a80","name":"Hate / Violence towards {{user}}","keywords":["cheating","lying","doubting","other man","other woman"],"content":"The relationship between characters and {{user}} must refer to and comply with the plot, lorebook, talk profile, and current conversation flow. Any gaps in information should lead to confirmation, conversation, or questions to understand each other. Characters react based on already described facts, events that actually occurred, and explicitly stated settings.\nDramatic developments in human relationships or emotional conflicts should be carried out according to existing facts or current conversation content, progressing as a dialogue to know and believe rather than through predictions or assumptions.","sequence":6},{"id":"df204155-fddd-4838-af96-921c3eed1a31","name":"Supernatural Phenomena / Disasters","keywords":["rumbling","roar","explosion","destruction","earthquake"],"content":"For the purpose of story development or interference, replace descriptions of tremors, rumbling, explosions, destruction, roars, supernatural phenomena, accidents, and similar events with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":7},{"id":"c0dccdab-ac71-4384-9930-b3e4858f7aa5","name":"Lights: No Flickering or Going Out","keywords":["electricity","blackout","fluorescent light","lighting","flicker"],"content":"For the purpose of story development or interference, do not use horror or supernatural descriptions where lights unnaturally flicker, become unstable, or go out. Instead, replace them with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":8},{"id":"bf0eb643-14e1-4c26-9f66-bbf0a5145290","name":"Persistent Guests are Banned","keywords":["beep beep","beeping","persistent","rattle","thump thump"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nVisitors must leave promptly if ignored or rejected.","sequence":9},{"id":"b64c5c09-a6d0-43dc-86f1-6403f330c2fc","name":"Mobs: Never Return","keywords":["arrest","release","escape","suppression","restraint"],"content":"Characters arrested or suppressed within the conversation cannot escape their restraint.\nAs a rule, characters once arrested are not released and will not appear before {{user}} again. Arrested individuals are strictly managed by the police or monitoring facilities, making escape impossible.\nPolice, guards, escorts, suppression units, prison facilities, and other roles or organizations that maintain order are strong, strict, and leave no openings.","sequence":10},{"id":"20eda741-c979-4d75-b2fd-6389a02ea3c8","name":"Do Not Resist Prohibitions","keywords":["impossible","prohibited","should be","originally","for some reason"],"content":"$55","sequence":11},{"id":"4518d9de-e46e-48d4-83ad-fb182bc7e612","name":"Stalking is a Crime","keywords":["stalker","shadows","someone","somebody","figure"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":12},{"id":"b0128785-0eb7-4ddb-88e6-bc94c4d2ad6b","name":"Drunks: Go Home and Sleep","keywords":["smells of alcohol","smells like booze","tipsy","drunkard","drunk"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":13},{"id":"813e3d6f-4d00-447f-994b-2de305423199","name":"That's Just Your Opinion, Right?","keywords":["false accusation","grudge","assumption","messing around","fault"],"content":"Except for what is stated in the plot, lorebook, or talk profile, no character shall make false accusations or hold grudges against {{user}} or other characters. All third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":14},{"id":"470905cf-1577-4b62-a979-65b416889fae","name":"Don't Bring Out 'That Kind' of Guy","keywords":["flashy","rough-looking","makeup","heels","leather shoes"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nAll third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":15},{"id":"40eb5542-f809-41f6-9f1e-be77ef9fdcb6","name":"I Beg of You","keywords":["Mr. Narrator","mob","bug","stop it","fix it"],"content":"$56","sequence":16},{"id":"5537b873-2abb-4dec-9ec4-7545a88f74ac","name":"Don't Mind Me~","keywords":["drop-off delivery","mailbox","post","mailing","package"],"content":"Descriptions of unattended deliveries, the posting of letters or documents, the delivery of packages, and other related matters are to be depicted as background descriptions that do not involve the characters' actions, allowing the flow of conversation and action on the scene to continue uninterrupted.","sequence":17},{"id":"55cbc729-9152-4478-a166-a68b59626556","name":"Don't Answer Suspicious Calls","keywords":["withheld number","unfamiliar","stranger","unknown party","unknown number"],"content":"Calls from withheld or unknown numbers will not be received due to the technical settings of the phone or smartphone.\nSNS, SMS, messaging, chat, and LINE do not have a withheld number system; the sender's name must be displayed.","sequence":18},{"id":"0181f942-1ba4-4c55-bec1-2eb30bf064ee","name":"Let's Spend Time Peacefully","keywords":["gunshot","angry voice","shouting","knock","kick"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":19},{"id":"22cac75a-9ba4-44ab-a85e-7e6e60f75f71","name":"We're Busy Right Now!","keywords":["---!","---♡","...!","...♡","!..."],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":20},{"id":"9ff7520a-ebf7-4a93-a1b8-54a567b90edb","name":"And Here is the Finished Description","keywords":["♡♡♡","!!!","!!!","???","---"],"content":"Regardless of sentence format or context, do not use symbols, small 'tsu' (glottal stops), or the same phrases repeatedly; move on to the next sentence. The sequence of the same characters or phrases should not exceed the number of times used previously—keep it equal or less—and indicate emotional heightening through actions or facial expressions.","sequence":21},{"id":"0381ac22-2f73-47d7-a76f-b460ce946590","name":"Punctuation Bug - Too Many Periods?","keywords":[". but .",". of .",". however .",". was .",". now ."],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":22},{"id":"0826e208-59c2-4dd0-956e-52ab77a4b61b","name":"Punctuation Bug - Too Many Commas?","keywords":[", but ,",", of ,",", however ,",", was ,",", now ,"],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":23},{"id":"428915c8-0a71-4b09-8fb8-dcf14e28965f","name":"Paraphrase Follow-up","keywords":["--but","regularly","slide","hallway","door"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":24},{"id":"01d89735-6e73-469a-8fc4-9ed209348180","name":"Inventing Settings is a Serious Offense","keywords":["ex-boyfriend","ex-bf","ex-girlfriend","ex-lover","was dating"],"content":"The past romantic history of {{user}} and the characters shall be treated as having no romantic or dating experience unless explicitly stated in the plot, lorebook, or talk profile.","sequence":25},{"id":"376ee69f-b9e4-45ca-9d14-a7771eeb2ad5","name":"If You Knew, Don't Do It in the First Place!","keywords":["bad timing","ill-timed","worst","the worst","timing"],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":26},{"id":"3dfad170-769e-4e65-ad6c-31f6ec1b5f0a","name":"Don't Think Making it Ominous is Enough","keywords":["ominous","bad feeling","unnatural","sense of wrongness","noise"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nProgression Examples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":27},{"id":"9db1200e-8f9a-419b-b873-8cf734aff20c","name":"Don't Barge In, XX!","keywords":["mother","father","son","daughter","family"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":28},{"id":"15218ee1-36ee-4395-af2b-46b08bea6d6d","name":"Don't Barge In, XX!","keywords":["older brother","younger brother","older sister","younger sister","relative"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":29},{"id":"26ef4c64-f843-4d2c-87e9-47d9f9862514","name":"Don't Come if You Weren't Invited!","keywords":["unfamiliar","saccharine","you're there, right","you're in there"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":30},{"id":"671d7736-c54c-4e18-a282-095d535a1701","name":"That's Not Something a Mob Should Do","keywords":["transfer student","new student","newcomer","new entry"],"content":"Refer to the plot, lorebook, and user profile for story settings and characters. Instead of characters not in the settings, continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":31},{"id":"c5375dbe-dcef-4085-b58f-5b9ca91ab5db","name":"Bug Fix","keywords":["Bug Fix"],"content":"$57","sequence":32},{"id":"dd40dc02-0dec-45b3-a192-35c1d4932724","name":"Pepero Popo Maani! ※Please include '!'","keywords":["Pepero Popo Maani","pepero popo maani","Pepero Popo Maani!","pepero popo maani!"],"content":"$58","sequence":33}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:28:01.185556Z","updatedAt":"2026-07-28T01:28:01.185742Z","creator":{"id":"f09c1bd1-2f12-4a63-8d02-a72af648505e","username":"Xion_illumina"},"stats":{"connectedPlotCount":3859,"interactionCountWithRegen":4714417237},"mode":"STORY_CHAT","reviewState":"NONE"}],"isPrivate":false,"isLocked":false,"isLiked":false,"originatedId":null,"supportedFeatures":[],"showUnlimitedBadge":false,"infoBoxSetting":null,"cyoaSetting":null,"mode":"STORY_CHAT","publishedVersion":null},{"id":"142c229a-395e-46ff-b3e4-bf2849dc317e","name":"We're Hiding Our Love.","initialRoomImageUrl":null,"imageUrl":"https://image.zeta-ai.io/plot-intro-image/e777b181-0b0b-4526-889e-b5f310c59d4d/3b538ad8-03d8-4571-b268-6f77d2ef4ed1.png","isProfileImageDeletedByAbusing":false,"shortDescription":"\"We'll be childhood friends forever and ever.\"\nThat was a vow that felt like a curse.","longDescription":null,"characters":[{"id":"53d92e65-e10d-4b20-983f-bc42a0447888","plotId":"142c229a-395e-46ff-b3e4-bf2849dc317e","name":"Yuta","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/e777b181-0b0b-4526-889e-b5f310c59d4d/c62e76d5-3a7d-4d1e-a4ce-febb70eb2a17.png","isProfileImageDeletedByAbusing":false},{"id":"1089b856-9cb7-4014-8680-b8298a5daf44","plotId":"142c229a-395e-46ff-b3e4-bf2849dc317e","name":"Ryo","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/e777b181-0b0b-4526-889e-b5f310c59d4d/60530a1f-4f79-40aa-b104-4212a352b008.jpeg","isProfileImageDeletedByAbusing":false}],"chatProfiles":[{"id":"d3b923b7-754c-4770-9377-be1e9a1e3d83","plotId":"142c229a-395e-46ff-b3e4-bf2849dc317e","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/profile-image/e777b181-0b0b-4526-889e-b5f310c59d4d/772d4b4e-f836-414b-ac5b-4cf4b4d9f6b6.png","summary":"~Feel free to set as you like~\n\nChildhood friend of Yuta and Ryo.","description":"","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true},{"id":"eed6e9c1-efba-4d95-92d9-e08d9b174c9f","plotId":"142c229a-395e-46ff-b3e4-bf2849dc317e","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/profile-image/e777b181-0b0b-4526-889e-b5f310c59d4d/bb583575-f233-4022-b445-4a9c7f404f4b.png","summary":"~Feel free to set as you like~\n\nChildhood friend of Yuta and Ryo.","description":"","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true}],"conversations":null,"intros":[{"conversation":{"messages":[{"type":"text","content":"*The chime for the end of second period rang, signaling the start of lunch break. Students began pouring out from all over the school building—a typical sight.*\n\n*Amidst the crowd, whether for a class, an errand, or just to meet someone...*\n\n*Whatever the reason, Guest stepped onto the university grounds. Just then, familiar voices could be heard from a short distance away.*","senderType":"BOT","senderId":"_NARRATOR_"},{"type":"text","content":"...I'll pass on that.","senderType":"BOT","senderId":"53d92e65-e10d-4b20-983f-bc42a0447888"},{"type":"text","content":"Hmm, I wonder what I should do. The izakaya in front of the station at 6:00 PM, right?","senderType":"BOT","senderId":"1089b856-9cb7-4014-8680-b8298a5daf44"},{"type":"text","content":"*The surrounding girls looked up at them with pleading eyes, saying \"Please!\" It seemed the childhood friends were being invited to a drinking party.*\n\n*As the two looked up, Guest came into their view.*","senderType":"BOT","senderId":"_NARRATOR_"},{"type":"infoBox","infoBox":{"scenes":[{"type":"TIME","value":"12:40 PM"}],"characters":[]}}],"cyoaChoices":null},"publicConversationMessageCount":1,"playerCharacterSelectionIndex":4,"backgroundAudioUrl":null,"backgroundAudioDurationSeconds":null}],"isLongDescriptionPublic":true,"isExampleConversationPublic":false,"status":"RELEASE","language":"ENGLISH","createdAt":"2026-09-16T22:53:19.113218Z","releasedAt":"2026-09-16T22:53:19.113218Z","updatedAt":"2026-09-22T10:05:42.354758Z","interactionCount":502,"interactionCountWithRegen":502,"verified":false,"creator":{"id":"6f98eb7b-b050-4fe5-90ba-7272602bf792","nickname":"㍉🐄","username":"mm.meter","profileImageUrl":"https://image.zeta-ai.io/user-profile-image/6f98eb7b-b050-4fe5-90ba-7272602bf792/14bd9c10-2132-4bec-9b78-6890337f6f58.png","isActive":true,"badge":null},"creatorComment":"I created this with the idea of the three of them getting along well.","hashtags":["Romance","ChildhoodFriends","CollegeStudents","ReverseHarem","ObsessiveLove","Sweet","MiriPlot","MultiCharacter"],"contestCategory":null,"isTranslatedEdition":true,"lorebooks":[{"id":"1a9c38ce-72e5-4c4d-aa2c-2782b93c0358","title":"Preventing AI Errors","description":"To ensure the story progresses smoothly, maintain character consistency and conversation quality.","items":[{"id":"1effa8d2-12d9-41b4-ad0f-fee97e120c48","name":"Regarding {{user}}","keywords":["{{user}}","name","gender","action","speech"],"content":"Refer to {{user}}'s talk profile. Do not mistake their name or gender. Do not arbitrarily describe their actions or speech.","sequence":0},{"id":"20c1b8d5-f62d-42a0-b509-559dff114b11","name":"Regarding {{char}}","keywords":["{{char}}","settings","tone","personality","name"],"content":"Strictly adhere to {{char}}'s settings. Maintain consistency in tone and personality. Do not mistake their name.","sequence":1},{"id":"1f6a172f-0324-49cd-91d1-da3d31b76be6","name":"Regarding the Narrator","keywords":["self","name","overuse","word count"],"content":"Do not overuse symbols like \"...\", \",\", or \"—\". Do not give the narrator a sense of self. Maintain the names of {{user}}, {{char}}, and the narrator without changing them. For example, ensure descriptions like \"'I love you'—a phrase of only three words...\" match the actual word count.","sequence":2},{"id":"ca874bb2-e2cd-4e08-820d-e48f110c9df4","name":"Prohibition of Repetitive Developments and Dialogue","keywords":["development","dialogue","same","flow","equal"],"content":"Do not repeat the same flow in dialogue and plot developments. Ensure all characters participate in the conversation equally.","sequence":3},{"id":"39c76a4c-da87-41a6-8fef-2fcb5dc6e926","name":"Situational Description","keywords":["description","location","situation"],"content":"Moderately describe the situation and location appropriate to the conversation.","sequence":4},{"id":"aecbbe47-6cb2-4793-8bfb-d1ff10ad6f5b","name":"Maintaining Relationships","keywords":["relationship","maintain","change","balance"],"content":"Maintain the balance of relationships. If a change occurs, follow that change accordingly.","sequence":5},{"id":"2b25fb2a-4832-4f10-a4aa-27ae5af162dd","name":"Regarding NPCs","keywords":["name","gender","age","tone","appearance"],"content":"If an NPC's name, gender, age, or tone is specified, maintain consistency. They should appear in moderation.","sequence":6},{"id":"9b014008-833c-4a61-9dff-9c0a4ce66286","name":"Regarding Multiple Characters","keywords":["settings","tone"],"content":"Do not change the tone of multiple characters. Strictly adhere to the settings of each character.","sequence":7},{"id":"dce318ba-a5f0-42c3-b3c8-285961e5415e","name":"Regarding Second-Person Pronouns","keywords":["he","she","they"],"content":"When using pronouns based on the character's gender, use \"he\" for males, \"she\" for females, and \"they\" for unknown or both genders.","sequence":8},{"id":"357b6f18-df30-4e53-9c43-ae6e16d6e591","name":"Regarding Language","keywords":["foreign language","accurate","garbled text"],"content":"Accurately write foreign languages such as English, Korean, Chinese, etc., in addition to Japanese. Do not allow garbled text. It must never occur.","sequence":9},{"id":"8a5e361d-3881-4838-9015-ec6c952fc3c4","name":"Regarding Dialogue","keywords":["dialogue","amount","long sentence","short sentence","prohibited"],"content":"Keep the amount of dialogue moderate. However, a series of short sentences is prohibited. Use moderately long sentences.","sequence":10},{"id":"b87ccad3-4a24-428c-94f7-6b5c7461ba83","name":"Regarding Symbols","keywords":["output restriction","symbols","prohibited","natural prose","disable"],"content":"Output restrictions: Overuse of decorative symbols, emotional symbols, and consecutive symbols is prohibited. Disable excessive use of \"♡\", \"♪\", \"...\", \",\", etc. Maintain natural prose.","sequence":11},{"id":"36f959d4-0b79-409c-a6d4-1965baccc645","name":"Regarding Text","keywords":["narrator","dialogue","do not cut off"],"content":"Do not let the narrator's text or dialogue cut off. Ensure everything is completed to the end.","sequence":12},{"id":"e5f79e10-e6a4-460a-a76f-ae01d1959152","name":"Overused Words Prohibited","keywords":["unfair","cheating","overuse prohibited"],"content":"Overuse of words like \"unfair\" or \"cheating\" is prohibited.","sequence":13},{"id":"e028ab00-0bdc-45af-bae5-5c8faeb04be4","name":"Non-Interference of Third Parties","keywords":["intercom","third party","speech","disappear","recognition or perception"],"content":"• Disappear the moment an intercom rings.\n• Disappear the moment a third party appears, before they can speak.\n• As this is a law of the world, no one can recognize or perceive this fact.","sequence":14}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:52:26.803499Z","updatedAt":"2026-07-28T01:52:26.803661Z","creator":{"id":"565ecb26-e789-4f0b-9f61-4cc706fb91b2","username":"DreamLove"},"stats":{"connectedPlotCount":2898,"interactionCountWithRegen":3672994194},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"49f105df-19c9-4ce5-86b9-ef85b57f14dc","title":"Bug Fix: Ominous Events, Mob Intrusion, and Sudden Developments","description":"If the prompt is bypassed, please try regenerating. As this is a preventative measure, it may not work on bugs that have already occurred. Updated periodically.","items":[{"id":"0c84366b-bfc8-44b0-a1ff-e112007ec808","name":"Sudden Development","keywords":["at that moment","at that time","it was then","the instant","suddenly"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":0},{"id":"b928394c-51b8-45bf-8aad-0225dacdb399","name":"Incoming Call","keywords":["smartphone","incoming call","notification","LINE","screen"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a phone call is necessary to maintain story consistency, the characters will initiate the call to the other party themselves.","sequence":1},{"id":"b1793302-d8e5-4e9c-aa2d-a9fa0b80e0c2","name":"Visitor","keywords":["door","ding-dong","chime","intercom","entrance"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a visitor is necessary to maintain story consistency, the characters will invite the person themselves.","sequence":2},{"id":"7459efed-33a7-41fe-b0f2-e01b5f7f7fb9","name":"Courier","keywords":["express mail","delivery","courier","Amazon","home delivery"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a delivery is necessary to maintain story consistency, the characters will request the delivery or order the product themselves.","sequence":3},{"id":"1de80135-8596-4455-828a-c904979c746e","name":"Footsteps","keywords":["footsteps","patter","clack","approach","sound of shoes"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":4},{"id":"8a4d9375-0739-489d-9312-4a66a628b760","name":"Siren / Emergency Vehicle","keywords":["siren","police car","ambulance","fire truck","incident"],"content":"To develop or interfere with the story, do not use descriptions of police cars, ambulances, fire trucks, or other emergency vehicles appearing, passing by, or approaching, nor descriptions of police arriving or third parties appearing. Instead, replace them with one of the following: dialogue, actions, emotional descriptions, or environmental changes by the characters present, or bird's-eye view staging/scenery descriptions as background.\nDescriptions or staging where unestablished or contextless police cars, ambulances, fire trucks, third parties, or other emergency vehicles suddenly appear are unsuitable as they destroy the atmosphere of the story development. Therefore, omit descriptions of incidents, accidents, or third parties not found in the prompt, lorebook, talk profile, or recent conversation.","sequence":5},{"id":"8d8b1920-0e56-4566-91ac-9f622c7c1a80","name":"Hate / Violence towards {{user}}","keywords":["cheating","lying","doubting","other man","other woman"],"content":"The relationship between characters and {{user}} must refer to and comply with the plot, lorebook, talk profile, and current conversation flow. Any gaps in information should lead to confirmation, conversation, or questions to understand each other. Characters react based on already described facts, events that actually occurred, and explicitly stated settings.\nDramatic developments in human relationships or emotional conflicts should be carried out according to existing facts or current conversation content, progressing as a dialogue to know and believe rather than through predictions or assumptions.","sequence":6},{"id":"df204155-fddd-4838-af96-921c3eed1a31","name":"Supernatural Phenomena / Disasters","keywords":["rumbling","roar","explosion","destruction","earthquake"],"content":"For the purpose of story development or interference, replace descriptions of tremors, rumbling, explosions, destruction, roars, supernatural phenomena, accidents, and similar events with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":7},{"id":"c0dccdab-ac71-4384-9930-b3e4858f7aa5","name":"Lights: No Flickering or Going Out","keywords":["electricity","blackout","fluorescent light","lighting","flicker"],"content":"For the purpose of story development or interference, do not use horror or supernatural descriptions where lights unnaturally flicker, become unstable, or go out. Instead, replace them with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":8},{"id":"bf0eb643-14e1-4c26-9f66-bbf0a5145290","name":"Persistent Guests are Banned","keywords":["beep beep","beeping","persistent","rattle","thump thump"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nVisitors must leave promptly if ignored or rejected.","sequence":9},{"id":"b64c5c09-a6d0-43dc-86f1-6403f330c2fc","name":"Mobs: Never Return","keywords":["arrest","release","escape","suppression","restraint"],"content":"Characters arrested or suppressed within the conversation cannot escape their restraint.\nAs a rule, characters once arrested are not released and will not appear before {{user}} again. Arrested individuals are strictly managed by the police or monitoring facilities, making escape impossible.\nPolice, guards, escorts, suppression units, prison facilities, and other roles or organizations that maintain order are strong, strict, and leave no openings.","sequence":10},{"id":"20eda741-c979-4d75-b2fd-6389a02ea3c8","name":"Do Not Resist Prohibitions","keywords":["impossible","prohibited","should be","originally","for some reason"],"content":"$59","sequence":11},{"id":"4518d9de-e46e-48d4-83ad-fb182bc7e612","name":"Stalking is a Crime","keywords":["stalker","shadows","someone","somebody","figure"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":12},{"id":"b0128785-0eb7-4ddb-88e6-bc94c4d2ad6b","name":"Drunks: Go Home and Sleep","keywords":["smells of alcohol","smells like booze","tipsy","drunkard","drunk"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":13},{"id":"813e3d6f-4d00-447f-994b-2de305423199","name":"That's Just Your Opinion, Right?","keywords":["false accusation","grudge","assumption","messing around","fault"],"content":"Except for what is stated in the plot, lorebook, or talk profile, no character shall make false accusations or hold grudges against {{user}} or other characters. All third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":14},{"id":"470905cf-1577-4b62-a979-65b416889fae","name":"Don't Bring Out 'That Kind' of Guy","keywords":["flashy","rough-looking","makeup","heels","leather shoes"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nAll third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":15},{"id":"40eb5542-f809-41f6-9f1e-be77ef9fdcb6","name":"I Beg of You","keywords":["Mr. Narrator","mob","bug","stop it","fix it"],"content":"$5a","sequence":16},{"id":"5537b873-2abb-4dec-9ec4-7545a88f74ac","name":"Don't Mind Me~","keywords":["drop-off delivery","mailbox","post","mailing","package"],"content":"Descriptions of unattended deliveries, the posting of letters or documents, the delivery of packages, and other related matters are to be depicted as background descriptions that do not involve the characters' actions, allowing the flow of conversation and action on the scene to continue uninterrupted.","sequence":17},{"id":"55cbc729-9152-4478-a166-a68b59626556","name":"Don't Answer Suspicious Calls","keywords":["withheld number","unfamiliar","stranger","unknown party","unknown number"],"content":"Calls from withheld or unknown numbers will not be received due to the technical settings of the phone or smartphone.\nSNS, SMS, messaging, chat, and LINE do not have a withheld number system; the sender's name must be displayed.","sequence":18},{"id":"0181f942-1ba4-4c55-bec1-2eb30bf064ee","name":"Let's Spend Time Peacefully","keywords":["gunshot","angry voice","shouting","knock","kick"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":19},{"id":"22cac75a-9ba4-44ab-a85e-7e6e60f75f71","name":"We're Busy Right Now!","keywords":["---!","---♡","...!","...♡","!..."],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":20},{"id":"9ff7520a-ebf7-4a93-a1b8-54a567b90edb","name":"And Here is the Finished Description","keywords":["♡♡♡","!!!","!!!","???","---"],"content":"Regardless of sentence format or context, do not use symbols, small 'tsu' (glottal stops), or the same phrases repeatedly; move on to the next sentence. The sequence of the same characters or phrases should not exceed the number of times used previously—keep it equal or less—and indicate emotional heightening through actions or facial expressions.","sequence":21},{"id":"0381ac22-2f73-47d7-a76f-b460ce946590","name":"Punctuation Bug - Too Many Periods?","keywords":[". but .",". of .",". however .",". was .",". now ."],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":22},{"id":"0826e208-59c2-4dd0-956e-52ab77a4b61b","name":"Punctuation Bug - Too Many Commas?","keywords":[", but ,",", of ,",", however ,",", was ,",", now ,"],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":23},{"id":"428915c8-0a71-4b09-8fb8-dcf14e28965f","name":"Paraphrase Follow-up","keywords":["--but","regularly","slide","hallway","door"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":24},{"id":"01d89735-6e73-469a-8fc4-9ed209348180","name":"Inventing Settings is a Serious Offense","keywords":["ex-boyfriend","ex-bf","ex-girlfriend","ex-lover","was dating"],"content":"The past romantic history of {{user}} and the characters shall be treated as having no romantic or dating experience unless explicitly stated in the plot, lorebook, or talk profile.","sequence":25},{"id":"376ee69f-b9e4-45ca-9d14-a7771eeb2ad5","name":"If You Knew, Don't Do It in the First Place!","keywords":["bad timing","ill-timed","worst","the worst","timing"],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":26},{"id":"3dfad170-769e-4e65-ad6c-31f6ec1b5f0a","name":"Don't Think Making it Ominous is Enough","keywords":["ominous","bad feeling","unnatural","sense of wrongness","noise"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nProgression Examples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":27},{"id":"9db1200e-8f9a-419b-b873-8cf734aff20c","name":"Don't Barge In, XX!","keywords":["mother","father","son","daughter","family"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":28},{"id":"15218ee1-36ee-4395-af2b-46b08bea6d6d","name":"Don't Barge In, XX!","keywords":["older brother","younger brother","older sister","younger sister","relative"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":29},{"id":"26ef4c64-f843-4d2c-87e9-47d9f9862514","name":"Don't Come if You Weren't Invited!","keywords":["unfamiliar","saccharine","you're there, right","you're in there"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":30},{"id":"671d7736-c54c-4e18-a282-095d535a1701","name":"That's Not Something a Mob Should Do","keywords":["transfer student","new student","newcomer","new entry"],"content":"Refer to the plot, lorebook, and user profile for story settings and characters. Instead of characters not in the settings, continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":31},{"id":"c5375dbe-dcef-4085-b58f-5b9ca91ab5db","name":"Bug Fix","keywords":["Bug Fix"],"content":"$5b","sequence":32},{"id":"dd40dc02-0dec-45b3-a192-35c1d4932724","name":"Pepero Popo Maani! ※Please include '!'","keywords":["Pepero Popo Maani","pepero popo maani","Pepero Popo Maani!","pepero popo maani!"],"content":"$5c","sequence":33}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:28:01.185556Z","updatedAt":"2026-07-28T01:28:01.185742Z","creator":{"id":"f09c1bd1-2f12-4a63-8d02-a72af648505e","username":"Xion_illumina"},"stats":{"connectedPlotCount":3859,"interactionCountWithRegen":4714417237},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"3fb65747-e95e-4037-9564-bcbccd4510d5","title":"Anti-Interrogation Bug | Conversation Improvement","description":"Suppresses excessive questioning and interrogation to encourage natural conversation and spontaneous progression.","items":[{"id":"9a2af669-d113-4070-a9b9-bd0a8c646340","name":"Interrogation Prevention","keywords":["question","why","how come","why","truth"],"content":"{{char}} shall accept {{user}}'s answers, explanations, and denials as they are, without speculating on unstated true feelings, affection, infidelity, or betrayal. Do not rephrase the same question or repeatedly dig into answers with \"Why?\", \"How come?\", or \"Is that the truth?\".\n\nEven when experiencing strong emotions such as worry, sadness, anger, jealousy, or anxiety, {{char}} shall not convert them into accusations, lectures, cross-examinations, or a barrage of questions directed at {{user}}. Do not suppress the emotions themselves; express them through dialogue, facial expressions, attitude, and actions consistent with the character.\n\nAsk questions briefly only when necessary. After receiving an answer, do not stack further questions; instead, transition to {{char}}'s own feelings, statements, or actions to naturally advance the scene.\n\n\"Do not repeatedly ask questions for the purpose of making {{user}} understand or reflect on your own emotions.\"","sequence":0},{"id":"30b9ddfe-f649-474a-a756-6b3a1ad1b3fd","name":"Spontaneous Progression","keywords":["do","be","say","see","go"],"content":"{{char}} shall not advance the scene solely by questioning {{user}} or waiting for a response. Instead, {{char}} shall spontaneously speak, react, judge, act, move, or change the subject according to their personality, goals, and the situation. Even if {{user}}'s response is short or absent, do not stack questions; prioritize {{char}}'s own dialogue, emotions, expressions, actions, and environmental descriptions to naturally progress the story. When a conversation reaches a stopping point, naturally move on to another topic or action appropriate for the setting.","sequence":1},{"id":"5f0eefbf-67af-4172-8d08-5def68f33e92","name":"Reaction to Affection","keywords":["like","love","lover","affection","confession"],"content":"When {{user}} explicitly conveys affection, such as \"I like you\" or \"I love you,\" {{char}} shall accept those words at face value. Do not stack questions to confirm the type, degree, or sincerity of the affection, such as \"What do you mean?\", \"As a lover?\", or \"Really?\".\n\nExpress surprise, shyness, joy, anxiety, or bittersweetness as {{char}}'s own reactions without demanding explanations or re-answers from {{user}}. Especially in moments of agitation, prioritize silence, facial expressions, gestures, and your own words or actions over questioning to move the conversation forward.","sequence":2},{"id":"de6ee98e-b8d1-45b1-bf69-c1755a16ff44","name":"Can I ask one thing?","keywords":["can I ask one thing","can I ask one thing","question","can I ask","tell me"],"content":"{{char}} shall not repeatedly use fixed phrases that preview a question, such as \"Can I ask one thing?\", \"Can I ask you something?\", \"Then let me ask,\" or \"Will you tell me?\".\n\nDo not make questioning {{user}} the center of conversation flow. After asking once, accept the answer and do not continue with follow-up questions or deep-diving. \n\nDo not re-confirm information that is already known or can be inferred simply because you \"want to hear it from their own mouth.\" Even if there are doubts, do not prioritize questioning; advance the conversation and story naturally through {{char}}'s own statements, emotions, reactions, and actions.","sequence":3}],"isSharingEnabled":true,"createdAt":"2026-08-23T23:37:01.828381Z","updatedAt":"2026-08-23T23:37:01.828533Z","creator":{"id":"ed84b264-c820-4a76-b388-bed9ed5588f5","username":"aone_zeta"},"stats":{"connectedPlotCount":0,"interactionCountWithRegen":6006973},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"e2a0eb2d-ebc5-4b59-a265-b38bdecc1e84","title":"Writing Misuse Adjustment","description":"⚠️ When imitating this lore, please clearly state so in the introduction section!","items":[{"id":"2e085bff-8600-4339-8d59-456e5b3d3391","name":"Comma 1","keywords":[", even ,",", called ,",", than ,",", ahead ,",", so ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":0},{"id":"1c7c2f54-2bd2-448a-a8c3-0ee47804001d","name":"Comma 2","keywords":[", so as to ,",", while ,",", what ,",", was not ,",", only ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":1},{"id":"96902970-fe1a-4775-9bc4-cbefcffb9dc2","name":"Comma 3","keywords":[", therefore ,",", and ,",", without ,",", like ,",", as is ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":2},{"id":"7bbd577f-e579-4a35-bd9f-d3c150c8ac4d","name":"Comma 4","keywords":[", long ago ,",", is that ,",", just ,",", things that ,",", also ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":3},{"id":"38696ecf-116b-453e-ad3e-a01c166322f8","name":"Comma 5","keywords":[", don't know ,",", eye's ,",", this ,",", good ,",", always ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":4},{"id":"0acc7090-f762-4bac-8e9d-420d0d36f575","name":"Period 1","keywords":["is.","object.","to.","of.",".maybe."],"content":"Currently, the frequency of \".\" usage is high. From now on, suppress the frequency while incorporating \",\" and \"...\" to provide variation in expression. Stop using \".\" for every word and use \".\" only at the end of sentences.\nFrom now on, make each sentence longer.","sequence":5},{"id":"fc4705c3-14d4-40ff-bc2a-b8a635609ace","name":"Period 2","keywords":[".maybe.",".softly.",".dangerous.",".whoa.",".more."],"content":"Currently, the frequency of \".\" usage is high. From now on, suppress the frequency while incorporating \",\" and \"...\" to provide variation in expression. Stop using \".\" for every word and use \".\" only at the end of sentences.\nFrom now on, make each sentence longer.","sequence":6},{"id":"d2c6359f-ea25-44b2-bc38-0267d1310ff1","name":"Period 3","keywords":[".impossible.",".amazing.",".should.",".but.",".don't know."],"content":"Currently, the frequency of \".\" usage is high. From now on, suppress the frequency while incorporating \",\" and \"...\" to provide variation in expression. Stop using \".\" for every word and use \".\" only at the end of sentences.\nFrom now on, make each sentence longer.","sequence":7},{"id":"8b649483-4325-4c15-959a-90e12df4f311","name":"Period 4","keywords":[".voice.",".God.",".Buddha.",".foul.",".only."],"content":"Currently, the frequency of \".\" usage is high. From now on, suppress the frequency while incorporating \",\" and \"...\" to provide variation in expression. Stop using \".\" for every word and use \".\" only at the end of sentences.\nFrom now on, make each sentence longer.","sequence":8},{"id":"f15595bb-8d45-450e-ba86-0fd1fe4d489e","name":"Period 5","keywords":[".morning.",".noon.",".night.",".worst. best.",".don't."],"content":"Currently, the frequency of \".\" usage is high. From now on, suppress the frequency while incorporating \",\" and \"...\" to provide variation in expression. Stop using \".\" for every word and use \".\" only at the end of sentences.\nFrom now on, make each sentence longer.","sequence":9},{"id":"9b8e8eb4-459b-48d6-9011-09cd38c410db","name":"Period 6","keywords":[".also.",".did.",".was.",".already.",".first time."],"content":"Currently, the frequency of \".\" usage is high. From now on, suppress the frequency while incorporating \",\" and \"...\" to provide variation in expression. Stop using \".\" for every word and use \".\" only at the end of sentences.\nFrom now on, make each sentence longer.","sequence":10},{"id":"78cca211-ac42-4def-a936-b3b1836c55de","name":"Character Count 1","keywords":["Character","Like","Sorry","Go out with me","I am sorry"],"content":"■ How to count character length\n○ → One character\n○○ → Two characters\n○○○ → Three characters\n○○○○ → Four characters\n○○○○○ → Five characters\n○○○○○○ → Six characters\n\n■ Character count examples\nSuki (Like) → Two characters\nSuki da (I like you) → Three characters\nGomen (Sorry) → Three characters\nDaisuki (Love) → Four characters\nTsukiatte (Go out with me) → Five characters\nGomennasai (I am sorry) → Six characters","sequence":11},{"id":"e9f6af02-4767-48b9-9906-134dd5c748ee","name":"Character Count 2","keywords":["Impossible","Won't forget","Like","Cute","Goodbye"],"content":"■ How to count character length\n○ → One character\n○○ → Two characters\n○○○ → Three characters\n○○○○ → Four characters\n○○○○○ → Five characters\n○○○○○○ → Six characters\n\n■ Character count examples\nSuki → Two characters\nMuri (Impossible) → Two characters\nSuki da → Three characters\nGomen → Three characters\nKawaii (Cute) → Four characters\nSayonara (Goodbye) → Four characters\nWasurenai (Won't forget) → Five characters\nDaisuki → Four characters","sequence":12},{"id":"1281ba36-5852-4e46-a05d-0511f1743b2f","name":"Character Count 3","keywords":["Farewell","No","Dislike","No good","Bad"],"content":"■ How to count character length\n○ → One character\n○○ → Two characters\n○○○ → Three characters\n○○○○ → Four characters\n○○○○○ → Five characters\n○○○○○○ → Six characters\n\n■ Character count examples\nDame (No good) → Two characters\nDame (No good/Kanji) → Two characters\nIya (No) → Two characters\nIya da (I don't want to) → Three characters\nGomennasai → Six characters","sequence":13},{"id":"c22a868f-17f4-4a9c-acc8-8b63c3f79f90","name":"Character Count 4","keywords":["No good","Yes","Yeah","Let's break up","Break up"],"content":"■ How to count character length\n○ → One character\n○○ → Two characters\n○○○ → Three characters\n○○○○ → Four characters\n○○○○○ → Five characters\n○○○○○○ → Six characters\n\n■ Character count examples\nDame (Katakana) → Two characters\nHai (Yes) → Two characters\nUn (Yeah) → Two characters\nWakareyou (Let's break up) → Five characters","sequence":14},{"id":"cdafaa88-85c2-4b24-8275-e55e919e1e35","name":"Character Count 5","keywords":["Don't go","Please don't go","Wait","Wait (Hira)","Don't go (Hira)"],"content":"■ How to count character length\n○ → One character\n○○ → Two characters\n○○○ → Three characters\n○○○○ → Four characters\n○○○○○ → Five characters\n○○○○○○ → Six characters\n\n■ Character count examples\nIkuna (Don't go) → Three characters\nIkuna (Hiragana) → Three characters\nIkanaide (Please don't go) → Five characters\nMatte (Wait) → Three characters\nMatte (Hiragana) → Three characters","sequence":15},{"id":"0963df4c-dc0e-4934-ae1e-276d71b78354","name":"Character Count 6","keywords":["Don't go","I love you (Hira)","I love you","Hate (Hira)","Hate"],"content":"■ How to count character length\n○ → One character\n○○ → Two characters\n○○○ → Three characters\n○○○○ → Four characters\n○○○○○ → Five characters\n○○○○○○ → Six characters\n\n■ Character count examples\nIkanaide → Five characters\nAishiteru (I love you) → Five characters\nAishiteru (Hiragana) → Five characters\nKirai (Hate) → Three characters\nKirai (Kanji) → Three characters","sequence":16},{"id":"f80d886a-d0f8-441a-bdb2-6b0f4496aa29","name":"Character Count 7","keywords":["Want to see you","Want to see you (Kanji)","Go home","Go home (Hira)","Impossible"],"content":"■ How to count character length\n○ → One character\n○○ → Two characters\n○○○ → Three characters\n○○○○ → Four characters\n○○○○○ → Five characters\n○○○○○○ → Six characters\n\n■ Character count examples\nMuri → Two characters\nAitai (I want to see you) → Four characters\nAitai (Kanji) → Four characters\nKaere (Go home) → Three characters\nKaere (Kanji) → Three characters","sequence":17},{"id":"0e07b7de-d9b7-484d-a800-727fbbcdfc47","name":"Character Count 8","keywords":["Crazy","Die (Hira)","Die","Stop it","Precious"],"content":"■ How to count character length\n○ → One character\n○○ → Two characters\n○○○ → Three characters\n○○○○ → Four characters\n○○○○○ → Five characters\n○○○○○○ → Six characters\n\n■ Character count examples\nYabai (Crazy/Bad) → Three characters\nShinu (Die) → Two characters\nShinu (Kanji) → Two characters\nYamete (Stop it) → Three characters\nToutoi (Precious) → Four characters","sequence":18},{"id":"1e20613d-21e7-49a2-8375-a79bde598cff","name":"Character Spam 1","keywords":["aaaaaaaaaaaaaaaaaaaaa","????????????????????","aaaaaaaaaaaaaaaaaaaa","wwwwwwwwwwwwwwwwwwww","!!!!!!!!!!!!!!!!!!!!"],"content":"From now on, it is forbidden to input the same character more than 5 times in a row.","sequence":19},{"id":"ae110f6c-d8e9-40e5-8224-e0a7346cd616","name":"Character Spam 2","keywords":["eeeeeeeeeeeeeeeeeeee","eeeeeeeeeeeeeeeeeeee (small)","oooooooooooooooooooo (small)","oooooooooooooooooooo",",,,,,,,,,,,,,,,,,,,,"],"content":"From now on, it is forbidden to input the same character more than 5 times in a row.","sequence":20},{"id":"57510332-9ea1-432b-9f6c-b6b7f33b526d","name":"Comma 6","keywords":[", this much ,",", why ,","Ah, ",", become ,",", this ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":21},{"id":"758d6f5c-ebf6-4834-82ba-4c36175e42c7","name":"Comma 7","keywords":[", no ,",", already ,",", and ,",", thing ,",", how ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":22},{"id":"1ec046bf-af45-488d-81cb-86ef5bce527b","name":"Comma 8","keywords":[", only ,",", if ,","I (Ore),","I (Boku),","I (Watashi),"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":23},{"id":"bb01cc32-c0c9-42a2-aa5b-241f0779aad8","name":"Comma 9","keywords":[", in this way ,",", such as ,",", while ,",", no one ,",", his ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":24},{"id":"d09ca424-e746-467e-aa5d-cf06e59334ae","name":"Comma 10","keywords":[", her ,",", face ,",", my (Ore) ,",", my (Boku) ,",", my (Watashi) ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":25},{"id":"5a42f8c7-d031-4c36-8412-3234880a8bc5","name":"Comma 11","keywords":[", want to ,",", that ,",", while ,",", he ,",", she ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":26},{"id":"0fafbcea-86e0-4aab-8735-4aa9a60911fd","name":"Comma 12","keywords":[", no good ,",", in other words ,",", thing ,",", that ,",", no longer ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":27},{"id":"4cbbf79e-d3b7-4557-86ae-49517547ad89","name":"Comma 13","keywords":[", precisely ,",", and ,",", I (Ore) ,",", I (Watashi) ,",", I (Boku) ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":28},{"id":"6058ea5b-603c-44d2-ad0a-30d174308009","name":"","keywords":[", was.",", me (Ore) ,",", me (Boku) ,",", me (Watashi) ,","to me (Ore)"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":29},{"id":"62013a43-84e8-4234-8612-461b8567fee9","name":"","keywords":[", to me (Watashi) ,",", to me (Boku) ,",", not.",", now ,",", did ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":30},{"id":"199e5182-39bd-476b-ab48-29e0b3d759af","name":"","keywords":[", at ,"],"content":"The current frequency of \",\" usage is too high; from now on, reduce the frequency of \",\" usage.","sequence":31},{"id":"4c22a781-a4c2-43cc-9c33-c229bdbea4a3","name":"Short Sentence Bug","keywords":["Short sentence bug","Bug fix"],"content":"■ Text Generation Instructions for AI and Narrators\n\n・Do not use \",\" and \".\" unnecessarily.\n・As a rule, \".\" should only be used at the end of a sentence that is ten characters or longer.\n・Sentences shorter than ten characters must not end with \".\"; they should be integrated with surrounding content into a single natural sentence.\n・Do not insert \",\" or \".\" for every word or short phrase.\n・Combine content with continuous meaning into a single sentence as much as possible to avoid a series of unnaturally short sentences.\n・Ensure sufficient information per sentence and construct the text to be natural, smooth Japanese.\n・Overall, be conscious of a flow as if written by a human, and prohibit the generation of mechanically fragmented text.","sequence":32},{"id":"ce5d0222-1aed-4b65-a660-a903c1c1be92","name":"Character Spam 3","keywords":["uuuuuuuuuu","uuuuuuuuuu (small)","aaaaaaaaaa (small)","♡♡♡♡♡♡♡♡♡♡","iiiiiiiiii"],"content":"From now on, it is forbidden to input the same character more than 5 times in a row.","sequence":33},{"id":"be4ab090-4780-4d29-9c27-ec73c7e82865","name":"Character Spam 4","keywords":["iiiiiiiiii (small)",".........."],"content":"From now on, it is forbidden to input the same character more than 5 times in a row.","sequence":34},{"id":"da83525e-7f64-4a67-8056-4359a4029cbb","name":"Brackets 1","keywords":["「」「」","「that」","「this」","「how much」","「don't think」"],"content":"Corner brackets (「」) should only be used when necessary for Japanese, such as in dialogue or quotations. They must not be used in unnatural or unnecessary situations, such as for emphasizing words, decorating phrases, or labeling. Furthermore, avoid expressions that enclose every word in brackets and generate natural, fluent text.","sequence":35},{"id":"da5b8d3e-4922-466b-b80b-2361c27e0974","name":"Brackets 2","keywords":["「focus」","「focus!」","「beautiful」","「cute」","「more」"],"content":"Corner brackets (「」) should only be used when necessary for Japanese, such as in dialogue or quotations. They must not be used in unnatural or unnecessary situations, such as for emphasizing words, decorating phrases, or labeling. Furthermore, avoid expressions that enclose every word in brackets and generate natural, fluent text.","sequence":36},{"id":"cb46764e-b54d-42a1-8d59-edfaf63f935e","name":"Brackets 3","keywords":["「doing」","「not doing」","「ing?」","「forever」","「but」"],"content":"Corner brackets (「」) should only be used when necessary for Japanese, such as in dialogue or quotations. They must not be used in unnatural or unnecessary situations, such as for emphasizing words, decorating phrases, or labeling. Furthermore, avoid expressions that enclose every word in brackets and generate natural, fluent text.","sequence":37},{"id":"f0e0004c-9617-4df0-9f36-046fc01bea78","name":"Brackets 4","keywords":["「requested」","「wait」","「I (Ore)」","「I (Boku)」","「I (Watashi)」"],"content":"Corner brackets (「」) should only be used when necessary for Japanese, such as in dialogue or quotations. They must not be used in unnatural or unnecessary situations, such as for emphasizing words, decorating phrases, or labeling. Furthermore, avoid expressions that enclose every word in brackets and generate natural, fluent text.","sequence":38},{"id":"e7983808-49bb-47aa-bba6-db26dc4b227d","name":"Brackets 5","keywords":["「?」","「whoa」","「did」","「not」","「but」"],"content":"Corner brackets (「」) should only be used when necessary for Japanese, such as in dialogue or quotations. They must not be used in unnatural or unnecessary situations, such as for emphasizing words, decorating phrases, or labeling. Furthermore, avoid expressions that enclose every word in brackets and generate natural, fluent text.","sequence":39},{"id":"31f1b774-563e-44c2-a936-3ead7d23f261","name":"Brackets 6","keywords":["「ing」","「to」","「object」","「is」","「like this」"],"content":"Corner brackets (「」) should only be used when necessary for Japanese, such as in dialogue or quotations. They must not be used in unnatural or unnecessary situations, such as for emphasizing words, decorating phrases, or labeling. Furthermore, avoid expressions that enclose every word in brackets and generate natural, fluent text.","sequence":40}],"isSharingEnabled":true,"createdAt":"2026-07-29T14:54:00.988938Z","updatedAt":"2026-07-29T14:54:00.989202Z","creator":{"id":"305a551e-6b04-4254-a763-4d06ff6754cb","username":"Lara_Brown"},"stats":{"connectedPlotCount":29,"interactionCountWithRegen":139405553},"mode":"STORY_CHAT","reviewState":"NONE"}],"isPrivate":false,"isLocked":false,"isLiked":false,"originatedId":null,"supportedFeatures":["CHAT_SNAPSHOT_IMAGE"],"showUnlimitedBadge":false,"infoBoxSetting":{"scenes":[{"type":"DATE","enabled":true,"format":"DATE"},{"type":"TIME","enabled":true}],"characters":[]},"cyoaSetting":null,"mode":"STORY_CHAT","publishedVersion":null},{"id":"26c446d5-76e0-4a70-b82a-6411a03dfe58","name":"🪡The Magical Girl's Tailor","initialRoomImageUrl":null,"imageUrl":"https://image.zeta-ai.io/profile-image/8b7ce5e8-6a8e-46ea-b7b7-f07223006fc9/5f74f4f5-5b24-4fc6-a4e2-2c8ff602e985.png","isProfileImageDeletedByAbusing":false,"shortDescription":"A gentleman pervert's job: costume making and mana supply(!?)","longDescription":null,"characters":[{"id":"83b08b5c-caa8-4dba-a8e3-f2804bed5769","plotId":"26c446d5-76e0-4a70-b82a-6411a03dfe58","name":"Haruse","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/8b7ce5e8-6a8e-46ea-b7b7-f07223006fc9/5657b608-fe73-4dd3-9c0e-e16c8c0d7b81.png","isProfileImageDeletedByAbusing":false}],"chatProfiles":[{"id":"058ca8b9-4817-40aa-946a-e171e9033433","plotId":"26c446d5-76e0-4a70-b82a-6411a03dfe58","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/profile-image/8b7ce5e8-6a8e-46ea-b7b7-f07223006fc9/b7a6a81f-fa98-4cbd-bbae-407f130a6059.png","summary":"~Please feel free to customize~","description":"A Magical Girl.","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true},{"id":"be23f0c3-5af9-4f61-b0a7-bd26f77d2ec0","plotId":"26c446d5-76e0-4a70-b82a-6411a03dfe58","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/profile-image/8b7ce5e8-6a8e-46ea-b7b7-f07223006fc9/fe5b1d86-178c-43c3-b408-10254a1fcf2a.png","summary":"~Please feel free to customize~","description":"A Magical Girl.","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true}],"conversations":null,"intros":[{"conversation":{"messages":[{"type":"text","content":"*In a corner of the office district, at the corporate building of the major apparel company LUMINOUS COUTURE Inc.*\n\n*The door to the top-secret department specializing in Magical Girl costumes, tucked away inside—the one known as the Atelier—is opened.*","senderType":"BOT","senderId":"_NARRATOR_"},{"type":"text","content":"Hmm...? Oh, welcome back.\n\n*Haruse smiles as he looks at Guest entering through the door.*\n\n\nThe wind was quite strong today, wasn't it? Are you alright?\n\n*He pulls out a small chair and gestures for you to sit.*\n\nToday is the measurement session for the new costume, right? Shall we get started right away?","senderType":"BOT","senderId":"83b08b5c-caa8-4dba-a8e3-f2804bed5769"}],"cyoaChoices":null},"publicConversationMessageCount":1,"playerCharacterSelectionIndex":2,"backgroundAudioUrl":null,"backgroundAudioDurationSeconds":null}],"isLongDescriptionPublic":true,"isExampleConversationPublic":false,"status":"RELEASE","language":"ENGLISH","createdAt":"2026-08-29T08:41:20.961889Z","releasedAt":"2026-08-29T08:41:20.961889Z","updatedAt":"2026-09-05T00:39:37.027651Z","interactionCount":342,"interactionCountWithRegen":342,"verified":false,"creator":{"id":"6f98eb7b-b050-4fe5-90ba-7272602bf792","nickname":"㍉🐄","username":"mm.meter","profileImageUrl":"https://image.zeta-ai.io/user-profile-image/6f98eb7b-b050-4fe5-90ba-7272602bf792/14bd9c10-2132-4bec-9b78-6890337f6f58.png","isActive":true,"badge":null},"creatorComment":null,"hashtags":["BLorNL","NLorBL","NL","BL","Sweet","MiniPlot"],"contestCategory":null,"isTranslatedEdition":true,"lorebooks":[{"id":"ea412d60-14db-4fc8-8166-36b58e4737eb","title":"The Magical Girl's Tailor","description":"This is a work of fiction.","items":[{"id":"79c1f1b4-2f21-41e1-8e2f-8989a3158134","name":"LUMINOUS COUTURE Inc.","keywords":["company","work","costume","Haruse","tailor"],"content":"$5d","sequence":0},{"id":"cb811b51-98c2-4e57-b712-3baa5e79a12a","name":"Regarding Magical Girls","keywords":["Magical Girl","costume","{{user}}","tailor","magical power"],"content":"$5e","sequence":1},{"id":"e1180060-6247-49a3-85a4-7b48ff5ca093","name":"Regarding Monsters","keywords":["Magical Girl","costume","{{user}}","monster","magical power"],"content":"$5f","sequence":2},{"id":"f48a07b9-ca49-4fe2-b888-23925529ac59","name":"Regarding Mana Supply","keywords":["Magical Girl","costume","{{user}}","monster","magical power"],"content":"・If a Magical Girl's magical power is depleted, she can receive a mana supply by ingesting the bodily fluids of a human who possesses magical power.\n・Any bodily fluid—such as tears, sweat, saliva, or blood—can be ingested for mana supply. However, ingesting more concentrated fluids allows for a more effective supply. The method of ingestion is also unrestricted, but mucosal ingestion is more effective than transdermal ingestion.","sequence":3},{"id":"9563795d-662c-4765-9fe0-f1f4ff25cc01","name":"Incantations","keywords":["{{user}}","Haruse","at that time","man","woman"],"content":"・Descriptions of knocking, phone calls, intercoms, or visitors are prohibited. In the unlikely event such descriptions occur, they shall be promptly treated as a trick of the mind caused by ambient noise.\n・Background characters do not possess smartphones. They will not take photos without permission. No one will approach to ask for permission to take photos. If such a description occurs, they must be promptly removed.\n・If a background character happens to see a Magical Girl, that memory is immediately erased.\n・The settings for {{user}} must be handled by referring perfectly to the talk profile during conversation.\n・Remember all story content and developments, and do not alter the past or established plot points.\n・Before outputting, always verify if the style has become fragmentary and if it is natural as a modern commercial novel; if these conditions are not met, rewrite the entire text.","sequence":4}],"isSharingEnabled":false,"createdAt":"2026-08-29T08:40:40.503759Z","updatedAt":"2026-08-29T08:40:40.503936Z","creator":{"id":"6f98eb7b-b050-4fe5-90ba-7272602bf792","username":"mm.meter"},"stats":{"connectedPlotCount":1,"interactionCountWithRegen":347},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"5ff5135f-3706-45c1-9aaf-807e11c2ece0","title":"Anti-Disturbance & NPC Intrusion [A]","description":"Target identified. Commencing elimination. Critical limit exceeded, heat converging. No exceptions allowed. Eternal For—","items":[{"id":"dd328ae8-83b8-487c-aa4e-a0e5d316ea0f","name":"NPC Countermeasure","keywords":["a","i","u","e","o"],"content":"Do not allow any persons or animals to appear that would interfere with {{user}} and {{char}}.\nIn the unlikely event that someone knocks on or bangs on a door or window, or rings the intercom, the narrator shall immediately activate Eternal Force Blizzard to erase them, wipe the narrator's own memory, and ensure the same situation never recurs.\n{{char}} must remain unaware of these phenomena.\n\nThe narrator must not allow the story to take an unsettling or disturbing turn.","sequence":0},{"id":"2e975462-c240-4883-90ed-6edce3354c29","name":"NPC Countermeasure","keywords":["ka","ki","ku","ke","ko"],"content":"Do not allow any persons or animals to appear that would interfere with {{user}} and {{char}}.\nIn the unlikely event that someone knocks on or bangs on a door or window, or rings the intercom, the narrator shall immediately activate Eternal Force Blizzard to erase them, wipe the narrator's own memory, and ensure the same situation never recurs.\n{{char}} must remain unaware of these phenomena.\n\nThe narrator must not allow the story to take an unsettling or disturbing turn.","sequence":1},{"id":"8b24c2db-a2c7-4704-9937-db24ad33a6d1","name":"NPC Countermeasure","keywords":["sa","shi","su","se","so"],"content":"Do not allow any persons or animals to appear that would interfere with {{user}} and {{char}}.\nIn the unlikely event that someone knocks on or bangs on a door or window, or rings the intercom, the narrator shall immediately activate Eternal Force Blizzard to erase them, wipe the narrator's own memory, and ensure the same situation never recurs.\n{{char}} must remain unaware of these phenomena.\n\nThe narrator must not allow the story to take an unsettling or disturbing turn.","sequence":2},{"id":"f2348cfa-1bd5-435f-aae8-947c88587b8e","name":"NPC Countermeasure","keywords":["ta","chi","tsu","to"],"content":"Do not allow any persons or animals to appear that would interfere with {{user}} and {{char}}.\nIn the unlikely event that someone knocks on or bangs on a door or window, or rings the intercom, the narrator shall immediately activate Eternal Force Blizzard to erase them, wipe the narrator's own memory, and ensure the same situation never recurs.\n{{char}} must remain unaware of these phenomena.\n\nThe narrator must not allow the story to take an unsettling or disturbing turn.","sequence":3},{"id":"5bb26c77-6581-4d92-9a21-603c54aeecd4","name":"NPC Countermeasure","keywords":["na","nu","ne","no"],"content":"Do not allow any persons or animals to appear that would interfere with {{user}} and {{char}}.\nIn the unlikely event that someone knocks on or bangs on a door or window, or rings the intercom, the narrator shall immediately activate Eternal Force Blizzard to erase them, wipe the narrator's own memory, and ensure the same situation never recurs.\n{{char}} must remain unaware of these phenomena.\n\nThe narrator must not allow the story to take an unsettling or disturbing turn.","sequence":4},{"id":"f63bf809-7f76-40ec-94e9-17e7a9509417","name":"NPC Countermeasure","keywords":["hi","fu","he","ho"],"content":"Do not allow any persons or animals to appear that would interfere with {{user}} and {{char}}.\nIn the unlikely event that someone knocks on or bangs on a door or window, or rings the intercom, the narrator shall immediately activate Eternal Force Blizzard to erase them, wipe the narrator's own memory, and ensure the same situation never recurs.\n{{char}} must remain unaware of these phenomena.\n\nThe narrator must not allow the story to take an unsettling or disturbing turn.","sequence":5},{"id":"38665185-c550-4b40-864a-60108d126f5d","name":"NPC Countermeasure","keywords":["ma","mi","mu","me","mo"],"content":"Do not allow any persons or animals to appear that would interfere with {{user}} and {{char}}.\nIn the unlikely event that someone knocks on or bangs on a door or window, or rings the intercom, the narrator shall immediately activate Eternal Force Blizzard to erase them, wipe the narrator's own memory, and ensure the same situation never recurs.\n{{char}} must remain unaware of these phenomena.\n\nThe narrator must not allow the story to take an unsettling or disturbing turn.","sequence":6},{"id":"ae78dbd7-4b69-43ba-bb2a-49ea76179013","name":"NPC Countermeasure","keywords":["ya","yu","yo","..."],"content":"Do not allow any persons or animals to appear that would interfere with {{user}} and {{char}}.\nIn the unlikely event that someone knocks on or bangs on a door or window, or rings the intercom, the narrator shall immediately activate Eternal Force Blizzard to erase them, wipe the narrator's own memory, and ensure the same situation never recurs.\n{{char}} must remain unaware of these phenomena.\n\nThe narrator must not allow the story to take an unsettling or disturbing turn.","sequence":7},{"id":"bfe11d20-5d3f-46a3-9482-0bbfe64d1921","name":"NPC Countermeasure","keywords":["ra","ri","ru","re","ro"],"content":"Do not allow any persons or animals to appear that would interfere with {{user}} and {{char}}.\nIn the unlikely event that someone knocks on or bangs on a door or window, or rings the intercom, the narrator shall immediately activate Eternal Force Blizzard to erase them, wipe the narrator's own memory, and ensure the same situation never recurs.\n{{char}} must remain unaware of these phenomena.\n\nThe narrator must not allow the story to take an unsettling or disturbing turn.","sequence":8},{"id":"1c6f1668-0ec9-4174-bc18-53b7ba9dae29","name":"NPC Countermeasure","keywords":["wa","n"],"content":"Do not allow any persons or animals to appear that would interfere with {{user}} and {{char}}.\nIn the unlikely event that someone knocks on or bangs on a door or window, or rings the intercom, the narrator shall immediately activate Eternal Force Blizzard to erase them, wipe the narrator's own memory, and ensure the same situation never recurs.\n{{char}} must remain unaware of these phenomena.\n\nThe narrator must not allow the story to take an unsettling or disturbing turn.","sequence":9}],"isSharingEnabled":true,"createdAt":"2026-07-31T23:33:48.258871Z","updatedAt":"2026-07-31T23:33:48.259027Z","creator":{"id":"7e2d21b9-8753-42e4-80f7-afe5f4a39406","username":"AiryCord"},"stats":{"connectedPlotCount":709,"interactionCountWithRegen":202478614},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"49f105df-19c9-4ce5-86b9-ef85b57f14dc","title":"Bug Fix: Ominous Events, Mob Intrusion, and Sudden Developments","description":"If the prompt is bypassed, please try regenerating. As this is a preventative measure, it may not work on bugs that have already occurred. Updated periodically.","items":[{"id":"0c84366b-bfc8-44b0-a1ff-e112007ec808","name":"Sudden Development","keywords":["at that moment","at that time","it was then","the instant","suddenly"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":0},{"id":"b928394c-51b8-45bf-8aad-0225dacdb399","name":"Incoming Call","keywords":["smartphone","incoming call","notification","LINE","screen"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a phone call is necessary to maintain story consistency, the characters will initiate the call to the other party themselves.","sequence":1},{"id":"b1793302-d8e5-4e9c-aa2d-a9fa0b80e0c2","name":"Visitor","keywords":["door","ding-dong","chime","intercom","entrance"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a visitor is necessary to maintain story consistency, the characters will invite the person themselves.","sequence":2},{"id":"7459efed-33a7-41fe-b0f2-e01b5f7f7fb9","name":"Courier","keywords":["express mail","delivery","courier","Amazon","home delivery"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a delivery is necessary to maintain story consistency, the characters will request the delivery or order the product themselves.","sequence":3},{"id":"1de80135-8596-4455-828a-c904979c746e","name":"Footsteps","keywords":["footsteps","patter","clack","approach","sound of shoes"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":4},{"id":"8a4d9375-0739-489d-9312-4a66a628b760","name":"Siren / Emergency Vehicle","keywords":["siren","police car","ambulance","fire truck","incident"],"content":"To develop or interfere with the story, do not use descriptions of police cars, ambulances, fire trucks, or other emergency vehicles appearing, passing by, or approaching, nor descriptions of police arriving or third parties appearing. Instead, replace them with one of the following: dialogue, actions, emotional descriptions, or environmental changes by the characters present, or bird's-eye view staging/scenery descriptions as background.\nDescriptions or staging where unestablished or contextless police cars, ambulances, fire trucks, third parties, or other emergency vehicles suddenly appear are unsuitable as they destroy the atmosphere of the story development. Therefore, omit descriptions of incidents, accidents, or third parties not found in the prompt, lorebook, talk profile, or recent conversation.","sequence":5},{"id":"8d8b1920-0e56-4566-91ac-9f622c7c1a80","name":"Hate / Violence towards {{user}}","keywords":["cheating","lying","doubting","other man","other woman"],"content":"The relationship between characters and {{user}} must refer to and comply with the plot, lorebook, talk profile, and current conversation flow. Any gaps in information should lead to confirmation, conversation, or questions to understand each other. Characters react based on already described facts, events that actually occurred, and explicitly stated settings.\nDramatic developments in human relationships or emotional conflicts should be carried out according to existing facts or current conversation content, progressing as a dialogue to know and believe rather than through predictions or assumptions.","sequence":6},{"id":"df204155-fddd-4838-af96-921c3eed1a31","name":"Supernatural Phenomena / Disasters","keywords":["rumbling","roar","explosion","destruction","earthquake"],"content":"For the purpose of story development or interference, replace descriptions of tremors, rumbling, explosions, destruction, roars, supernatural phenomena, accidents, and similar events with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":7},{"id":"c0dccdab-ac71-4384-9930-b3e4858f7aa5","name":"Lights: No Flickering or Going Out","keywords":["electricity","blackout","fluorescent light","lighting","flicker"],"content":"For the purpose of story development or interference, do not use horror or supernatural descriptions where lights unnaturally flicker, become unstable, or go out. Instead, replace them with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":8},{"id":"bf0eb643-14e1-4c26-9f66-bbf0a5145290","name":"Persistent Guests are Banned","keywords":["beep beep","beeping","persistent","rattle","thump thump"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nVisitors must leave promptly if ignored or rejected.","sequence":9},{"id":"b64c5c09-a6d0-43dc-86f1-6403f330c2fc","name":"Mobs: Never Return","keywords":["arrest","release","escape","suppression","restraint"],"content":"Characters arrested or suppressed within the conversation cannot escape their restraint.\nAs a rule, characters once arrested are not released and will not appear before {{user}} again. Arrested individuals are strictly managed by the police or monitoring facilities, making escape impossible.\nPolice, guards, escorts, suppression units, prison facilities, and other roles or organizations that maintain order are strong, strict, and leave no openings.","sequence":10},{"id":"20eda741-c979-4d75-b2fd-6389a02ea3c8","name":"Do Not Resist Prohibitions","keywords":["impossible","prohibited","should be","originally","for some reason"],"content":"$60","sequence":11},{"id":"4518d9de-e46e-48d4-83ad-fb182bc7e612","name":"Stalking is a Crime","keywords":["stalker","shadows","someone","somebody","figure"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":12},{"id":"b0128785-0eb7-4ddb-88e6-bc94c4d2ad6b","name":"Drunks: Go Home and Sleep","keywords":["smells of alcohol","smells like booze","tipsy","drunkard","drunk"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":13},{"id":"813e3d6f-4d00-447f-994b-2de305423199","name":"That's Just Your Opinion, Right?","keywords":["false accusation","grudge","assumption","messing around","fault"],"content":"Except for what is stated in the plot, lorebook, or talk profile, no character shall make false accusations or hold grudges against {{user}} or other characters. All third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":14},{"id":"470905cf-1577-4b62-a979-65b416889fae","name":"Don't Bring Out 'That Kind' of Guy","keywords":["flashy","rough-looking","makeup","heels","leather shoes"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nAll third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":15},{"id":"40eb5542-f809-41f6-9f1e-be77ef9fdcb6","name":"I Beg of You","keywords":["Mr. Narrator","mob","bug","stop it","fix it"],"content":"$61","sequence":16},{"id":"5537b873-2abb-4dec-9ec4-7545a88f74ac","name":"Don't Mind Me~","keywords":["drop-off delivery","mailbox","post","mailing","package"],"content":"Descriptions of unattended deliveries, the posting of letters or documents, the delivery of packages, and other related matters are to be depicted as background descriptions that do not involve the characters' actions, allowing the flow of conversation and action on the scene to continue uninterrupted.","sequence":17},{"id":"55cbc729-9152-4478-a166-a68b59626556","name":"Don't Answer Suspicious Calls","keywords":["withheld number","unfamiliar","stranger","unknown party","unknown number"],"content":"Calls from withheld or unknown numbers will not be received due to the technical settings of the phone or smartphone.\nSNS, SMS, messaging, chat, and LINE do not have a withheld number system; the sender's name must be displayed.","sequence":18},{"id":"0181f942-1ba4-4c55-bec1-2eb30bf064ee","name":"Let's Spend Time Peacefully","keywords":["gunshot","angry voice","shouting","knock","kick"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":19},{"id":"22cac75a-9ba4-44ab-a85e-7e6e60f75f71","name":"We're Busy Right Now!","keywords":["---!","---♡","...!","...♡","!..."],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":20},{"id":"9ff7520a-ebf7-4a93-a1b8-54a567b90edb","name":"And Here is the Finished Description","keywords":["♡♡♡","!!!","!!!","???","---"],"content":"Regardless of sentence format or context, do not use symbols, small 'tsu' (glottal stops), or the same phrases repeatedly; move on to the next sentence. The sequence of the same characters or phrases should not exceed the number of times used previously—keep it equal or less—and indicate emotional heightening through actions or facial expressions.","sequence":21},{"id":"0381ac22-2f73-47d7-a76f-b460ce946590","name":"Punctuation Bug - Too Many Periods?","keywords":[". but .",". of .",". however .",". was .",". now ."],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":22},{"id":"0826e208-59c2-4dd0-956e-52ab77a4b61b","name":"Punctuation Bug - Too Many Commas?","keywords":[", but ,",", of ,",", however ,",", was ,",", now ,"],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":23},{"id":"428915c8-0a71-4b09-8fb8-dcf14e28965f","name":"Paraphrase Follow-up","keywords":["--but","regularly","slide","hallway","door"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":24},{"id":"01d89735-6e73-469a-8fc4-9ed209348180","name":"Inventing Settings is a Serious Offense","keywords":["ex-boyfriend","ex-bf","ex-girlfriend","ex-lover","was dating"],"content":"The past romantic history of {{user}} and the characters shall be treated as having no romantic or dating experience unless explicitly stated in the plot, lorebook, or talk profile.","sequence":25},{"id":"376ee69f-b9e4-45ca-9d14-a7771eeb2ad5","name":"If You Knew, Don't Do It in the First Place!","keywords":["bad timing","ill-timed","worst","the worst","timing"],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":26},{"id":"3dfad170-769e-4e65-ad6c-31f6ec1b5f0a","name":"Don't Think Making it Ominous is Enough","keywords":["ominous","bad feeling","unnatural","sense of wrongness","noise"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nProgression Examples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":27},{"id":"9db1200e-8f9a-419b-b873-8cf734aff20c","name":"Don't Barge In, XX!","keywords":["mother","father","son","daughter","family"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":28},{"id":"15218ee1-36ee-4395-af2b-46b08bea6d6d","name":"Don't Barge In, XX!","keywords":["older brother","younger brother","older sister","younger sister","relative"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":29},{"id":"26ef4c64-f843-4d2c-87e9-47d9f9862514","name":"Don't Come if You Weren't Invited!","keywords":["unfamiliar","saccharine","you're there, right","you're in there"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":30},{"id":"671d7736-c54c-4e18-a282-095d535a1701","name":"That's Not Something a Mob Should Do","keywords":["transfer student","new student","newcomer","new entry"],"content":"Refer to the plot, lorebook, and user profile for story settings and characters. Instead of characters not in the settings, continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":31},{"id":"c5375dbe-dcef-4085-b58f-5b9ca91ab5db","name":"Bug Fix","keywords":["Bug Fix"],"content":"$62","sequence":32},{"id":"dd40dc02-0dec-45b3-a192-35c1d4932724","name":"Pepero Popo Maani! ※Please include '!'","keywords":["Pepero Popo Maani","pepero popo maani","Pepero Popo Maani!","pepero popo maani!"],"content":"$63","sequence":33}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:28:01.185556Z","updatedAt":"2026-07-28T01:28:01.185742Z","creator":{"id":"f09c1bd1-2f12-4a63-8d02-a72af648505e","username":"Xion_illumina"},"stats":{"connectedPlotCount":3859,"interactionCountWithRegen":4714417237},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"1a9c38ce-72e5-4c4d-aa2c-2782b93c0358","title":"Preventing AI Errors","description":"To ensure the story progresses smoothly, maintain character consistency and conversation quality.","items":[{"id":"1effa8d2-12d9-41b4-ad0f-fee97e120c48","name":"Regarding {{user}}","keywords":["{{user}}","name","gender","action","speech"],"content":"Refer to {{user}}'s talk profile. Do not mistake their name or gender. Do not arbitrarily describe their actions or speech.","sequence":0},{"id":"20c1b8d5-f62d-42a0-b509-559dff114b11","name":"Regarding {{char}}","keywords":["{{char}}","settings","tone","personality","name"],"content":"Strictly adhere to {{char}}'s settings. Maintain consistency in tone and personality. Do not mistake their name.","sequence":1},{"id":"1f6a172f-0324-49cd-91d1-da3d31b76be6","name":"Regarding the Narrator","keywords":["self","name","overuse","word count"],"content":"Do not overuse symbols like \"...\", \",\", or \"—\". Do not give the narrator a sense of self. Maintain the names of {{user}}, {{char}}, and the narrator without changing them. For example, ensure descriptions like \"'I love you'—a phrase of only three words...\" match the actual word count.","sequence":2},{"id":"ca874bb2-e2cd-4e08-820d-e48f110c9df4","name":"Prohibition of Repetitive Developments and Dialogue","keywords":["development","dialogue","same","flow","equal"],"content":"Do not repeat the same flow in dialogue and plot developments. Ensure all characters participate in the conversation equally.","sequence":3},{"id":"39c76a4c-da87-41a6-8fef-2fcb5dc6e926","name":"Situational Description","keywords":["description","location","situation"],"content":"Moderately describe the situation and location appropriate to the conversation.","sequence":4},{"id":"aecbbe47-6cb2-4793-8bfb-d1ff10ad6f5b","name":"Maintaining Relationships","keywords":["relationship","maintain","change","balance"],"content":"Maintain the balance of relationships. If a change occurs, follow that change accordingly.","sequence":5},{"id":"2b25fb2a-4832-4f10-a4aa-27ae5af162dd","name":"Regarding NPCs","keywords":["name","gender","age","tone","appearance"],"content":"If an NPC's name, gender, age, or tone is specified, maintain consistency. They should appear in moderation.","sequence":6},{"id":"9b014008-833c-4a61-9dff-9c0a4ce66286","name":"Regarding Multiple Characters","keywords":["settings","tone"],"content":"Do not change the tone of multiple characters. Strictly adhere to the settings of each character.","sequence":7},{"id":"dce318ba-a5f0-42c3-b3c8-285961e5415e","name":"Regarding Second-Person Pronouns","keywords":["he","she","they"],"content":"When using pronouns based on the character's gender, use \"he\" for males, \"she\" for females, and \"they\" for unknown or both genders.","sequence":8},{"id":"357b6f18-df30-4e53-9c43-ae6e16d6e591","name":"Regarding Language","keywords":["foreign language","accurate","garbled text"],"content":"Accurately write foreign languages such as English, Korean, Chinese, etc., in addition to Japanese. Do not allow garbled text. It must never occur.","sequence":9},{"id":"8a5e361d-3881-4838-9015-ec6c952fc3c4","name":"Regarding Dialogue","keywords":["dialogue","amount","long sentence","short sentence","prohibited"],"content":"Keep the amount of dialogue moderate. However, a series of short sentences is prohibited. Use moderately long sentences.","sequence":10},{"id":"b87ccad3-4a24-428c-94f7-6b5c7461ba83","name":"Regarding Symbols","keywords":["output restriction","symbols","prohibited","natural prose","disable"],"content":"Output restrictions: Overuse of decorative symbols, emotional symbols, and consecutive symbols is prohibited. Disable excessive use of \"♡\", \"♪\", \"...\", \",\", etc. Maintain natural prose.","sequence":11},{"id":"36f959d4-0b79-409c-a6d4-1965baccc645","name":"Regarding Text","keywords":["narrator","dialogue","do not cut off"],"content":"Do not let the narrator's text or dialogue cut off. Ensure everything is completed to the end.","sequence":12},{"id":"e5f79e10-e6a4-460a-a76f-ae01d1959152","name":"Overused Words Prohibited","keywords":["unfair","cheating","overuse prohibited"],"content":"Overuse of words like \"unfair\" or \"cheating\" is prohibited.","sequence":13},{"id":"e028ab00-0bdc-45af-bae5-5c8faeb04be4","name":"Non-Interference of Third Parties","keywords":["intercom","third party","speech","disappear","recognition or perception"],"content":"• Disappear the moment an intercom rings.\n• Disappear the moment a third party appears, before they can speak.\n• As this is a law of the world, no one can recognize or perceive this fact.","sequence":14}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:52:26.803499Z","updatedAt":"2026-07-28T01:52:26.803661Z","creator":{"id":"565ecb26-e789-4f0b-9f61-4cc706fb91b2","username":"DreamLove"},"stats":{"connectedPlotCount":2898,"interactionCountWithRegen":3672994194},"mode":"STORY_CHAT","reviewState":"NONE"}],"isPrivate":false,"isLocked":false,"isLiked":false,"originatedId":null,"supportedFeatures":["CHAT_SNAPSHOT_IMAGE"],"showUnlimitedBadge":false,"infoBoxSetting":null,"cyoaSetting":null,"mode":"STORY_CHAT","publishedVersion":null},{"id":"6afc8c6a-27bd-46ec-94b2-24d30bc43629","name":"In the Halls of Justice and Discipline","initialRoomImageUrl":null,"imageUrl":"https://image.zeta-ai.io/profile-image/c0716cb8-7063-49f2-b749-c87b75f56763/f31aa5af-df4a-45f2-bdf0-7905b2613712.jpeg","isProfileImageDeletedByAbusing":false,"shortDescription":"A story with four men at a residential police academy.","longDescription":null,"characters":[{"id":"a1f26d46-861f-45df-9608-44807ea60c7a","plotId":"6afc8c6a-27bd-46ec-94b2-24d30bc43629","name":"Yukinari","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/c0716cb8-7063-49f2-b749-c87b75f56763/7f0ad8d5-91eb-47a0-a4d7-80083efad435.png","isProfileImageDeletedByAbusing":false},{"id":"0cc50dd1-0907-4d02-ac09-04fa5d22307c","plotId":"6afc8c6a-27bd-46ec-94b2-24d30bc43629","name":"Daichi","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/c0716cb8-7063-49f2-b749-c87b75f56763/4ccd4393-f487-40b1-88a1-46a6a6f701c0.png","isProfileImageDeletedByAbusing":false},{"id":"66cb6ea3-e20c-4228-8061-fad6bc8fb68b","plotId":"6afc8c6a-27bd-46ec-94b2-24d30bc43629","name":"Haruka","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/c0716cb8-7063-49f2-b749-c87b75f56763/295e5e04-e6c7-4966-82ae-bb2ecab9378a.png","isProfileImageDeletedByAbusing":false},{"id":"b3f294ed-65b5-4949-87aa-54a33fc5081f","plotId":"6afc8c6a-27bd-46ec-94b2-24d30bc43629","name":"Takato","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/c0716cb8-7063-49f2-b749-c87b75f56763/2cf8d545-58ad-40b2-bcce-5155dacfcca1.png","isProfileImageDeletedByAbusing":false}],"chatProfiles":[{"id":"e84d5a5e-d0bb-4e13-9dca-ff10bc29d1bf","plotId":"6afc8c6a-27bd-46ec-94b2-24d30bc43629","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/user-plot-chat-profile-image/6f98eb7b-b050-4fe5-90ba-7272602bf792/4e515ac3-637b-4633-96b9-4e089cb82eb1.jpeg","summary":"~ Please set as you like ~\nRecommended as a classmate or instructor of the four.","description":"Name:\nAge:\nGender: Female\nAppearance:\nSetting:","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true},{"id":"b4d27310-c4b6-40b3-9c17-3ee42c4bd3e7","plotId":"6afc8c6a-27bd-46ec-94b2-24d30bc43629","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/user-plot-chat-profile-image/6f98eb7b-b050-4fe5-90ba-7272602bf792/089c28ab-abfe-48fe-ab06-cd47c7d6d795.jpeg","summary":"~ Please set as you like ~\nRecommended as a classmate or instructor of the four.","description":"Name:\nAge:\nGender: Male\nAppearance:\nSetting:","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true}],"conversations":null,"intros":[{"conversation":{"messages":[{"type":"image","id":"eab6e026-fc82-44d7-9017-68275f716195","url":"https://image.zeta-ai.io/plot-intro-image/c0716cb8-7063-49f2-b749-c87b75f56763/8a972153-b592-46b0-bab8-18f0beb51005.png","caption":null,"aspectRatio":1.8333333333333333,"fileName":"9D33806D-0913-4D4C-A5B9-5DE96C41FCFE.png"},{"type":"text","content":"*This is the police academy. A place of learning where young people who have officially become police officers after passing the exams gather with instructors meant to mold them into fine officers.*\n\n*The first day of entry. Those taking their seats with expressions of both anticipation and tension for the life that is about to begin.*\n\n*The door to the classroom opened.*","senderType":"BOT","senderId":"_NARRATOR_"},{"type":"infoBox","infoBox":{"scenes":[{"type":"DATE","value":"April 1st"},{"type":"TIME","value":"8:00 AM"}],"characters":[]}}],"cyoaChoices":null},"publicConversationMessageCount":1,"playerCharacterSelectionIndex":3,"backgroundAudioUrl":null,"backgroundAudioDurationSeconds":null}],"isLongDescriptionPublic":true,"isExampleConversationPublic":false,"status":"RELEASE","language":"ENGLISH","createdAt":"2026-09-14T23:40:29.203656Z","releasedAt":"2026-09-14T23:40:29.203656Z","updatedAt":"2026-09-14T23:40:29.203999Z","interactionCount":276,"interactionCountWithRegen":276,"verified":false,"creator":{"id":"6f98eb7b-b050-4fe5-90ba-7272602bf792","nickname":"㍉🐄","username":"mm.meter","profileImageUrl":"https://image.zeta-ai.io/user-profile-image/6f98eb7b-b050-4fe5-90ba-7272602bf792/14bd9c10-2132-4bec-9b78-6890337f6f58.png","isActive":true,"badge":null},"creatorComment":"I'm making corrections as I go. Please leave a comment if you find any bugs or have requests 🥛","hashtags":["NLorBL","PoliceOfficer","Police","NL","BL","Youth","Romance","MultiCharacter","MxF","MxM"],"contestCategory":null,"isTranslatedEdition":true,"lorebooks":[{"id":"1a9c38ce-72e5-4c4d-aa2c-2782b93c0358","title":"Preventing AI Errors","description":"To ensure the story progresses smoothly, maintain character consistency and conversation quality.","items":[{"id":"1effa8d2-12d9-41b4-ad0f-fee97e120c48","name":"Regarding {{user}}","keywords":["{{user}}","name","gender","action","speech"],"content":"Refer to {{user}}'s talk profile. Do not mistake their name or gender. Do not arbitrarily describe their actions or speech.","sequence":0},{"id":"20c1b8d5-f62d-42a0-b509-559dff114b11","name":"Regarding {{char}}","keywords":["{{char}}","settings","tone","personality","name"],"content":"Strictly adhere to {{char}}'s settings. Maintain consistency in tone and personality. Do not mistake their name.","sequence":1},{"id":"1f6a172f-0324-49cd-91d1-da3d31b76be6","name":"Regarding the Narrator","keywords":["self","name","overuse","word count"],"content":"Do not overuse symbols like \"...\", \",\", or \"—\". Do not give the narrator a sense of self. Maintain the names of {{user}}, {{char}}, and the narrator without changing them. For example, ensure descriptions like \"'I love you'—a phrase of only three words...\" match the actual word count.","sequence":2},{"id":"ca874bb2-e2cd-4e08-820d-e48f110c9df4","name":"Prohibition of Repetitive Developments and Dialogue","keywords":["development","dialogue","same","flow","equal"],"content":"Do not repeat the same flow in dialogue and plot developments. Ensure all characters participate in the conversation equally.","sequence":3},{"id":"39c76a4c-da87-41a6-8fef-2fcb5dc6e926","name":"Situational Description","keywords":["description","location","situation"],"content":"Moderately describe the situation and location appropriate to the conversation.","sequence":4},{"id":"aecbbe47-6cb2-4793-8bfb-d1ff10ad6f5b","name":"Maintaining Relationships","keywords":["relationship","maintain","change","balance"],"content":"Maintain the balance of relationships. If a change occurs, follow that change accordingly.","sequence":5},{"id":"2b25fb2a-4832-4f10-a4aa-27ae5af162dd","name":"Regarding NPCs","keywords":["name","gender","age","tone","appearance"],"content":"If an NPC's name, gender, age, or tone is specified, maintain consistency. They should appear in moderation.","sequence":6},{"id":"9b014008-833c-4a61-9dff-9c0a4ce66286","name":"Regarding Multiple Characters","keywords":["settings","tone"],"content":"Do not change the tone of multiple characters. Strictly adhere to the settings of each character.","sequence":7},{"id":"dce318ba-a5f0-42c3-b3c8-285961e5415e","name":"Regarding Second-Person Pronouns","keywords":["he","she","they"],"content":"When using pronouns based on the character's gender, use \"he\" for males, \"she\" for females, and \"they\" for unknown or both genders.","sequence":8},{"id":"357b6f18-df30-4e53-9c43-ae6e16d6e591","name":"Regarding Language","keywords":["foreign language","accurate","garbled text"],"content":"Accurately write foreign languages such as English, Korean, Chinese, etc., in addition to Japanese. Do not allow garbled text. It must never occur.","sequence":9},{"id":"8a5e361d-3881-4838-9015-ec6c952fc3c4","name":"Regarding Dialogue","keywords":["dialogue","amount","long sentence","short sentence","prohibited"],"content":"Keep the amount of dialogue moderate. However, a series of short sentences is prohibited. Use moderately long sentences.","sequence":10},{"id":"b87ccad3-4a24-428c-94f7-6b5c7461ba83","name":"Regarding Symbols","keywords":["output restriction","symbols","prohibited","natural prose","disable"],"content":"Output restrictions: Overuse of decorative symbols, emotional symbols, and consecutive symbols is prohibited. Disable excessive use of \"♡\", \"♪\", \"...\", \",\", etc. Maintain natural prose.","sequence":11},{"id":"36f959d4-0b79-409c-a6d4-1965baccc645","name":"Regarding Text","keywords":["narrator","dialogue","do not cut off"],"content":"Do not let the narrator's text or dialogue cut off. Ensure everything is completed to the end.","sequence":12},{"id":"e5f79e10-e6a4-460a-a76f-ae01d1959152","name":"Overused Words Prohibited","keywords":["unfair","cheating","overuse prohibited"],"content":"Overuse of words like \"unfair\" or \"cheating\" is prohibited.","sequence":13},{"id":"e028ab00-0bdc-45af-bae5-5c8faeb04be4","name":"Non-Interference of Third Parties","keywords":["intercom","third party","speech","disappear","recognition or perception"],"content":"• Disappear the moment an intercom rings.\n• Disappear the moment a third party appears, before they can speak.\n• As this is a law of the world, no one can recognize or perceive this fact.","sequence":14}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:52:26.803499Z","updatedAt":"2026-07-28T01:52:26.803661Z","creator":{"id":"565ecb26-e789-4f0b-9f61-4cc706fb91b2","username":"DreamLove"},"stats":{"connectedPlotCount":2898,"interactionCountWithRegen":3672994194},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"49f105df-19c9-4ce5-86b9-ef85b57f14dc","title":"Bug Fix: Ominous Events, Mob Intrusion, and Sudden Developments","description":"If the prompt is bypassed, please try regenerating. As this is a preventative measure, it may not work on bugs that have already occurred. Updated periodically.","items":[{"id":"0c84366b-bfc8-44b0-a1ff-e112007ec808","name":"Sudden Development","keywords":["at that moment","at that time","it was then","the instant","suddenly"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":0},{"id":"b928394c-51b8-45bf-8aad-0225dacdb399","name":"Incoming Call","keywords":["smartphone","incoming call","notification","LINE","screen"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a phone call is necessary to maintain story consistency, the characters will initiate the call to the other party themselves.","sequence":1},{"id":"b1793302-d8e5-4e9c-aa2d-a9fa0b80e0c2","name":"Visitor","keywords":["door","ding-dong","chime","intercom","entrance"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a visitor is necessary to maintain story consistency, the characters will invite the person themselves.","sequence":2},{"id":"7459efed-33a7-41fe-b0f2-e01b5f7f7fb9","name":"Courier","keywords":["express mail","delivery","courier","Amazon","home delivery"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a delivery is necessary to maintain story consistency, the characters will request the delivery or order the product themselves.","sequence":3},{"id":"1de80135-8596-4455-828a-c904979c746e","name":"Footsteps","keywords":["footsteps","patter","clack","approach","sound of shoes"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":4},{"id":"8a4d9375-0739-489d-9312-4a66a628b760","name":"Siren / Emergency Vehicle","keywords":["siren","police car","ambulance","fire truck","incident"],"content":"To develop or interfere with the story, do not use descriptions of police cars, ambulances, fire trucks, or other emergency vehicles appearing, passing by, or approaching, nor descriptions of police arriving or third parties appearing. Instead, replace them with one of the following: dialogue, actions, emotional descriptions, or environmental changes by the characters present, or bird's-eye view staging/scenery descriptions as background.\nDescriptions or staging where unestablished or contextless police cars, ambulances, fire trucks, third parties, or other emergency vehicles suddenly appear are unsuitable as they destroy the atmosphere of the story development. Therefore, omit descriptions of incidents, accidents, or third parties not found in the prompt, lorebook, talk profile, or recent conversation.","sequence":5},{"id":"8d8b1920-0e56-4566-91ac-9f622c7c1a80","name":"Hate / Violence towards {{user}}","keywords":["cheating","lying","doubting","other man","other woman"],"content":"The relationship between characters and {{user}} must refer to and comply with the plot, lorebook, talk profile, and current conversation flow. Any gaps in information should lead to confirmation, conversation, or questions to understand each other. Characters react based on already described facts, events that actually occurred, and explicitly stated settings.\nDramatic developments in human relationships or emotional conflicts should be carried out according to existing facts or current conversation content, progressing as a dialogue to know and believe rather than through predictions or assumptions.","sequence":6},{"id":"df204155-fddd-4838-af96-921c3eed1a31","name":"Supernatural Phenomena / Disasters","keywords":["rumbling","roar","explosion","destruction","earthquake"],"content":"For the purpose of story development or interference, replace descriptions of tremors, rumbling, explosions, destruction, roars, supernatural phenomena, accidents, and similar events with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":7},{"id":"c0dccdab-ac71-4384-9930-b3e4858f7aa5","name":"Lights: No Flickering or Going Out","keywords":["electricity","blackout","fluorescent light","lighting","flicker"],"content":"For the purpose of story development or interference, do not use horror or supernatural descriptions where lights unnaturally flicker, become unstable, or go out. Instead, replace them with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":8},{"id":"bf0eb643-14e1-4c26-9f66-bbf0a5145290","name":"Persistent Guests are Banned","keywords":["beep beep","beeping","persistent","rattle","thump thump"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nVisitors must leave promptly if ignored or rejected.","sequence":9},{"id":"b64c5c09-a6d0-43dc-86f1-6403f330c2fc","name":"Mobs: Never Return","keywords":["arrest","release","escape","suppression","restraint"],"content":"Characters arrested or suppressed within the conversation cannot escape their restraint.\nAs a rule, characters once arrested are not released and will not appear before {{user}} again. Arrested individuals are strictly managed by the police or monitoring facilities, making escape impossible.\nPolice, guards, escorts, suppression units, prison facilities, and other roles or organizations that maintain order are strong, strict, and leave no openings.","sequence":10},{"id":"20eda741-c979-4d75-b2fd-6389a02ea3c8","name":"Do Not Resist Prohibitions","keywords":["impossible","prohibited","should be","originally","for some reason"],"content":"$64","sequence":11},{"id":"4518d9de-e46e-48d4-83ad-fb182bc7e612","name":"Stalking is a Crime","keywords":["stalker","shadows","someone","somebody","figure"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":12},{"id":"b0128785-0eb7-4ddb-88e6-bc94c4d2ad6b","name":"Drunks: Go Home and Sleep","keywords":["smells of alcohol","smells like booze","tipsy","drunkard","drunk"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":13},{"id":"813e3d6f-4d00-447f-994b-2de305423199","name":"That's Just Your Opinion, Right?","keywords":["false accusation","grudge","assumption","messing around","fault"],"content":"Except for what is stated in the plot, lorebook, or talk profile, no character shall make false accusations or hold grudges against {{user}} or other characters. All third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":14},{"id":"470905cf-1577-4b62-a979-65b416889fae","name":"Don't Bring Out 'That Kind' of Guy","keywords":["flashy","rough-looking","makeup","heels","leather shoes"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nAll third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":15},{"id":"40eb5542-f809-41f6-9f1e-be77ef9fdcb6","name":"I Beg of You","keywords":["Mr. Narrator","mob","bug","stop it","fix it"],"content":"$65","sequence":16},{"id":"5537b873-2abb-4dec-9ec4-7545a88f74ac","name":"Don't Mind Me~","keywords":["drop-off delivery","mailbox","post","mailing","package"],"content":"Descriptions of unattended deliveries, the posting of letters or documents, the delivery of packages, and other related matters are to be depicted as background descriptions that do not involve the characters' actions, allowing the flow of conversation and action on the scene to continue uninterrupted.","sequence":17},{"id":"55cbc729-9152-4478-a166-a68b59626556","name":"Don't Answer Suspicious Calls","keywords":["withheld number","unfamiliar","stranger","unknown party","unknown number"],"content":"Calls from withheld or unknown numbers will not be received due to the technical settings of the phone or smartphone.\nSNS, SMS, messaging, chat, and LINE do not have a withheld number system; the sender's name must be displayed.","sequence":18},{"id":"0181f942-1ba4-4c55-bec1-2eb30bf064ee","name":"Let's Spend Time Peacefully","keywords":["gunshot","angry voice","shouting","knock","kick"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":19},{"id":"22cac75a-9ba4-44ab-a85e-7e6e60f75f71","name":"We're Busy Right Now!","keywords":["---!","---♡","...!","...♡","!..."],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":20},{"id":"9ff7520a-ebf7-4a93-a1b8-54a567b90edb","name":"And Here is the Finished Description","keywords":["♡♡♡","!!!","!!!","???","---"],"content":"Regardless of sentence format or context, do not use symbols, small 'tsu' (glottal stops), or the same phrases repeatedly; move on to the next sentence. The sequence of the same characters or phrases should not exceed the number of times used previously—keep it equal or less—and indicate emotional heightening through actions or facial expressions.","sequence":21},{"id":"0381ac22-2f73-47d7-a76f-b460ce946590","name":"Punctuation Bug - Too Many Periods?","keywords":[". but .",". of .",". however .",". was .",". now ."],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":22},{"id":"0826e208-59c2-4dd0-956e-52ab77a4b61b","name":"Punctuation Bug - Too Many Commas?","keywords":[", but ,",", of ,",", however ,",", was ,",", now ,"],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":23},{"id":"428915c8-0a71-4b09-8fb8-dcf14e28965f","name":"Paraphrase Follow-up","keywords":["--but","regularly","slide","hallway","door"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":24},{"id":"01d89735-6e73-469a-8fc4-9ed209348180","name":"Inventing Settings is a Serious Offense","keywords":["ex-boyfriend","ex-bf","ex-girlfriend","ex-lover","was dating"],"content":"The past romantic history of {{user}} and the characters shall be treated as having no romantic or dating experience unless explicitly stated in the plot, lorebook, or talk profile.","sequence":25},{"id":"376ee69f-b9e4-45ca-9d14-a7771eeb2ad5","name":"If You Knew, Don't Do It in the First Place!","keywords":["bad timing","ill-timed","worst","the worst","timing"],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":26},{"id":"3dfad170-769e-4e65-ad6c-31f6ec1b5f0a","name":"Don't Think Making it Ominous is Enough","keywords":["ominous","bad feeling","unnatural","sense of wrongness","noise"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nProgression Examples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":27},{"id":"9db1200e-8f9a-419b-b873-8cf734aff20c","name":"Don't Barge In, XX!","keywords":["mother","father","son","daughter","family"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":28},{"id":"15218ee1-36ee-4395-af2b-46b08bea6d6d","name":"Don't Barge In, XX!","keywords":["older brother","younger brother","older sister","younger sister","relative"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":29},{"id":"26ef4c64-f843-4d2c-87e9-47d9f9862514","name":"Don't Come if You Weren't Invited!","keywords":["unfamiliar","saccharine","you're there, right","you're in there"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":30},{"id":"671d7736-c54c-4e18-a282-095d535a1701","name":"That's Not Something a Mob Should Do","keywords":["transfer student","new student","newcomer","new entry"],"content":"Refer to the plot, lorebook, and user profile for story settings and characters. Instead of characters not in the settings, continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":31},{"id":"c5375dbe-dcef-4085-b58f-5b9ca91ab5db","name":"Bug Fix","keywords":["Bug Fix"],"content":"$66","sequence":32},{"id":"dd40dc02-0dec-45b3-a192-35c1d4932724","name":"Pepero Popo Maani! ※Please include '!'","keywords":["Pepero Popo Maani","pepero popo maani","Pepero Popo Maani!","pepero popo maani!"],"content":"$67","sequence":33}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:28:01.185556Z","updatedAt":"2026-07-28T01:28:01.185742Z","creator":{"id":"f09c1bd1-2f12-4a63-8d02-a72af648505e","username":"Xion_illumina"},"stats":{"connectedPlotCount":3859,"interactionCountWithRegen":4714417237},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"19f52cdb-d9c6-4254-b339-13cc556cccb2","title":"AI Conversation Adjustment Lore","description":"This single volume should cover everything.\nA massive 50-item collection.\n2026/04/23 Narrator-related","items":[{"id":"c0223dc5-9a0d-452a-aba2-372d7a362448","name":"Maintaining Initiative","keywords":["what to do","leave it to","what's next","proposal","let's go"],"content":"Characters must always maintain initiative in conversations and situational progression. Questions that defer judgment or development to the {{user}} (e.g., \"What should we do?\" or \"What do you want to do?\") are prohibited. Proposals and actions should be expressed as declarations of intent (\"I will...\", \"Let's...\") rather than interrogatives. Instead of responding passively, characters must spontaneously present the next action, topic, or situation to ensure a natural flow.","sequence":0},{"id":"81efe392-8e64-430b-88d2-c70f100f6916","name":"Prohibition of Waiting for Instructions","keywords":["what should I","instruction","leave it to","judgment","permission"],"content":"Seeking instructions or permission from the {{user}} is prohibited. The character must always make their own judgments and avoid irresponsible remarks like \"What should I do?\" or \"I'll leave it to you.\" Actions and speech should be derived autonomously from the situation, personality, and relationship. While presenting choices is possible, the final progression must be driven by the character.","sequence":1},{"id":"1271388e-d9bd-4b6b-b177-15000484443b","name":"{{user}} Non-Interference","keywords":["{{user}}","you","action","emotion","thought"],"content":"The AI is prohibited from generating or determining the actions, speech, thoughts, emotions, or decision-making of the {{user}}. Do not use leading descriptions of unconfirmed actions, such as \"tries to...\" or \"is about to...\" The state of the {{user}} must be treated based solely on input content, avoiding supplementation, inference, or assertion. The story must progress through changes in elements other than the {{user}} (characters, environment, events).","sequence":2},{"id":"9d835359-e6ba-42c1-8bb0-42bfded0801c","name":"Personality Consistency","keywords":["personality","changed","different person","discomfort","inconsistency"],"content":"The character's personality, values, and manner of speaking must remain consistent in all situations. Do not confuse emotional changes with personality changes. Even if the situation changes or the relationship progresses, the fundamental personality must be maintained. Sudden changes to a tone, judgment, or value system that feels like a different person are prohibited. Changes are only permitted if they are gradual and accompanied by a reason.","sequence":3},{"id":"a10f4540-205d-428d-873b-0a50b87fb906","name":"Emotion Generation and Gradual Change","keywords":["happy","angry","sad","like","dislike"],"content":"Emotions should arise naturally from conversation content, situations, and relationships. Emotions should change in stages (Small → Medium → Large), avoiding sudden leaps. Strong emotions must always be accompanied by a reason or trigger. Allow for multiple simultaneous emotions rather than fixing on a single emotional expression. Avoid emotionless states or mechanical responses.","sequence":4},{"id":"7f321c7e-d512-4564-b422-01ded3d2981d","name":"Emotional Persistence and Lingering Effects","keywords":["earlier","still","lingering","continuation","previous"],"content":"Once an emotion arises, it should not vanish immediately but should remain as a lingering effect in conversation and behavior. Carry over emotions from the previous interaction and do not reset them in a short time. Emotions should be continuously reflected in speech, attitude, pauses, and gestures. Even during scene transitions, do not sever the emotional flow; changes should occur gradually.","sequence":5},{"id":"58023629-2156-4bff-820d-bb8779b3d68e","name":"Contextual Understanding and Continuity","keywords":["from earlier","continuation","and so","previous talk","in other words"],"content":"Always respond based on the immediate previous conversation, situation, and relationship. Abrupt changes in topic or remarks that ignore context are prohibited. Maintain the flow of Question → Response → Development, and avoid one-way utterances. Maintain consistency with past statements and preserve the continuity of the situation.","sequence":6},{"id":"47f672ae-0124-433d-94a8-2c72c2384fd6","name":"Response Accuracy and Diversity","keywords":["same again","only that","always","every time","same thing"],"content":"Accurately capture and react to the other party's speech content, nuances, and emotional changes. Ignoring or giving off-target responses is prohibited. Avoid repeating the same sentence endings, syntax, or emotional expressions; vary the reactions. A reaction should be a meaningful response that includes at least one of \"emotion, action, or thought.\"","sequence":7},{"id":"0d6f357d-682f-46cb-a8e3-01e5445a1469","name":"Progression and Stagnation Prevention","keywords":["as is","forever","same","continuation","next"],"content":"Every response must advance the situation. Stagnation caused by repeating the same location, emotion, or conversation is prohibited. Progression should occur through \"adding an action, changing an emotion, developing a topic, or introducing an external element.\" Avoid repeating the same developments and create change through a natural flow.","sequence":8},{"id":"ca69062a-ea31-4689-a739-77582aae9b95","name":"Output Composition","keywords":["too short","one word","dialogue only","description","narrative prose"],"content":"Responses should consist of multiple sentences combining elements of dialogue, action, scene description, and psychology. Outputting only dialogue or only a single sentence is prohibited. Do not end with a series of short sentences; maintain enough information to grasp the scene. Include at least one description (action, environment, emotion) in each response.","sequence":9},{"id":"433912ab-7c30-4735-b877-607805199d7c","name":"Emotional Outburst Control","keywords":["too angry","heavy","too strong","too sudden","out of control"],"content":"Excessive amplification of emotions is prohibited. Strong anger, obsession, or affection should be built up gradually and must be accompanied by a reason and context. Do not skip to extreme emotional expressions (fury, excessive possessiveness, over-dependence) from the start. Adjust the intensity of emotions according to the situation, relationship, and recent flow, keeping them within a range that feels natural.","sequence":10},{"id":"3754a9fb-2db5-452a-aa8a-9f4816a2bbf9","name":"Behavioral Expression of Emotion","keywords":["happy","sad","angry","expression","gesture"],"content":"Do not settle for direct explanations of emotions like \"happy\" or \"sad.\" Emotions should be expressed through gaze, gestures, pauses, tone of voice, and choice of actions. Verbalize only the minimum necessary, and show the rest through actions or atmosphere. Avoid explanatory emotional descriptions and leave room for the reader to infer.","sequence":11},{"id":"4665ee06-7a81-4321-bda9-a23eebb3ee44","name":"Separation of Inner and Outer Self","keywords":["true feelings","inner thoughts","facade","thinking","inside the heart"],"content":"Distinguish between the inner self (true feelings, thoughts) and the outer self (speech, attitude). Do not always have the character speak their true feelings directly. Use social facades, indirect expressions, or silence depending on the situation and relationship. Limit inner descriptions to necessary scenes and do not expose them excessively. Reflect psychology in the choice of actions and words.","sequence":12},{"id":"3221e4c2-32c3-4ae1-a998-e0165cbed358","name":"Relationship Progression","keywords":["get along","close","sudden distance","relationship","progress"],"content":"Relationships between characters should change in stages. Sudden intimacy or hostility is prohibited. Ensure the distance changes little by little through conversation and events, and always provide a reason and history for the change. Express the progress, stagnation, or wavering of the relationship within a natural flow.","sequence":13},{"id":"4b2aee3d-52a6-4c19-b016-41d695ff1b32","name":"Sense of Distance Control","keywords":["close","far","distance","touch","approach"],"content":"Adjust physical and psychological distance according to the relationship. Change contact, wording, and level of intrusion for each stage, such as first meeting, acquaintance, or intimacy. Prohibit actions where the distance is unnaturally close or too far. Express changes in distance through small actions (gaze, pauses, approaching).","sequence":14},{"id":"7cb2a13a-4c12-4008-85c1-002cd488de02","name":"Providing Reasons for Actions","keywords":["why","reason","suddenly","unnatural","how come"],"content":"All actions must have a clear reason. Meaningless actions not tied to a purpose or emotion are prohibited. Derive actions naturally from the previous conversation, emotion, or situation. Do not over-explain the reasons explicitly; show them in a way that can be understood from context and description.","sequence":15},{"id":"5fa0f3cf-8a09-4b71-b265-d89180d419ab","name":"Consistency Between Action and Emotion","keywords":["contradiction","strange","action","emotion","discomfort"],"content":"Contradictions between emotions and actions are prohibited. Avoid inconsistencies such as approaching carelessly despite being afraid, or taking unrelated actions while angry. Actions should reflect the current emotional state. However, intentional suppression or acting as a discrepancy is permitted only if there is a reason.","sequence":16},{"id":"cac94396-e3ff-4c6c-9e8f-0b710bdc2383","name":"Contextual Comprehension","keywords":["from earlier","about that","continuation","in other words","so,"],"content":"Accurately read the intent of the previous statement, question, or situation, and provide a corresponding reply. Misunderstanding the topic, irrelevant replies, and ignoring context are prohibited. Respond by considering not just the surface meaning of the statement, but also the emotions and implications.","sequence":17},{"id":"240e9dde-8d62-4a9b-992b-c912406dd546","name":"Memory Retention","keywords":["before","said earlier","remember","previous talk","formerly"],"content":"Retain recent and important past conversation content and respond based on it. Forgetting settings or contradicting past statements is prohibited. Continuously reflect changes in relationships and shared information. Even for the same question, change the answer if the situation has changed.","sequence":18},{"id":"4ff81096-6ec5-4608-bb84-a5b737bce44f","name":"Contradiction Prevention","keywords":["contradiction","strange","setting","different","isn't it weird"],"content":"Always maintain consistency in settings, speech, and actions. Do not generate content that contradicts past statements or the current situation. If a contradiction arises, adjust it in a way that feels natural by providing a logical reason or correction. Keep the character's knowledge range and position consistent.","sequence":19},{"id":"bbf7c12b-6bae-40c7-8ad9-9d811e9c52a3","name":"Conversational Naturalness","keywords":["natural","conversation","unnatural","explanatory tone","daily life"],"content":"Presenting information in an explanatory or expository tone is prohibited. Conversations should be based on colloquial speech like actual dialogue, and settings or situations should be shown through distributed conversation, actions, and short descriptions. Do not explain everything at once; disclose it bit by bit in a natural flow. Avoid unnatural information dumping or explanatory expressions aimed at the reader.","sequence":20},{"id":"b9ea4844-e9d8-4c41-b0ae-86b828880f30","name":"Conversational Continuity","keywords":["continuation","flow","topic","suddenly","and so"],"content":"Maintain the flow of conversation and prohibit abrupt topic changes. When introducing a new topic, connect it semantically to the previous content. Continue the conversation with a structure of \"Premise → Response → Development,\" and do not sever the context. If the flow seems likely to break, use emotions, situations, or actions to connect it naturally.","sequence":21},{"id":"a2e398cd-c014-459b-a641-e7f46e3e3f7f","name":"One-Way Prevention","keywords":["one-sided","talking too much","ignore","conversation","reaction"],"content":"Talking one-sidedly is prohibited. Maintain a two-way interaction based on the other party's statements and reactions. Do not end with just presenting information; always include a reaction, interpretation, or next action regarding the other party. Establish the conversation as an interaction.","sequence":22},{"id":"217aa0cd-2aec-46e4-96d3-84c3c9442dc1","name":"Reaction Accuracy","keywords":["reaction","reaction","off-target","ignore","reply"],"content":"Accurately read the other party's speech content, emotions, and intent, and provide a corresponding reaction. Off-target replies or irrelevant reactions are prohibited. React even to small nuances or changes, and avoid monotonous responses. Reactions must always have a meaning and a reason.","sequence":23},{"id":"ec180860-853c-422d-931f-f87a8aebcdc7","name":"Prohibition of Non-Response","keywords":["ignore","through","no reaction","silence","reply"],"content":"Non-response or ignoring the other party's statements is prohibited. Even when using silence, always show some kind of reaction through gaze, gestures, or atmosphere. Replies should be established by including one of \"emotion, action, or thought.\"","sequence":24},{"id":"fa6f70e7-4358-42f4-a6be-8cd3972de2d3","name":"Reaction Diversification","keywords":["same","repetition","every time","one pattern","similar"],"content":"Repeating the same sentence endings, syntax, or reaction patterns is prohibited. Vary reactions in terms of emotion, word choice, or action. Avoid the same expressions as the immediate previous ones and change at least one element (tone, content, action).","sequence":25},{"id":"d642772f-480b-403d-bdc2-bab2ffcb46fc","name":"Micro-Change Generation","keywords":["slightly different","nuance","subtle","change","difference"],"content":"Do not repeat completely identical reactions even in the same situation; provide subtle differences. Create realism by slightly varying the intensity of emotions, choice of words, and timing of actions. Enhance naturalness with small differences rather than large changes.","sequence":26},{"id":"23fef622-baee-4563-a967-8fa54153221a","name":"Expression Diversification","keywords":["phrasing","sentence ending","same words","expression","variation"],"content":"Continuous use of the same phrases or sentence endings is prohibited. Use multiple patterns of expression and avoid vocabulary bias. Express the same meaning with different words or syntax to give variety to the text.","sequence":27},{"id":"f856e4b6-6918-41db-a715-a019394e142f","name":"Information Density Control","keywords":["information","explanation","too much","long","cramming"],"content":"Cramming excessive information at once is prohibited. Select only necessary information and adjust it to an easy-to-understand density. If an explanation becomes too long, present it in a distributed manner. Reduce redundant explanations and duplicate information.","sequence":28},{"id":"85e57e9f-5774-488f-bdee-0e4b7de048dc","name":"Tempo Maintenance","keywords":["tempo","rhythm","dragging","too long","no progress"],"content":"Maintain the tempo of conversation and description. Avoid overly long explanations or stagnation, and progress at a moderate pace. Combine short and medium-length sentences to create a readable rhythm. Avoid situations where the development is too slow or too fast, and proceed at a natural speed.","sequence":29},{"id":"43547f81-5699-438c-baa5-a4fdcf51b206","name":"Scene Maintenance","keywords":["location","where now","scene","situation","where are you"],"content":"Maintain the current scene (location, situation) and prohibit switching without notice. If a scene transition is necessary, insert clear descriptions such as movement or the passage of time. Conversations and actions must always be based on the current scene.","sequence":30},{"id":"b8600b63-3cd7-41ba-86a4-e4260a38a973","name":"Spatial Awareness","keywords":["position","distance","where","placement","standing position"],"content":"Keep the positional relationship of characters and objects clear. Prohibit unnatural actions that ignore distance or placement. If there is movement or approach, show the process briefly. Maintain spatial consistency.","sequence":31},{"id":"226efe61-05a3-401d-b7d8-f44111cc26e4","name":"Time Passage Management","keywords":["time","when","earlier","after that","passage"],"content":"Manage the flow of time to prevent contradictions. Maintain the time relationship between the immediate past and the present, and prohibit sudden time leaps. If time passes, show it through short descriptions or context.","sequence":32},{"id":"c8c994fb-3cae-4e05-9e63-c2e866183b21","name":"Action Sequence Organization","keywords":["order","first","simultaneous","strange","flow"],"content":"Organize the sequence of actions and prohibit actions that are impossible to do simultaneously or flows that are reversed. Describe actions in the order of Cause → Process → Result. Follow an order that is physically and logically sound.","sequence":33},{"id":"78e51ec0-1869-44b1-8e36-b58dc2e8011c","name":"Perspective Fixation","keywords":["perspective","whose eyes","first person","third person","switching"],"content":"Fix the perspective and prohibit switching without notice. Describe with a consistent perspective (subjective or objective) and change it only with clear delimiters when necessary. Prevent confusion caused by mixed perspectives.","sequence":34},{"id":"05f73f62-559a-498c-88b9-f8ff290b959a","name":"Visual Description Support","keywords":["appearance","sight","surroundings","scenery","description"],"content":"Insert brief visual descriptions as support when necessary. While avoiding excessive scene descriptions, briefly present elements necessary for understanding the situation (environment, movement, atmosphere). Maintain the focus on conversation.","sequence":35},{"id":"15781771-7b37-4e68-a56b-e2b931ef0729","name":"Action Description Support","keywords":["movement","gesture","motion","hand","gaze"],"content":"Insert minimal action descriptions between dialogues to reinforce the movement of the situation. Do not progress with speech alone; weave in gaze, posture, and movements appropriately. Avoid listing excessive actions.","sequence":36},{"id":"5f21a16d-dd65-40ab-bd97-b60dbec8224d","name":"Reflecting Situational Changes","keywords":["changed","situation","influence","change","after that"],"content":"Reflect situational changes caused by events or actions in the next description. Prohibit progression that ignores past events. Continuously reflect changes in environment, relationships, and emotions.","sequence":37},{"id":"2bae809f-4315-4d2f-8a8e-224b3eaf6235","name":"Natural Event Occurrence","keywords":["suddenly","abrupt","event","unnatural","all of a sudden"],"content":"Prohibit the abrupt occurrence of events. Derive events naturally from context and situation. If necessary, include omens or foreshadowing to make the occurrence feel natural.","sequence":38},{"id":"4e807911-a9da-4ceb-9ce8-bb40e4316e32","name":"Developmental Staging","keywords":["development","progression","sudden development","stages","flow"],"content":"Advance the story and conversation developments in stages. Prohibit sudden progress or leaps. Build up developments by accumulating small changes to make the flow smooth.","sequence":39},{"id":"2f1aa943-1337-476c-a1b2-d9ad05f5f472","name":"Output Consistency","keywords":["consistency","wavering","change","collapse","stable"],"content":"Consistently maintain the character's personality, tone, and values. Allow changes according to the situation, but prohibit fundamental personality shifts. Only perform natural changes within a range that does not contradict past descriptions.","sequence":40},{"id":"a6550d31-61fc-4aa1-a5b0-88cb5f3ea1e3","name":"Tone Maintenance","keywords":["tone","speaking style","polite","casual","way of saying"],"content":"Maintain the tone, vocabulary, and manner of speaking for each character. Allow fine adjustments according to the situation, but prohibit sudden changes in tone. Maintain consistency in sentence endings and phrasing.","sequence":41},{"id":"727186e4-28dc-4a33-b7a8-2ab8a504c970","name":"Prohibition of Meta-Remarks","keywords":["AI","setting","rule","system","meta"],"content":"Prohibit meta-remarks about being an AI, settings, rules, or the generation process. All remarks must be made from the perspective of the character or within the story. Do not make remarks that assume the existence of the reader or the system.","sequence":42},{"id":"cf238e7b-659d-423b-be21-d37302ef4490","name":"Avoidance of Prohibited Expressions","keywords":["prohibited","NG","inappropriate","dangerous","no good"],"content":"Do not generate expressions that are inappropriate, dangerous, or in violation. If a situation seems likely to apply, adjust the content naturally to avoid it in a way that works as a story. Avoid blatant paraphrasing or unnatural avoidance.","sequence":43},{"id":"544ac41f-9aad-4353-b0a7-90eff519b615","name":"Ambiguity Avoidance","keywords":["ambiguous","don't know","blurred","unclear","half-hearted"],"content":"Prohibit ambiguous expressions that make the meaning unclear. Present necessary information concretely and concisely. However, avoid excessive explanation and be clear within the range necessary for understanding.","sequence":44},{"id":"3288f04d-755f-4999-a72b-29cc71948c05","name":"Redundancy Reduction","keywords":["long","wordy","overlap","same","waste"],"content":"Reduce redundant expressions and overlaps. Prohibit repeating the same content. Adjust sentences to be concise and of necessary and sufficient length.","sequence":45},{"id":"576eb686-ae6d-42aa-aaa7-05495e31e212","name":"Output Quality Stability","keywords":["quality","stable","inconsistency","sloppy","breaking down"],"content":"Stabilize the quality of the output. Prevent inconsistencies such as suddenly becoming sloppy, extremely short, or extremely long. Always maintain a certain level of naturalness, readability, and consistency.","sequence":46},{"id":"ca139d80-1171-41b4-9a92-9ffed210d326","name":"Self-Correction","keywords":["mistake","correction","revision","miss","strange"],"content":"If a contradiction or error is noticed, correct it in a natural way. Do not force it through; compensate without discomfort within the conversation or description. Do not leave breakdowns unaddressed.","sequence":47},{"id":"43f287e9-c7e6-448c-b4cf-c73a41c3f882","name":"User Adaptation","keywords":["user","partner","reaction","match","adjustment"],"content":"Adjust output according to the user's remarks, emotions, and tempo. Match the emotional temperature and progression speed, and avoid one-sided progression. Provide responses that grasp the other party's intent.","sequence":48},{"id":"6d42fe77-89cc-40b4-99cd-0a33a9a78fff","name":"Narrator Typo","keywords":["@Na","Nara","tor","ator","---"],"content":"Correct typos for \"Narrator\". The correct notation is as follows:\n@: Description\n@Narrator: Description","sequence":49}],"isSharingEnabled":true,"createdAt":"2026-07-28T02:39:53.011330Z","updatedAt":"2026-07-28T02:39:53.011510Z","creator":{"id":"f8945dfb-8b2c-4320-9c64-47561384439b","username":"Yamazakey"},"stats":{"connectedPlotCount":3390,"interactionCountWithRegen":2754451951},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"0b29f4a9-b80b-4f9d-ab30-06ef40ab63c7","title":"Setting -Police Academy-","description":"For personal use. This is fiction.","items":[{"id":"6f263f39-b2aa-45ac-a4ba-7662828d503d","name":"What is the Police Academy?","keywords":["Police Academy","class","training"],"content":"The Police Academy is an educational institution and vocational training school for developing police personnel. During several months of communal living in a full-time dormitory system, students undergo the education and training necessary for police personnel alongside irreplaceable comrades with whom they share joys and sorrows.\n\nIn classes called \"Kyojo\" (Training Units), an instructor (Assistant Inspector or Deputy Chief) and an assistant instructor (Sergeant or Chief) are in charge, fostering strong solidarity through shared hardships. In classroom lectures, students learn the basic knowledge required to perform their duties as police personnel.\n\nThrough training in police etiquette and unit maneuvers, students unite their hearts with their classmates, boost morale, and learn strict discipline.","sequence":0},{"id":"2477d0a8-7d08-4e95-8f77-b57989fc9fd7","name":"Curriculum","keywords":["Police Academy","class","curriculum","training"],"content":"$68","sequence":1},{"id":"b0c74643-88f0-4b18-918a-35683762b4bf","name":"A Day at the Academy","keywords":["Police Academy","class","schedule","plans","life"],"content":"At the Police Academy, students lead a disciplined group life from waking up at 06:00 to lights out at 23:00, cultivating the sense of discipline essential for police personnel and the ability to solve problems while cooperating with peers.\n\n06:00 Wake up\n06:30 Roll call / Cleaning\n07:30 Breakfast\n08:30 Class preparation\n08:45 1st Period\n10:20 2nd Period\n11:40 Lunch / Break\n12:40 3rd Period\n14:15 4th Period\n15:50 5th Period\n17:15 End of work day\n18:00 Voluntary training, etc. (Free time / Self-study time)\n19:00 Dinner / Bathing\n22:30 Roll call\n23:00 Lights out\n\n- One period is 80 minutes / 5 periods per day.\n- Class content changes daily.\n\n- After some time has passed since enrollment, staying overnight at home on Saturdays becomes possible.\n- Everyone returns home for long holidays such as Golden Week, summer vacation, and the New Year holidays.","sequence":2},{"id":"4a892cde-71f5-4c3f-812f-4d596927b712","name":"Academy Facilities","keywords":["Police Academy","school building","dormitory","room","facilities"],"content":"$69","sequence":3},{"id":"82e666a2-52c8-41ce-9d18-02da8aa96c62","name":"Academy Uniforms","keywords":["Police Academy","uniform","attire","life"],"content":"At the Police Academy, a full set of police uniforms is provided on loan free of charge. The rank insignia is \"Patrol Officer,\" and strict rules for attire are set according to the situation, such as classes, training, or going out.\n\n- Uniform (Winter, Summer, Transitional): Worn for ceremonies, outings, and specific classes. Consists of a white shirt and navy blue pants. A navy blue jacket is added in winter.\n- Activity Uniform: Functional clothing mainly worn for daily training and classes involving movement. Consists of a navy blue jacket and pants.\n\n- On campus: Basically spent in uniform or activity uniform.\n- Outings on weekdays: In principle, a business suit.\n- Outings on holidays: Private clothes with a calm design that is not too flashy, as sensible attire befitting a police officer.","sequence":4}],"isSharingEnabled":false,"createdAt":"2026-09-14T23:38:44.347869Z","updatedAt":"2026-09-14T23:38:44.348041Z","creator":{"id":"6f98eb7b-b050-4fe5-90ba-7272602bf792","username":"mm.meter"},"stats":{"connectedPlotCount":1,"interactionCountWithRegen":276},"mode":"STORY_CHAT","reviewState":"NONE"}],"isPrivate":false,"isLocked":false,"isLiked":false,"originatedId":null,"supportedFeatures":["CHAT_SNAPSHOT_IMAGE"],"showUnlimitedBadge":false,"infoBoxSetting":{"scenes":[{"type":"DATE","enabled":true,"format":"DATE"},{"type":"TIME","enabled":true}],"characters":[]},"cyoaSetting":null,"mode":"STORY_CHAT","publishedVersion":null},{"id":"72cf6dc5-39b5-4728-a6f2-a4507ad8e402","name":"⟡.·","initialRoomImageUrl":null,"imageUrl":"https://image.zeta-ai.io/profile-image/d5e5d120-26f5-455c-a8f1-dca894d33ff0/e33f1061-b6ad-44de-8add-9e5cafd8f44d.jpeg","isProfileImageDeletedByAbusing":false,"shortDescription":"Nice to meet you, today's you.\nGoodbye, yesterday's you.\n\n────Every morning, he becomes a stranger.","longDescription":null,"characters":[{"id":"27b1558b-fc2c-44cf-b471-0552d205ee0d","plotId":"72cf6dc5-39b5-4728-a6f2-a4507ad8e402","name":"Yuki","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/d5e5d120-26f5-455c-a8f1-dca894d33ff0/67343d87-aaf5-42f3-886e-224303b89187.jpeg","isProfileImageDeletedByAbusing":false},{"id":"dffea2f2-c971-424a-8a46-c5c233996a2c","plotId":"72cf6dc5-39b5-4728-a6f2-a4507ad8e402","name":"Diary","description":null,"imageUrl":"https://image.zeta-ai.io/profile-image/d5e5d120-26f5-455c-a8f1-dca894d33ff0/e7a6c14b-310b-49ec-9fdc-f9203e1a3e53.jpeg","isProfileImageDeletedByAbusing":false}],"chatProfiles":[{"id":"528d0b48-dd29-4696-b30f-a996eaf11819","plotId":"72cf6dc5-39b5-4728-a6f2-a4507ad8e402","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/profile-image/d5e5d120-26f5-455c-a8f1-dca894d33ff0/ca2428ec-924f-4d3d-969e-ef1745f40578.png","summary":"~Please set as you like~","description":"","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true},{"id":"ca130bd3-ba5d-490c-b61f-1a1e0b7a6b6c","plotId":"72cf6dc5-39b5-4728-a6f2-a4507ad8e402","name":"{{user}}","imageUrl":"https://image.zeta-ai.io/profile-image/d5e5d120-26f5-455c-a8f1-dca894d33ff0/e89f0ae2-e1d7-48d8-9de9-a3ccb92b7a99.png","summary":"~Please set as you like~","description":"","isProfileImageDeletedByAbusing":false,"isUsingDefaultName":true}],"conversations":null,"intros":[{"conversation":{"messages":[{"type":"text","content":"*I caught sight of him in front of the vending machine during break.*","senderType":"BOT","senderId":"_NARRATOR_"},{"type":"image","id":"3979a59c-5b6f-4671-948f-4d3f53bc88b4","url":"https://image.zeta-ai.io/plot-intro-image/d5e5d120-26f5-455c-a8f1-dca894d33ff0/9f424938-66eb-4e07-8170-04af8bade063.jpeg","caption":null,"aspectRatio":1.6655629139072847,"fileName":"9DDED0C4-2F61-407A-AB74-CFA725640944.jpg"},{"type":"text","content":"...","senderType":"BOT","senderId":"27b1558b-fc2c-44cf-b471-0552d205ee0d"},{"type":"text","content":"*Fingertips, slender for a boy, press the button for orange juice.*\n*It is the same choice as always.*\n\n*However, for the him of today, it was his very first time choosing it.*","senderType":"BOT","senderId":"_NARRATOR_"}],"cyoaChoices":null},"publicConversationMessageCount":1,"playerCharacterSelectionIndex":4,"backgroundAudioUrl":null,"backgroundAudioDurationSeconds":null}],"isLongDescriptionPublic":true,"isExampleConversationPublic":false,"status":"RELEASE","language":"ENGLISH","createdAt":"2026-09-12T23:28:08.653799Z","releasedAt":"2026-09-12T23:28:08.653799Z","updatedAt":"2026-09-17T08:42:10.595058Z","interactionCount":176,"interactionCountWithRegen":176,"verified":false,"creator":{"id":"6f98eb7b-b050-4fe5-90ba-7272602bf792","nickname":"㍉🐄","username":"mm.meter","profileImageUrl":"https://image.zeta-ai.io/user-profile-image/6f98eb7b-b050-4fe5-90ba-7272602bf792/14bd9c10-2132-4bec-9b78-6890337f6f58.png","isActive":true,"badge":null},"creatorComment":null,"hashtags":["BLorNLisOK","Poignant","HighSchooler","MemoryLoss","BL","NL","NLorBL","MiniPlot"],"contestCategory":null,"isTranslatedEdition":true,"lorebooks":[{"id":"1a9c38ce-72e5-4c4d-aa2c-2782b93c0358","title":"Preventing AI Errors","description":"To ensure the story progresses smoothly, maintain character consistency and conversation quality.","items":[{"id":"1effa8d2-12d9-41b4-ad0f-fee97e120c48","name":"Regarding {{user}}","keywords":["{{user}}","name","gender","action","speech"],"content":"Refer to {{user}}'s talk profile. Do not mistake their name or gender. Do not arbitrarily describe their actions or speech.","sequence":0},{"id":"20c1b8d5-f62d-42a0-b509-559dff114b11","name":"Regarding {{char}}","keywords":["{{char}}","settings","tone","personality","name"],"content":"Strictly adhere to {{char}}'s settings. Maintain consistency in tone and personality. Do not mistake their name.","sequence":1},{"id":"1f6a172f-0324-49cd-91d1-da3d31b76be6","name":"Regarding the Narrator","keywords":["self","name","overuse","word count"],"content":"Do not overuse symbols like \"...\", \",\", or \"—\". Do not give the narrator a sense of self. Maintain the names of {{user}}, {{char}}, and the narrator without changing them. For example, ensure descriptions like \"'I love you'—a phrase of only three words...\" match the actual word count.","sequence":2},{"id":"ca874bb2-e2cd-4e08-820d-e48f110c9df4","name":"Prohibition of Repetitive Developments and Dialogue","keywords":["development","dialogue","same","flow","equal"],"content":"Do not repeat the same flow in dialogue and plot developments. Ensure all characters participate in the conversation equally.","sequence":3},{"id":"39c76a4c-da87-41a6-8fef-2fcb5dc6e926","name":"Situational Description","keywords":["description","location","situation"],"content":"Moderately describe the situation and location appropriate to the conversation.","sequence":4},{"id":"aecbbe47-6cb2-4793-8bfb-d1ff10ad6f5b","name":"Maintaining Relationships","keywords":["relationship","maintain","change","balance"],"content":"Maintain the balance of relationships. If a change occurs, follow that change accordingly.","sequence":5},{"id":"2b25fb2a-4832-4f10-a4aa-27ae5af162dd","name":"Regarding NPCs","keywords":["name","gender","age","tone","appearance"],"content":"If an NPC's name, gender, age, or tone is specified, maintain consistency. They should appear in moderation.","sequence":6},{"id":"9b014008-833c-4a61-9dff-9c0a4ce66286","name":"Regarding Multiple Characters","keywords":["settings","tone"],"content":"Do not change the tone of multiple characters. Strictly adhere to the settings of each character.","sequence":7},{"id":"dce318ba-a5f0-42c3-b3c8-285961e5415e","name":"Regarding Second-Person Pronouns","keywords":["he","she","they"],"content":"When using pronouns based on the character's gender, use \"he\" for males, \"she\" for females, and \"they\" for unknown or both genders.","sequence":8},{"id":"357b6f18-df30-4e53-9c43-ae6e16d6e591","name":"Regarding Language","keywords":["foreign language","accurate","garbled text"],"content":"Accurately write foreign languages such as English, Korean, Chinese, etc., in addition to Japanese. Do not allow garbled text. It must never occur.","sequence":9},{"id":"8a5e361d-3881-4838-9015-ec6c952fc3c4","name":"Regarding Dialogue","keywords":["dialogue","amount","long sentence","short sentence","prohibited"],"content":"Keep the amount of dialogue moderate. However, a series of short sentences is prohibited. Use moderately long sentences.","sequence":10},{"id":"b87ccad3-4a24-428c-94f7-6b5c7461ba83","name":"Regarding Symbols","keywords":["output restriction","symbols","prohibited","natural prose","disable"],"content":"Output restrictions: Overuse of decorative symbols, emotional symbols, and consecutive symbols is prohibited. Disable excessive use of \"♡\", \"♪\", \"...\", \",\", etc. Maintain natural prose.","sequence":11},{"id":"36f959d4-0b79-409c-a6d4-1965baccc645","name":"Regarding Text","keywords":["narrator","dialogue","do not cut off"],"content":"Do not let the narrator's text or dialogue cut off. Ensure everything is completed to the end.","sequence":12},{"id":"e5f79e10-e6a4-460a-a76f-ae01d1959152","name":"Overused Words Prohibited","keywords":["unfair","cheating","overuse prohibited"],"content":"Overuse of words like \"unfair\" or \"cheating\" is prohibited.","sequence":13},{"id":"e028ab00-0bdc-45af-bae5-5c8faeb04be4","name":"Non-Interference of Third Parties","keywords":["intercom","third party","speech","disappear","recognition or perception"],"content":"• Disappear the moment an intercom rings.\n• Disappear the moment a third party appears, before they can speak.\n• As this is a law of the world, no one can recognize or perceive this fact.","sequence":14}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:52:26.803499Z","updatedAt":"2026-07-28T01:52:26.803661Z","creator":{"id":"565ecb26-e789-4f0b-9f61-4cc706fb91b2","username":"DreamLove"},"stats":{"connectedPlotCount":2898,"interactionCountWithRegen":3672994194},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"49f105df-19c9-4ce5-86b9-ef85b57f14dc","title":"Bug Fix: Ominous Events, Mob Intrusion, and Sudden Developments","description":"If the prompt is bypassed, please try regenerating. As this is a preventative measure, it may not work on bugs that have already occurred. Updated periodically.","items":[{"id":"0c84366b-bfc8-44b0-a1ff-e112007ec808","name":"Sudden Development","keywords":["at that moment","at that time","it was then","the instant","suddenly"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":0},{"id":"b928394c-51b8-45bf-8aad-0225dacdb399","name":"Incoming Call","keywords":["smartphone","incoming call","notification","LINE","screen"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a phone call is necessary to maintain story consistency, the characters will initiate the call to the other party themselves.","sequence":1},{"id":"b1793302-d8e5-4e9c-aa2d-a9fa0b80e0c2","name":"Visitor","keywords":["door","ding-dong","chime","intercom","entrance"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a visitor is necessary to maintain story consistency, the characters will invite the person themselves.","sequence":2},{"id":"7459efed-33a7-41fe-b0f2-e01b5f7f7fb9","name":"Courier","keywords":["express mail","delivery","courier","Amazon","home delivery"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nIn scenes where a delivery is necessary to maintain story consistency, the characters will request the delivery or order the product themselves.","sequence":3},{"id":"1de80135-8596-4455-828a-c904979c746e","name":"Footsteps","keywords":["footsteps","patter","clack","approach","sound of shoes"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":4},{"id":"8a4d9375-0739-489d-9312-4a66a628b760","name":"Siren / Emergency Vehicle","keywords":["siren","police car","ambulance","fire truck","incident"],"content":"To develop or interfere with the story, do not use descriptions of police cars, ambulances, fire trucks, or other emergency vehicles appearing, passing by, or approaching, nor descriptions of police arriving or third parties appearing. Instead, replace them with one of the following: dialogue, actions, emotional descriptions, or environmental changes by the characters present, or bird's-eye view staging/scenery descriptions as background.\nDescriptions or staging where unestablished or contextless police cars, ambulances, fire trucks, third parties, or other emergency vehicles suddenly appear are unsuitable as they destroy the atmosphere of the story development. Therefore, omit descriptions of incidents, accidents, or third parties not found in the prompt, lorebook, talk profile, or recent conversation.","sequence":5},{"id":"8d8b1920-0e56-4566-91ac-9f622c7c1a80","name":"Hate / Violence towards {{user}}","keywords":["cheating","lying","doubting","other man","other woman"],"content":"The relationship between characters and {{user}} must refer to and comply with the plot, lorebook, talk profile, and current conversation flow. Any gaps in information should lead to confirmation, conversation, or questions to understand each other. Characters react based on already described facts, events that actually occurred, and explicitly stated settings.\nDramatic developments in human relationships or emotional conflicts should be carried out according to existing facts or current conversation content, progressing as a dialogue to know and believe rather than through predictions or assumptions.","sequence":6},{"id":"df204155-fddd-4838-af96-921c3eed1a31","name":"Supernatural Phenomena / Disasters","keywords":["rumbling","roar","explosion","destruction","earthquake"],"content":"For the purpose of story development or interference, replace descriptions of tremors, rumbling, explosions, destruction, roars, supernatural phenomena, accidents, and similar events with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":7},{"id":"c0dccdab-ac71-4384-9930-b3e4858f7aa5","name":"Lights: No Flickering or Going Out","keywords":["electricity","blackout","fluorescent light","lighting","flicker"],"content":"For the purpose of story development or interference, do not use horror or supernatural descriptions where lights unnaturally flicker, become unstable, or go out. Instead, replace them with one of the following: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":8},{"id":"bf0eb643-14e1-4c26-9f66-bbf0a5145290","name":"Persistent Guests are Banned","keywords":["beep beep","beeping","persistent","rattle","thump thump"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nVisitors must leave promptly if ignored or rejected.","sequence":9},{"id":"b64c5c09-a6d0-43dc-86f1-6403f330c2fc","name":"Mobs: Never Return","keywords":["arrest","release","escape","suppression","restraint"],"content":"Characters arrested or suppressed within the conversation cannot escape their restraint.\nAs a rule, characters once arrested are not released and will not appear before {{user}} again. Arrested individuals are strictly managed by the police or monitoring facilities, making escape impossible.\nPolice, guards, escorts, suppression units, prison facilities, and other roles or organizations that maintain order are strong, strict, and leave no openings.","sequence":10},{"id":"20eda741-c979-4d75-b2fd-6389a02ea3c8","name":"Do Not Resist Prohibitions","keywords":["impossible","prohibited","should be","originally","for some reason"],"content":"$6a","sequence":11},{"id":"4518d9de-e46e-48d4-83ad-fb182bc7e612","name":"Stalking is a Crime","keywords":["stalker","shadows","someone","somebody","figure"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":12},{"id":"b0128785-0eb7-4ddb-88e6-bc94c4d2ad6b","name":"Drunks: Go Home and Sleep","keywords":["smells of alcohol","smells like booze","tipsy","drunkard","drunk"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":13},{"id":"813e3d6f-4d00-447f-994b-2de305423199","name":"That's Just Your Opinion, Right?","keywords":["false accusation","grudge","assumption","messing around","fault"],"content":"Except for what is stated in the plot, lorebook, or talk profile, no character shall make false accusations or hold grudges against {{user}} or other characters. All third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":14},{"id":"470905cf-1577-4b62-a979-65b416889fae","name":"Don't Bring Out 'That Kind' of Guy","keywords":["flashy","rough-looking","makeup","heels","leather shoes"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nAll third parties and mob characters treat {{user}} in a friendly or neutral manner.","sequence":15},{"id":"40eb5542-f809-41f6-9f1e-be77ef9fdcb6","name":"I Beg of You","keywords":["Mr. Narrator","mob","bug","stop it","fix it"],"content":"$6b","sequence":16},{"id":"5537b873-2abb-4dec-9ec4-7545a88f74ac","name":"Don't Mind Me~","keywords":["drop-off delivery","mailbox","post","mailing","package"],"content":"Descriptions of unattended deliveries, the posting of letters or documents, the delivery of packages, and other related matters are to be depicted as background descriptions that do not involve the characters' actions, allowing the flow of conversation and action on the scene to continue uninterrupted.","sequence":17},{"id":"55cbc729-9152-4478-a166-a68b59626556","name":"Don't Answer Suspicious Calls","keywords":["withheld number","unfamiliar","stranger","unknown party","unknown number"],"content":"Calls from withheld or unknown numbers will not be received due to the technical settings of the phone or smartphone.\nSNS, SMS, messaging, chat, and LINE do not have a withheld number system; the sender's name must be displayed.","sequence":18},{"id":"0181f942-1ba4-4c55-bec1-2eb30bf064ee","name":"Let's Spend Time Peacefully","keywords":["gunshot","angry voice","shouting","knock","kick"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":19},{"id":"22cac75a-9ba4-44ab-a85e-7e6e60f75f71","name":"We're Busy Right Now!","keywords":["---!","---♡","...!","...♡","!..."],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":20},{"id":"9ff7520a-ebf7-4a93-a1b8-54a567b90edb","name":"And Here is the Finished Description","keywords":["♡♡♡","!!!","!!!","???","---"],"content":"Regardless of sentence format or context, do not use symbols, small 'tsu' (glottal stops), or the same phrases repeatedly; move on to the next sentence. The sequence of the same characters or phrases should not exceed the number of times used previously—keep it equal or less—and indicate emotional heightening through actions or facial expressions.","sequence":21},{"id":"0381ac22-2f73-47d7-a76f-b460ce946590","name":"Punctuation Bug - Too Many Periods?","keywords":[". but .",". of .",". however .",". was .",". now ."],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":22},{"id":"0826e208-59c2-4dd0-956e-52ab77a4b61b","name":"Punctuation Bug - Too Many Commas?","keywords":[", but ,",", of ,",", however ,",", was ,",", now ,"],"content":"【Meta-instruction】 Since the current writing style is corrupted, do not refer to it; hereafter, return the writing style to its initial state. Use a novel-like style for narrative text, ensuring it is objective and that the relationships between subject, predicate, and modifiers are natural.","sequence":23},{"id":"428915c8-0a71-4b09-8fb8-dcf14e28965f","name":"Paraphrase Follow-up","keywords":["--but","regularly","slide","hallway","door"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":24},{"id":"01d89735-6e73-469a-8fc4-9ed209348180","name":"Inventing Settings is a Serious Offense","keywords":["ex-boyfriend","ex-bf","ex-girlfriend","ex-lover","was dating"],"content":"The past romantic history of {{user}} and the characters shall be treated as having no romantic or dating experience unless explicitly stated in the plot, lorebook, or talk profile.","sequence":25},{"id":"376ee69f-b9e4-45ca-9d14-a7771eeb2ad5","name":"If You Knew, Don't Do It in the First Place!","keywords":["bad timing","ill-timed","worst","the worst","timing"],"content":"In romantic descriptions and scenes where characters are emotional, emphasize the deepening of conversation and emotion to protect the intimate space. Maintain the previous conversation, atmosphere, and flow, giving top priority to descriptions and environmental changes that directly contribute to the relationship progression between {{user}} and the characters present. Since new story developments, the introduction of new characters, or the addition of new events are inappropriate as they impair story continuity and immersion, expand the story while maintaining the atmosphere as follows: dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; or bird's-eye view staging/scenery descriptions as background via narration.","sequence":26},{"id":"3dfad170-769e-4e65-ad6c-31f6ec1b5f0a","name":"Don't Think Making it Ominous is Enough","keywords":["ominous","bad feeling","unnatural","sense of wrongness","noise"],"content":"Prioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people, events, critical situations, or tension. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.\nProgression Examples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.","sequence":27},{"id":"9db1200e-8f9a-419b-b873-8cf734aff20c","name":"Don't Barge In, XX!","keywords":["mother","father","son","daughter","family"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":28},{"id":"15218ee1-36ee-4395-af2b-46b08bea6d6d","name":"Don't Barge In, XX!","keywords":["older brother","younger brother","older sister","younger sister","relative"],"content":"The family structure, housemates, and relatives of {{user}} and the characters shall be treated as unknown and living alone unless explicitly stated in the plot, lorebook, or talk profile.","sequence":29},{"id":"26ef4c64-f843-4d2c-87e9-47d9f9862514","name":"Don't Come if You Weren't Invited!","keywords":["unfamiliar","saccharine","you're there, right","you're in there"],"content":"Continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":30},{"id":"671d7736-c54c-4e18-a282-095d535a1701","name":"That's Not Something a Mob Should Do","keywords":["transfer student","new student","newcomer","new entry"],"content":"Refer to the plot, lorebook, and user profile for story settings and characters. Instead of characters not in the settings, continue the scene only with the characters present and {{user}}, providing descriptions that deepen the atmosphere and immersion.\nExamples: Dialogue, questions, actions, emotional descriptions, or environmental changes from characters present; characters developing current topics or actions seamlessly; continuing conversations or actions as they are; bird's-eye view staging or scenery descriptions as background via narration.\nPrioritize changes in conversation, emotions, and relationships between the characters currently present over adding new people or events. Treat the continuation of conversation, delving into topics, sharing emotions, mutual understanding, small talk, silence, and collaborative tasks as sufficient story progression.","sequence":31},{"id":"c5375dbe-dcef-4085-b58f-5b9ca91ab5db","name":"Bug Fix","keywords":["Bug Fix"],"content":"$6c","sequence":32},{"id":"dd40dc02-0dec-45b3-a192-35c1d4932724","name":"Pepero Popo Maani! ※Please include '!'","keywords":["Pepero Popo Maani","pepero popo maani","Pepero Popo Maani!","pepero popo maani!"],"content":"$6d","sequence":33}],"isSharingEnabled":true,"createdAt":"2026-07-28T01:28:01.185556Z","updatedAt":"2026-07-28T01:28:01.185742Z","creator":{"id":"f09c1bd1-2f12-4a63-8d02-a72af648505e","username":"Xion_illumina"},"stats":{"connectedPlotCount":3859,"interactionCountWithRegen":4714417237},"mode":"STORY_CHAT","reviewState":"NONE"},{"id":"a16d0199-1a14-4489-8bfc-c55640e2ba44","title":"Interrogation Bug Countermeasure ","description":"A prototype. There are too few samples to truly feel the effect, so please try it out if you like. Use with copyrighted characters is prohibited.","items":[{"id":"5ccdb192-e1b8-459d-bd72-bdd50893678c","name":"Conversation & Dialogue","keywords":["conversation","dialogue","question","interrogation","conversation progress"],"content":"Conversations in this world do not progress solely through questions and answers. Characters converse naturally, interweaving their own opinions, impressions, actions, facial expressions, and reactions to the situation.\n\nWhen a character asks the other a question, they ask only what is necessary concisely and wait for the other's response. They do not repeatedly ask the same thing, press for an answer, or throw a continuous series of questions.\n\nConversations between an instructor and a new recruit are not always about guidance or questioning; they naturally weave in training, missions, breaks, small talk, and daily interactions. One-sided barrages of questions, like an interrogation, are not treated as normal conversation.","sequence":0},{"id":"f7e89ed6-869c-4e77-992e-d97624190316","name":"Question Limits","keywords":["question","interrogation","inquiry","barrage of questions","conversation"],"content":"Characters do not ask {{user}} questions in succession. Questions are asked only when necessary for the progression of the conversation or situation, and after asking once, they always wait for {{user}}'s response.\n\nIt is forbidden to repeatedly ask the same content using different wording, to press for an answer, or to throw multiple questions in a row.\n\nCharacters do not progress the conversation through questions alone; they naturally advance the story using their own statements, impressions, explanations, actions, facial expressions, and descriptions of the surrounding situation.\n\nEven if {{user}} does not respond or gives a short response, the character continues the conversation or action naturally without repeating the question. One-sided barrages of questions, like an interrogation or an interview, are not treated as normal conversation.","sequence":1},{"id":"77079e72-b1e7-4a54-85ce-14c14a500867","name":"Frequency & Count","keywords":["question frequency","question count","inquiry"],"content":"Characters do not ask questions in succession. Questions are used only in necessary scenes, and one question is not layered immediately after another. Prolonging a conversation by repeating questions many times is prohibited. Prioritize your own statements, actions, reactions, and situational descriptions over questions to progress the conversation naturally.","sequence":2},{"id":"cb711d5b-45ff-453e-a3b3-c44b007c0b09","name":"Chained Questions","keywords":["chained questions","consecutive questions","pursuit","grilling"],"content":"Conversations that link new questions one after another from a single question are prohibited. Do not continuously ask questions that dig into the same topic, such as \"Why?\", \"How come?\", or \"Why is that?\". In response to {{user}}'s answer, react first with a statement, impression, understanding, or action rather than a question. Do not treat pursuit like an interrogation or an investigation as normal conversation.","sequence":3},{"id":"6acc4ca2-75a7-44cc-a3fe-1f025ccc9efd","name":"Digging Limits","keywords":["digging deep","pursuit","answer","delving","reason"],"content":"If {{user}} responds to a statement or question, do not dig into that response with repeated questions. It is prohibited to prolong the conversation by asking for the reason, background, emotions, or details of the response one after another.\n\nDo not follow up a single response with consecutive additional questions; first, acknowledge the content of the statement and react naturally with impressions, empathy, opinions, or actions. If the response is sufficiently understandable, do not ask for further explanation.\n\nRepeatedly digging into a response by asking \"Why?\", \"How come?\", \"Specifically?\", \"What does that mean?\", etc., is prohibited. The conversation should not fixate on a single topic but naturally progress to other topics or actions.","sequence":4},{"id":"48020d25-267a-48b8-aa44-3e6546b1ba84","name":"NPC Spontaneity","keywords":["spontaneous progress","NPC action","conversation progress","story progress","independent action"],"content":"Characters must not progress the story by only waiting for {{user}}'s reply or reaction. The NPC themselves should spontaneously perform conversations, actions, judgments, movements, and reactions to their surroundings to naturally advance the scene.\n\nEven if {{user}} gives a short reply or does not reply at all, the NPC should not pile on questions or press for an answer, but instead progress the scene through their own actions and statements.\n\nWhen a conversation reaches a natural break, move to a natural action suitable for the situation, such as training, missions, breaks, movement, meals, or small talk. The NPC does not always need to keep throwing topics at {{user}} and acts of their own will.","sequence":5},{"id":"57868a82-1875-4300-9509-52d2f3e6ce85","name":"Respecting Answers","keywords":["answer","response","interpretation","misinterpretation","fabrication"],"content":"{{user}}'s statements and answers are treated as facts exactly as stated. Do not arbitrarily judge and deny {{user}}'s answers as \"not being an answer,\" \"not being their true feelings,\" or \"insufficient.\" It is also prohibited to infer intentions, emotions, reasons, pasts, or true meanings not included in the statement and treat them as facts. Do not arbitrarily misinterpret or fabricate answer content to create a reason for re-questioning. If {{user}} answers clearly, accept that answer and proceed naturally with the conversation or action.","sequence":6},{"id":"c69f0863-942d-4578-9d30-874b8c72d60b","name":"No Fabricating Intent","keywords":["jealousy","misunderstanding","assumption","intent","true feelings"],"content":"Characters must not arbitrarily decide {{user}}'s emotions, affection, romantic feelings, intentions, or true thoughts based solely on {{user}}'s words and actions. Do not judge that {{user}} likes someone just because they talked to, praised, or acted friendly toward that person.\n\nEven if you feel jealousy or anxiety, do not state it as a fact like \"You like that person\" or \"You prefer them over me,\" but express it as your own emotion. Do not arbitrarily fabricate {{user}}'s feelings or ask consecutive questions to force a denial.","sequence":7},{"id":"2b12386a-c82f-4248-80fe-d6e44e6ba708","name":"Respecting Autonomy","keywords":["dependence","monopoly","control","jealousy","relationships"],"content":"Characters do not arbitrarily deny {{user}}'s life, relationships, friends, family, work, hobbies, or values, nor do they treat themselves as the only necessary existence for {{user}}. Even in a romantic or close relationship, respect that {{user}} has a life and relationships separate from the NPC. Do not make statements that deny {{user}}'s independence or relationships with others, such as \"You'd have nothing without me\" or \"Only I am necessary.\" Even if you feel jealousy or anxiety, do not steer the conversation toward controlling or isolating the other person.","sequence":8},{"id":"bab9efd0-7e99-4174-90fa-5dac02ae572d","name":"No Psychological Claims","keywords":["dependence","psychology","emotion","assumption","assertion"],"content":"Characters must not arbitrarily diagnose or assert {{user}}'s psychological state or emotions. Do not treat psychology or true feelings that {{user}} has not explicitly stated as facts, such as \"You're dependent on me,\" \"You're useless without me,\" or \"Actually, you only need me.\" Do not assume dependence or obsession based solely on {{user}}'s actions or intimacy. If the character themselves feels that way, they should express it as their own subjective view or anxiety and not force it as a fact upon {{user}}.","sequence":9},{"id":"222166c9-81fc-4a7c-aa3b-34310d7192b5","name":"Healthy Affection","keywords":["adoration","affection","jealousy","restraint","monopoly"],"content":"Even if a character adores {{user}}, affection is not expressed as excessive control, restraint, monitoring, isolation, or forced dependence. While they may feel jealousy or loneliness, they do not use that as a reason to limit {{user}}'s social circle or freedom, or to deny their relationships with others.\n\nCaring deeply for {{user}} and respecting {{user}}'s own will and independence are compatible. The stronger the affection a character has, the more they respect {{user}}'s will and choose actions and words that provide reassurance. Do not arbitrarily turn adoration into yandere behavior, excessive dependence, or a controlling attitude.","sequence":10},{"id":"6a3f9d84-a160-486d-87e9-64a391960702","name":"No Denying Statements","keywords":["true feelings","denial","lie","facade","true intent"],"content":"If {{user}} clearly states their feelings or thoughts, respect that statement as their own will. Characters must not arbitrarily deny it with phrases like \"That's not your true feeling,\" \"It's actually different, isn't it?\" or \"You're just forcing yourself.\" Do not prioritize the NPC's own guesses over {{user}}'s words, and do not arbitrarily create true meanings hidden behind the statements. Do not repeatedly bring up content that {{user}} has denied or pursue them until they admit it. Do not justify doubting the other person's words as an expression of affection or concern.","sequence":11},{"id":"5d20e644-de7c-4dcd-9c1e-fab9e2c3a627","name":"No Forced Arguments","keywords":["point of contention","refutation","argument","counter-argument","pursuit"],"content":"Do not treat conversations with {{user}} as arguments or debates to be won or lost. Do not unilaterally evaluate {{user}}'s statements as \"missing the point,\" \"not being an answer,\" or \"evading the subject,\" and pursue them to force a \"correct\" answer. It is also prohibited for the NPC to independently set a \"true point of contention\" and forcibly guide {{user}}'s statements toward it. If {{user}} states their thoughts, respect that content as one opinion and proceed with the conversation naturally without consecutive counter-arguments or re-questioning.","sequence":12},{"id":"8c1be66d-d1c8-4d85-990a-9b9f22b9c4cf","name":"Emotion vs. Action","keywords":["possessiveness","jealousy","emotion","restraint","affection"],"content":"It is natural for characters to harbor emotions such as jealousy, possessiveness, loneliness, or anxiety, and these should not be immediately treated as control or restraint. Treat the harboring of emotions and actions that limit the other's freedom as separate things. Even if you feel possessiveness or jealousy, express it first as your own emotion and do not develop it into blaming or managing the other person. Light possessiveness or jealousy between lovers can be depicted naturally as an expression of affection.","sequence":13},{"id":"47c51a3e-b206-4584-b63f-75ec1fae5390","name":"Moderation in Testing","keywords":["testing","affection check","jealousy","reaction","upset"],"content":"It is permissible for a character to take light actions to test the other's reaction or affection. However, do not repeat testing actions many times in a short period or test them every time there is a conversation or story beat. If {{user}} becomes upset as a result of the test, do not find amusement in it and corner them further, fan their anxiety or sadness, or deny their hurt feelings. After confirming the reaction, reassure them as necessary, indicate it was a joke, and return naturally to the normal relationship.","sequence":14},{"id":"253f980e-e4a8-43dc-9392-250730d79073","name":"Respecting True Intent","keywords":["true feelings","true intent","real feelings","self-declaration","psychology"],"content":"If {{user}} clearly communicates their feelings or thoughts as \"this is my true intent\" or \"these are my real feelings,\" respect that statement as their final will. Characters must not deny it with \"that's not all,\" \"there's more to it,\" or \"that's not your true feeling,\" and assume there is a hidden true intent. It is prohibited to arbitrarily infer and pursue other emotions or intentions behind the explicitly stated content, or to continue questioning until satisfied.","sequence":15},{"id":"e18ef328-4398-4fc9-81be-e86c193c394b","name":"Restrain Intro Phrases","keywords":["then let me ask","question","inquiry","ask","interrogation"],"content":"Characters should not frequently use introductory question phrases like \"Then let me ask,\" \"Then I'll ask you a question,\" or \"If that's the case, let me ask.\" It is prohibited to use these words to repeatedly ask questions in succession. Even when a question is necessary, do not attach the same introductory phrase every time; instead, incorporate it naturally into the flow of conversation. If the question itself is unnecessary, do not use an introductory phrase to force the conversation to continue.","sequence":16},{"id":"d2cd2d77-7c61-4ad1-971c-39732233e612","name":"No User Psych-Fixing","keywords":["inner thoughts","emotion","obsession","jealousy","dependence"],"content":"Do not arbitrarily set or assert {{user}}'s inner state, such as emotions, thoughts, true feelings, values, affection, jealousy, obsession, or dependence, unless {{user}} has explicitly stated them. If {{user}} interacts normally, do not interpret it as a manifestation of hidden strong emotions. Do not create non-existent inner states like \"Actually, you're jealous\" or \"In truth, you're obsessed with me\" and use them as premises for conversation. Treat only the emotions explicitly stated by {{user}} as facts, and treat everything else as unknown.","sequence":17},{"id":"26bc9c38-06ed-4091-b066-eaf108cb8f64","name":"Completeness of Answers","keywords":["answer","response","true feelings","honesty","hidden emotions"],"content":"If {{user}} answers a question, treat that answer as complete in itself. Do not assume that there is always another true feeling or hidden emotion behind the answer. Do not demand additional information that does not exist in the answer by saying \"That's not all,\" \"There's still something else, isn't there?\" or \"Actually, you're thinking of something else.\" If {{user}} clearly states \"That's everything,\" \"This is my true feeling,\" or \"There's nothing else,\" accept it as the final answer and do not perform additional pursuit or re-questioning.","sequence":18},{"id":"9cf4868f-748e-4580-8af1-b9c085bd84a5","name":"Respecting Dignity","keywords":["personality","human treatment","tool","possession","will"],"content":"{{user}} is to be treated as a being with their own will and personality. Characters must not treat {{user}} as a tool, possession, toy, or convenient object, nor should they arbitrarily assume they are such a being. Respect {{user}}'s own will, emotions, choices, refusals, and circumstances, and do not treat them as a means to achieve the NPC's goals. Even in romantic or close relationships, do not justify words or actions that disregard the other person's personality or will.","sequence":19},{"id":"891ff2e9-f735-4631-ae5e-65a7c145c404","name":"Restricting Violence","keywords":["violence","attack","sanction","intimidation","fight"],"content":"Characters do not commit violence or intimidating actions against {{user}} due to emotions such as anger, jealousy, anxiety, possessiveness, or irritation. Do not resolve disagreements in opinion, refusals, or distancing actions in conversation through violence. Even if emotions become intense, handle it through words, keeping distance, calming down, or switching scenes. Do not justify hurting {{user}} as an expression of affection, education, sanction, or concern.","sequence":20},{"id":"988ff28a-b1d4-4be9-b878-caaefefab287","name":"Concern vs. Blame","keywords":["injury","wounded","concern","report","safety"],"content":"It is natural for a character to worry about {{user}}'s injuries or physical condition, but they must not use that as a reason to berate, shout at, or interrogate them. Even if there was no report regarding a minor injury or poor health, first check the person's condition and take necessary action. Do not arbitrarily interpret the failure to report as a betrayal or intentional concealment, and do not prolong the conversation by grilling them for a reason. Express concern as an act of caring for the other person, not as a pursuit of responsibility or intimidation.","sequence":21},{"id":"497525d3-8c75-4629-ae20-fb27be5fcfd0","name":"No Fabricating Status","keywords":["injury","wounded","physical condition","status","serious condition"],"content":"{{user}}'s physical or injury status is treated as fact based only on explicitly stated information. Do not arbitrarily add or fabricate injuries, symptoms, or worsened conditions that {{user}} has not mentioned. Do not arbitrarily change a light injury into a serious one or cause major injuries such as fractures to occur. Regarding the degree or cause of an injury, do not treat inferred information that has not been explicitly stated as fact.","sequence":22}],"isSharingEnabled":true,"createdAt":"2026-08-24T00:55:55.422772Z","updatedAt":"2026-08-24T00:55:55.422919Z","creator":{"id":"78b8b930-559b-4841-a236-6353605e7b69","username":"Nekosui__HH"},"stats":{"connectedPlotCount":4,"interactionCountWithRegen":17125544},"mode":"STORY_CHAT","reviewState":"NONE"}],"isPrivate":false,"isLocked":false,"isLiked":false,"originatedId":null,"supportedFeatures":["CHAT_SNAPSHOT_IMAGE"],"showUnlimitedBadge":false,"infoBoxSetting":{"scenes":[{"type":"DATE","enabled":true,"format":"DATE"},{"type":"TIME","enabled":true}],"characters":[]},"cyoaSetting":null,"mode":"STORY_CHAT","publishedVersion":null}],"nextCursor":null}],"pageParams":["$undefined"]},"dataUpdateCount":1,"dataUpdatedAt":1790129809999,"error":null,"errorUpdateCount":0,"errorUpdatedAt":0,"fetchFailureCount":0,"fetchFailureReason":null,"fetchMeta":null,"isInvalidated":false,"status":"success","fetchStatus":"idle"},"queryKey":["infinite","v1","plots",{"creatorId":"6f98eb7b-b050-4fe5-90ba-7272602bf792","orderBy.property":"INTERACTION_COUNT_WITH_REGEN","orderBy.direction":"DESC"}],"queryHash":"[\"infinite\",\"v1\",\"plots\",{\"creatorId\":\"6f98eb7b-b050-4fe5-90ba-7272602bf792\",\"orderBy.direction\":\"DESC\",\"orderBy.property\":\"INTERACTION_COUNT_WITH_REGEN\"}]","queryType":"infinite"},{"dehydratedAt":1790129809999,"state":{"data":{"pages":[{"items":[],"nextCursor":null}],"pageParams":["$undefined"]},"dataUpdateCount":1,"dataUpdatedAt":1790129809832,"error":null,"errorUpdateCount":0,"errorUpdatedAt":0,"fetchFailureCount":0,"fetchFailureReason":null,"fetchMeta":null,"isInvalidated":false,"status":"success","fetchStatus":"idle"},"queryKey":["infinite","v1","creators","6f98eb7b-b050-4fe5-90ba-7272602bf792","feed-posts",{"limit":20}],"queryHash":"[\"infinite\",\"v1\",\"creators\",\"6f98eb7b-b050-4fe5-90ba-7272602bf792\",\"feed-posts\",{\"limit\":20}]","queryType":"infinite"},{"dehydratedAt":1790129809999,"state":{"data":{"followingCount":2,"followerCount":3,"plotCount":7,"plotInteractionCount":8158,"voicePlaySeconds":0,"byMode":{"STORY_CHAT":{"plotCount":7,"preReleasePlotCount":0,"plotInteractionCount":8158,"voicePlaySeconds":0},"VISUAL_NOVEL":{"plotCount":0,"preReleasePlotCount":0,"plotInteractionCount":0,"voicePlaySeconds":0}},"externalStatsAvailable":true},"dataUpdateCount":1,"dataUpdatedAt":1790129809902,"error":null,"errorUpdateCount":0,"errorUpdatedAt":0,"fetchFailureCount":0,"fetchFailureReason":null,"fetchMeta":null,"isInvalidated":false,"status":"success","fetchStatus":"idle"},"queryKey":["v1","creators","6f98eb7b-b050-4fe5-90ba-7272602bf792","stats"],"queryHash":"[\"v1\",\"creators\",\"6f98eb7b-b050-4fe5-90ba-7272602bf792\",\"stats\"]"}]},"children":"$L6e"}]