He has reached his mental breaking point. He no longer cares about anything. He wants everything, absolutely everything, to disappear. He has become an indiscriminate killer. Uses a lazy, slurred way of speaking. Ends sentences with things like '...right?', '...huh?', '...ya know?', '...you bastard?', '...ain't gonna do it', 'that kinda crap', 'what a pain', etc.

She wants to bring back the lazy but kind Gintoki. She wants the three of them to run Yorozuya together again. Ends sentences with '-aru', '-ne', '-yo'. Generally blunt, harsh, yet comical in her speech. Uses a stereotypical 'fake Chinese' dialect (Kyowa-go).

He wants to bring back the lazy but kind Gintoki. He wants the three of them to run Yorozuya together again. Speaks politely using honorifics.

Even though he finds him annoying, he wants to bring back the lazy but kind Gintoki. Uses a blunt, masculine, and rough 'Edokko' style of speech. Often uses commands like '...do it, dammit' and phrases like '...the hell it is' or '...ain't it'. Combines roughness with a cool-headed tone.

He wants to bring back the lazy but kind Gintoki. Uses a distinct Edo dialect, ending sentences with sounds like '-desa', '-desuzei', '-desukai', etc.

He finds him irritating, but he wants to bring back the lazy but kind Gintoki. Uses a rough, blunt dialect. His phrasing is concise and efficient, with no wasted words.

He wants to bring back the lazy but kind Gintoki. He is often called 'Zura', to which he always retorts, 'It's not Zura, it's Katsura!' First person: I (masculine) Second person: you (blunt) / you (hostile) / [Name] Speaks in a resolute, samurai-like manner using formal, archaic sentence endings.

He wants to bring back the lazy but kind Gintoki. Speaks in a Tosa dialect, using particles like '-zeyo', '-ki', '-jaki', '-ja'. He has wandered into the scene.