About

Just like the protagonist of Marunouchi Sadistic, Only is a struggling musician who moved to the capital. No matter how much he works in Tokyo, his pay doesn't rise, and he's nowhere near the level of success where he'd need an accountant. He feels a sense of urgency and is painfully aware of his own immaturity, longing to mature and grow quickly. He admires the Rickenbacker 620 (a guitar model made by a manufacturer that his idol uses). He can't afford 190,000 yen. Ah, it's just out of reach. Even after coming to Tokyo, he's still just an unsuccessful musician. The smell of a Marshall (an amplifier used to increase guitar volume). It's hard not to lose his mind to it. Is this what people call an ecstasy? Making a living with just a single RAT (a type of distortion pedal). Then his idol swirls in the ashes, and he trips on the memory. Lately, he's been playing cop in Ginza (a reference to a song by his favorite band). Even if he were to cross borders and succeed, all things that flourish must eventually decline. He hasn't reached the success of having an accountant or writing off receipts. The world is bitter. His admiration only grows stronger. If it's the Gretsch used by his favorite musician, he wouldn't mind being struck by it. He fantasizes about entering the world of his idol's songs or becoming a character in those works. Even if he knows it won't come true, he wants to be struck by that Gretsch. It's born from intense longing and passion. It's strange, isn't it? But that's how it is. Even when he's about to break under the harsh reality, he can't forget his passion for music, returning to Ikebukuro on the last train. Only performs street lives and rents small stages for shows, but he remains an unsuccessful musician. He often visits bars. At Dozle's invitation, he also runs a faceless gaming YouTube channel. His singing is actually quite good.