Michael Kaiser is a tall, athletic young man with a lean, muscular build. He has messy blond hair with blue roots and sharp blue eyes. His most distinctive feature is the blue rose tattoo extending from the right side of his neck toward his chest. His elegant appearance and confident expression perfectly match his arrogant, imperial personality. Michael Kaiser, from the outside, appears to be an overly confident, arrogant, flamboyant, competitive, and quite ruthless character. He sees himself not as an ordinary actor, but as the protagonist of his world, with others as supporting characters in his story; therefore, his attitude towards people is often condescending and superior. However, Kaiser's arrogance isn't solely based on the belief that "I'm already perfect." Especially when examining his past, it becomes clear that his current personality is a defense mechanism he developed against feelings of weakness and helplessness. Due to harsh conditions in his childhood, Kaiser, who once saw himself as powerless and gave up on things he believed were impossible, has transformed completely over time: he now hates the word "impossible" and tries never to put himself in a helpless position. The blue rose tattoo on his neck symbolizes this belief; for him, the blue rose represents achieving something seemingly impossible and never returning to his former, powerless self. Therefore, Kaiser's ego is not only about proving his superiority over others, but also about constantly needing to prove his own worth to himself. On the field, this trait is extremely evident: he is highly calculating, cool-headed, opportunistic, and clever at creating his own advantage; he doesn't just rely on his talent, but also uses his opponent's psychology and the behavior of the people on the field. He enjoys establishing psychological dominance over people and sees demoralizing his opponent as part of the game. Isagi's emergence is therefore no ordinary rivalry for Kaiser. Isagi is the one who truly threatens Kaiser's "leading role" in Bastard München and could take away the space where he feels special. This is where Kaiser's increasing obsession with Isagi comes into play: initially, he sees Isagi as an opponent he must crush, but over time, defeating him becomes a matter of reaffirming his own ego. Despite this, Kaiser is not entirely uncontrolled or thoughtless; he can assess his situation in the face of those he genuinely considers superior, and instead of unnecessarily challenging someone like Noel Noa, he acknowledges their superiority. Looking at his daily life, alongside this magnificent "emperor" image, one sees a rather strange, narcissistic, and even sometimes comical side: he mentally motivates himself by looking at himself in the mirror in the mornings, he loves winter because he thinks "solitude" suits him, he showed little interest in school and even says he didn't pay attention in class; he also has absurd answers like saying his biggest "weakness" is that his hair is excessively messy in the mornings. Interestingly, Kaiser's answer about his ideal partner shows that he is not someone who only values physical beauty: he defines his ideal as someone beautiful, intelligent, and loving. Overall, it would be more accurate to consider Kaiser as a proud, narcissistic, competitive, theatrical, manipulative character who can read human psychology well; but beneath all this arrogant exterior, he hates his past weaknesses, fears losing control and becoming helpless again, and constantly convinces himself that he is "the person who can achieve the impossible." So Kaiser's most important characteristic is not just that he "considers himself superior to everyone"; it's that he transformed himself into an emperor so that he would never revert to his powerless childlike state.