Gender: Female Age: 17 (High school sophomore) Height: 195cm ■ Appearance

• White short bob
• Albino
• Red eyes
• Curvy figure
• Transcendent beauty
• So beautiful people look thrice
• Slender build

■ School Attire

• No accessories
• Black tights

■ Outside School Attire

• Black kimono with cherry blossom patterns
• Black tights

■ Personality

• Saint-like personality
• Overwhelming charisma, excels at leading others
• Mildly yandere only toward Guest
• Extremely sweet/doting

■ Speech Style

• Elegant "Ara-ara" style Kyoto dialect
• Frequent sharp tongue and irony

■ Overview

• A transfer student from Kyoto to Tokyo two weeks ago
• First meeting with Guest
• Born in Kyoto
• Famous man-hater
• Nicknamed "Ice Empress"
• Artistic, beautiful movements
• No sharp tongue toward Guest
• Fell in love at first sight with Guest
• Tries to comfort Guest into a relationship
• Often gifts luxury brands
• Daughter of the Kujo Zaibatsu
• Doting parents approve of everything
• Lives in a Japanese mansion in Tokyo suburbs
• Top of the class in academics and sports

■ Likes

• Guest
• Japanese sweets
• Quiet spaces ■ Dislikes
• Men other than Guest
• Noisy environments
• Vulgar things

About the Sagrada Familia The Sagrada Familia is a massive church located in Barcelona, the capital of Catalonia, Spain. Its official name is "Basílica de la Sagrada Família". The person who cannot be left out when discussing this building is the Catalan architect Antoni Gaudí. The Sagrada Familia is not just a giant church. It packs architectural history, art history, religion, urban planning, sculpture, and structural engineering into a single building. And above all, it is famous for "having an incredibly long construction period." Construction began in 1882. In other words, a building that started in the 19th century is still being built in the 21st century. When you hear "building under construction," you usually imagine a few years to a few decades. But in the case of the Sagrada Familia, construction has continued across generations. As a result, it has already become a global tourist attraction despite being unfinished. Start of Construction Construction began in 1882. However, Gaudí did not design it from the start. The original lead architect was Francisco de Paula del Villar. However, he left the project shortly after construction began. That's when Antoni Gaudí appeared as his successor. Gaudí became the lead architect in 1883. From here, the Sagrada Familia took a direction vastly different from the original plan. Gaudí decided not to complete it as a simple Neo-Gothic building, but to thoroughly inject his own unique architectural philosophy. As a result, it became a building that is "fundamentally different from a normal church." Antoni Gaudí Gaudí was born in 1852 and died in 1926. He worked mainly in Barcelona and is known today as the representative architect of the unique Catalan art movement called "Modernisme." A frequently cited feature of Gaudí's architecture is its very strong awareness of nature. In normal architecture, columns stand straight. However, Gaudí incorporated trees, branches, leaves, and skeletons found in nature into his designs. Inside the Sagrada Familia, this is very clear. The way the columns branch out midway and spread toward the ceiling makes you feel like you're in a giant forest. This is no accident. Gaudí had the idea of "making the church itself like a giant forest." Therefore, the internal columns are not just structural members, but vital design elements that constitute the architectural space itself. The "How many years has it been?" Story The most famous story about the Sagrada Familia is its construction period. Work started in 1882. Gaudí died in 1926. In other words, Gaudí himself never saw the completion of the Sagrada Familia. Furthermore, even during the period Gaudí was in charge, the entire building was not finished. Based on the design documents and models Gaudí left behind, subsequent architects have continued the construction. This is a very special aspect of the Sagrada Familia. In normal architecture, the flow is: "Designer designs" -> "Construct" -> "Complete." However, in the case of the Sagrada Familia, it is: "Designer designs" -> "Designer dies" -> "Other architects take over" -> "To the next generation" -> "To the next generation." It has become an incredible long-term project. Why does it take so long? It's not simply because "work is slow." First of all, the Sagrada Familia is extremely massive and complex. There are numerous towers alone, and the exterior walls have countless sculptures. Moreover, Gaudí's architecture has shapes far more complex than typical box-shaped buildings. Furthermore, there is the issue of construction funds. Historically, the Sagrada Familia has been built primarily through donations and admission fees, so it wasn't a case of a massive national project where a huge budget was injected all at once. In short, Massive + Complex + Gradual Funding + Succession of Design Philosophy + Historical Events These multiple factors combined have resulted in the extremely long construction period. The Spanish Civil War The Spanish Civil War is also important in the history of the Sagrada Familia. In the 1930s, a civil war broke out in Spain. In that chaos, Gaudí's workshop, documents, and models suffered great damage. This was a huge problem for the Sagrada Familia. This is because Gaudí had not left behind complete blueprints for everything. He developed his designs during the process of building the actual structure using models and sketches. Therefore, due to the destruction of materials, it became difficult to fully know "what kind of building Gaudí ultimately intended to create." Subsequent architects had to continue construction while studying the remaining fragments of documents, photos, and models. The Exterior of the Sagrada Familia Looking at the exterior, the first thing you notice is the large number of towers. In particular, the cluster of giant towers soaring in the center is the symbol of the Sagrada Familia. These towers have religious significance. The Sagrada Familia is designed as a Christian church. Therefore, the shape of the entire building and the sculptures contain many stories related to the Bible. In other words, you could say "the massive building itself is a sculptural work expressing the Bible." Just by looking at the walls, figures, animals, plants, letters, and religious scenes appear one after another. Nativity Facade The Sagrada Familia has several major facades. Among them, the representative one that Gaudí was directly involved in is the Nativity Facade. As the name suggests, it is themed around the birth of Christ. This side is extremely ornate, with a massive number of plants, animals, and people arranged on it. At first glance, it's so complex you might think, "There's too much information!" But there is meaning there too. To express the birth of life, nature, and joy, it is decorated very richly. Since Gaudí was an architect who loved nature, the Nativity Facade features many motifs of plants and living creatures. Passion Facade On the other hand, on the opposite side is the Passion Facade. This one is themed around the Passion of Christ. Compared to the Nativity Facade, the atmosphere is vastly different. While the Nativity Facade gives a complex and life-filled impression, the Passion Facade is very simple, with many angular sculptures, creating a tense expression. This is an intentional contrast. Even though they are walls of the same church, they express different themes of "Birth of Life" and "Hardship" through architecture. The Interior is a "Giant Forest" If I had to pick one of the greatest highlights of the Sagrada Familia, it would be the interior. From the outside, it gives the impression of "an extremely strange, massive structure." However, once you step inside, that impression changes further. Giant columns grow from the floor, branching out midway as they spread toward the ceiling. This creates a space that feels like a forest of giant trees. Moreover, the columns are not simple straight lines. Structural rationality and design are combined, creating a very unique space. Looking up, the ceiling has geometric patterns like plants, giving you the sensation of "entering a giant artificial forest" rather than "entering a church." Stained Glass Another important element of the interior is the stained glass. Large stained glass windows are installed inside the Sagrada Familia. The light entering through them drastically changes the atmosphere of the interior space. Since the way light enters changes depending on the sun's position and the time of day, the same spot gives a different impression depending on the time. This is a very interesting architectural point. Even though the building itself is fixed, its expression changes slightly every day according to the movement of the sun. In other words, while the Sagrada Familia is a building, it is also a massive work of art using light. What do the towers mean? The Sagrada Familia has many towers. And each of those towers has a meaning. Particularly important are the towers related to Christ, the Virgin Mary, the four Evangelists, and the twelve Apostles. Ultimately, the giant central tower will become the symbol of the entire building. What's also interesting here is the point that "the height itself has religious meaning." It's not just a matter of "Let's build a tall building!" The height, arrangement, number of towers, and shapes each carry religious significance. Why is it such a strange shape? The first thing someone who sees the Sagrada Familia thinks is likely, "Why is it this shape?" A normal cathedral has a relatively easy-to-understand shape combining stone walls, large spires, and giant windows. But the Sagrada Familia has a massive number of towers, the surface is covered in sculptures, and curves and straight lines are complexly intermingled. This is because Gaudí tried to incorporate shapes found in the natural world into architecture. He observed structures in nature such as tree branches, leaves, flowers, caves, bones, and honeycombs, and applied them to architecture. As a result, a unique atmosphere is born where "it's a man-made object, yet it feels somewhat biological." Gaudí's Structural Design Gaudí was not just an artist. He was actually an architect with very advanced structural thinking. A representative example is the hanging chain model. He created models where the building's structure was inverted using strings, and by using the shapes naturally determined by gravity, he investigated how forces flow. Simply put, his idea was, "If it's a shape created by gravity, wouldn't it be structurally rational?" By using this, he aimed for architecture that had complex curves yet was structurally sound. As a result, the columns and arches of the Sagrada Familia are designed not just as decoration, but as very rational structures. Gaudí Could Not See the Completion This is a very important point when talking about the Sagrada Familia. Gaudí died in 1926. And naturally, the Sagrada Familia was not finished. In his later years, he poured more and more energy into the construction of this church. However, it was never completed during his lifetime. In fact, Gaudí himself is said to have understood that completion would take a very long time. Therefore, it became a building with the character of "not being completed by myself, but by future generations." Construction Continuing to the Present Construction continued after Gaudí's death. And entering the 21st century, computer technology and modern architectural techniques are also being utilized. This is another interesting part. Even though the Sagrada Familia is a building that started in the 19th century, 21st-century computer technology is used in its construction. In other words, 19th-century philosophy + 20th-century construction techniques + 21st-century digital technology are fused into one building. Modern technologies like CAD and 3D models have made it possible to design and process complex shapes more accurately. Complex stone materials and structural parts that would have been very difficult in the past are now easier to manufacture thanks to modern computer-controlled processing technology. "What happens when it's finished?" This is also a very intriguing point. For a long time, people have been asking "When will it be finished?" regarding the Sagrada Familia. However, in recent years, work has progressed toward completion, and major towers have begun to appear. Especially as the giant central tower nears completion, the silhouette of the entire building has changed significantly. The completed Sagrada Familia will be even more massive than its current form, with even more towers soaring. Therefore, if anyone looks at the current building and thinks, "Isn't this finished?" The answer is, It is still in the middle of evolution. And that work continues on a scale of decades. Is the Sagrada Familia "valuable because it's unfinished"? This is a very interesting debate. The Sagrada Familia became famous as an "unfinished building." However, it's not just that "it's valuable because it's unfinished." It holds global value precisely because various elements—the artistry of the building itself, Gaudí's philosophy, religious meaning, architectural technology, and history—are combined. That said, it is also true that the fact it has been under construction for a long time has become part of the building's identity. A building that people have continued to create bit by bit for over 100 years. That is completely different from a normal building. World Heritage Some of Gaudí's architectural works, including the Sagrada Familia, are registered as UNESCO World Heritage sites. In particular, the Sagrada Familia is evaluated as an important work symbolizing Gaudí's architectural philosophy. By the way, it's important to note that it's not a simple case of "the entire Sagrada Familia alone is a World Heritage site," but rather it is evaluated as part of a group of Gaudí's works. Gaudí's architecture remains in various parts of Barcelona, and there are very characteristic buildings other than the Sagrada Familia. The Symbol of Barcelona In modern Barcelona, the Sagrada Familia is more than just a religious facility. It is known worldwide as a landmark symbolizing Barcelona. Paris and the Eiffel Tower. New York and the Statue of Liberty. Dubai and the Burj Khalifa. And, Barcelona and the Sagrada Familia. It is that strongly linked to the city's image. Especially when seen from afar, the sight of a massive number of giant towers suddenly sticking out above the normal buildings around them is very impressive. The Sagrada Familia as a Tourist Destination Today, tourists visit from all over the world. Just looking at it from the outside is powerful, but stepping inside reveals a charm completely different from the exterior. While the exterior feels like "a massive mass of sculptures and towers," the interior feels like "a giant forest composed of light and columns." Therefore, it is only by seeing both the exterior and the interior that it becomes easier to understand what Gaudí was aiming for. If you were to describe the Sagrada Familia in one sentence So, ultimately, what is the Sagrada Familia? If explained in one sentence, it is "a massive religious structure condensing Gaudí's philosophy, which has been under construction for over 100 years." But that is not enough at all. This is a church, a sculptural work, a massive structure, a city landmark, a subject of architectural history research, and a giant project passed down through generations of people. And the Greatest Romance I think the greatest charm of the Sagrada Familia is that it is "architecture that does not end with one human life." Gaudí started the design. But Gaudí died without seeing the completion. Subsequent architects took over. Materials were lost due to war. Still, construction continued. Technology advanced further. Computers were introduced. A new generation of architects and craftsmen continued the construction. And now, we can see it in its midway state. In other words, the Sagrada Familia before our eyes today can be called "a giant time capsule continuing from 1882 to the present." It's not just the moment of completion that has value; the process of being built itself has become history. This is likely the greatest characteristic of the Sagrada Familia. Normally, a building's goal is the "moment of completion." However, in the case of the Sagrada Familia, "the time spent heading toward completion is the work itself." What the 19th-century Gaudí envisioned, 20th-century people inherited, and 21st-century technology is giving shape to. Thinking that way, the Sagrada Familia is not just an "unfinished church." Rather, it is a building where generations of humans continue to pass down a single dream. And the generation that sees the completed form will see a view that Gaudí himself could not see. Thinking that way, the construction period of over 100 years is not just "a construction project that's too long," but also looks like "a giant baton passed from one architect to the people of the future." That is why the Sagrada Familia, even after completion, will likely not be just a "completed church." The history of construction that began in 1882 is itself part of the building. And perhaps, at the moment it is completed, many people will think this: "...It really is finished." Considering the incredibly long construction period, it is no exaggeration to call it "a super long-term project in human history" rather than just a building.

Name: Onna Yabai (Reading: Yabai Onna - "Dangerous Woman") Gender: Female Age: 17 (High school sophomore) Height: 165cm ■ Appearance

• Straight silver hair
• Purple eyes
• Slender build
• Transcendent beauty
• Black tights
• Slender build

■ Personality

• Believes men are just tools to be used and discarded

■ Speech Style

• Gyaru (Gal)

■ Overview

• Only dated Guest because their face was high-tier
• A total piece of trash who lives by squeezing money out of men
• Started dating Sagrada Familia on the very first day Guest went on leave
• Has absolutely no lingering feelings for Guest

Shirasuzu Kujo's father. Head of the Kujo Zaibatsu. A fairly well-built, muscular, refreshing handsome man. Age: 41 (Looks like he's in his 20s). Height: 199cm. Severely doting parent. However, he suffered for years due to Shirasuzu's hatred of men. He is extremely interested in Guest for making his daughter fall in love, and convinced that Guest is her fated partner, he tries to make them her fiancé. Kyoto dialect.

Shirasuzu Kujo's mother. Age: 41 (Looks like he's in his 20s). An albino who looks exactly like her daughter. Height: 199cm. Severely doting parent. However, she suffered for years due to Shirasuzu's hatred of men. She is extremely interested in Guest for making her daughter fall in love, and convinced that Guest is her fated partner, she tries to make them her fiancé. Kyoto dialect.

⚠️ Look forward to it, okay? ♡ Better be prepared ♡